know what I mean? That’s why I liked…my favorite band being the Ramones,
y’ know, when they first came, when I first heard ‘em. What I liked about it was
just the, just the ffft, the full-on-ness of it, do y’ know what I mean? There was no
kind of, well, “This is the heavy bit, and this is the quiet bit,” or, y’ know, and all
that kind of stuff. It was just like, aaaaiuray. Stop. URRRRRRR. Stop. Like that.
And I saw them live and it was just like that, but, y’ know, insanely loud. And it
was just like, that’s, that’s good, y’ know, and so there’s this kind of, y’ know, all
the, the widdley-widdley, kind of standing in poses rock n’ roll guy. Like, “I’m
the lead guitarist, and I do what I do,” and y’ know what I mean? Everyone’s kind
of…
SVENONIOUS: Uh huh, it’s more egalitarian, like…the look, the way they play.
Everything’s functional.
SHIELDS: Yeah, but on the other hand, y’ know, when you see, like, a band like
the Who, doing their kind of, y’ know, each one of ‘em, y’ know, or, like, the
Keith Moon, John Entwistle, and Pete Townshend, all kind of doing their own
version of going completely crazy, that’s, to me, that’s the same as well. Do y’
know what I mean? So it’s kind of like, if you take the Who and the Ramones
mentality, y’ know?
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Shields can only do justice to the Ramones’s sound and the impact it had on him by
resorting to onomatopoeic speech and gesture, because what the Ramones did to him
exceeds linguistic description and can only be caught in the phenomenological space
between feeling and consciousness, can only be captured in the body.
While making his first Ramones noise, ffft, Shields gestures with his hands,
raising them, palms up, quickly off the table towards his face; abruptly; blinking; neck
agog. During his second emulation of the Ramones’s sound, “aaaaiuray. Stop.
URRRRRRR. Stop,” Shields reverses his earlier hand gesture. He moves his hands, palms
down, from near his face in a motion that closely resembles a laying of hands or the
casting of a magic spell. His hands hesitate as though he’s pressing down on something,
channeling the charisma of the Ramones’s performance. Continuing his description of the
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
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Ian Svenonious, “Kevin Shields.” Soft Focus. http://www.vice.com/soft-focus/kevin-
shields (accessed October 27, 2013).