© 2017 Sony Corporation
Digital Motion Picture Camera
VENICE
Operating Instructions
MPC-3610
Firmware Version 4.0
4-735-109-14 (1)
GB
0002
1. Overview
Features ..............................................................................3
System Configuration ........................................................7
Location and Function of Parts ..........................................8
2. Preparation
Preparing a Power Supply ...............................................16
Setting the Clock .............................................................. 17
Attaching the VF Attachment and Handle ......................18
Mounting a Lens and Adjusting the Flange
Focal Length ............................................................19
Attaching a Viewfinder .................................................... 22
Handling SxS Memory Cards ........................................... 24
Handling SD Cards for Saving Configuration Data .......... 26
Using with AXS-R7 ..........................................................27
3. Camera Operations
Sub Display .......................................................................30
Operations on the Home Screen of the Sub Display ....... 33
User Functions Screen ......................................................39
Menu Operations .............................................................43
Full Menu Operations.......................................................54
Full Menu List ...................................................................55
Clip Operations on the Sub Display .................................73
Playback ...........................................................................75
Operations on the Home Screen of the Mini Display ...... 76
Clip Operations on the Mini Display ................................ 78
4. Network
Network Setup and Operations .......................................79
5. Shooting
Basic Operations ...............................................................83
Useful Functions ...............................................................84
6. Connecting External Devices
Connecting a Remote Control Unit ..................................86
Connecting External Monitors and Recording
Devices ..................................................................... 90
External Synchronization ................................................. 92
7. Appendix
Usage Precautions ............................................................93
Recording Formats and Output Signals ..........................96
Error/Warning Indications ............................................. 105
Items Saved in Files ........................................................107
Licenses ..........................................................................113
Specifications .................................................................114
Table of Contents
0003
1. Overview
Features
New 36×24 mm Full Frame CMOS
Image Sensor
Supports image capture at resolutions up to 6048
× 4032 pixels.* By switching the imager mode, the
unit can natively support many shooting formats,
including Super 35 24.3 × 12.8 mm, 4096 × 2160
pixel resolution (equivalent to 3-perforation
motion picture film) and 4:3 Anamorphic* Super
35 24.3 × 18.3 mm, 4096 × 3024 pixel resolution
(equivalent to 4-perforation motion picture film).
* Full Frame and Anamorphic modes require licenses sold
separately.
Wide Latitude
The unit supports 15+ stops of latitude. It features
very low noise for delivering phenomenal images
in conditions from searing sunlight to almost
no light, allowing for unprecedented creative
freedom in grading.
Wide Color Space Capture
Images can be captured in a color space that
exceeds DCI-P3. The degree of freedom in the
grading is dramatically improved when using
Sony’s S-Gamut and S-Gamut3.Cine color space
together with S-Log3.
Dual Base ISO
The unit supports two selectable native ISO
settings (ISO500 and ISO2500). Using Base ISO500
under normal lighting conditions and Base
ISO2500 under low light conditions allows you
to maintain the latitude balance between bright
and low light conditions when shooting, without
graining (noise).
PL Lens Mount
Equipped with the industry-standard PL lens
mount. The lens mount supports Cooke /i
technology, and lens information is recorded as
metadata frame by frame.
E Mount Lens
E mount lenses are supported by removing the PL
lens adaptor. E mount lenses are smaller and lighter
than PL lenses, and are available in a diverse lineup for
expanded possibilities in image reproduction.
Compact Body and Intuitive
Operation
A relatively compact design for a device equipped
with a large Full Frame image sensor, achieved
using Sony’s miniaturization technology, which
allows easier shooting in confined spaces or on
drones.
The position, shape, and size of the control
buttons reflect the requirements of camera
operators for intuitive operation. They also feature
backlighting for ease of use in dark locations.
Engineered to Survive
The chassis is made from magnesium alloy for
high robustness and durability. The ventilation
system is completely isolated from all electronic
components to prevent ingress of dust, sand, and
liquids.*
The silent-running fan can be removed and
cleaned on-set quickly and easily to maintain high
readiness.
* Design protects against dust and rain, but cannot
completely prevent the ingress of dust and liquid.
Modular Design
Features a fully modular design, allowing you
to flexibly support various rigs and peripheral
equipment according to the shooting application.
The top handle and viewfinder are easily adjustable
to maintain ergonomic balance and ease of use with
lenses. The height of the optical axis is the same
as the PMW-F55, permitting the use of peripheral
devices used with the PMW-F55. And an optional
AXS-R7 Portable Memory Recorder can be securely
attached to the rear of the unit using four hex screws.
8-Position Optical ND Filter
Employs an 8-position optical ND filter. It offers
a wide ND range of 0.3ND (1/2 = 1 stop) to
2.4ND (1/256 = 8 stops) that reduces time lost
on set changing external ND filters. The ND filter
mechanism is servo-controllable.
Intuitive and Familiar On-Set
Operation
The menu screen is available from both sides of
the camera, with the main control display on the
Assistant side of the camera for fast access to the
camera settings by the camera assistant while
shooting.
An OLED mini display on the Operator side allows
the operator to access commonly accessed
features such as ND filter position, shutter, white
balance, exposure index (EI), and frame rate (FPS),
making it convenient for the operator to check the
status of the unit.
Paint Control from RM/RCP Units
The unit supports control from an RM/RCP panel
that can be used with broadcast camcorders
and system cameras. When connected, ITU-R
Rec. 2020 color space and HLG are selectable
and adjustment of various paint parameters is
supported.
High Frame Rate (HFR) Shooting
4K RAW recording at frame rates up to 120 fps is
supported using the unit in combination with an
AXS-R7.
1. Overview: Features
0004
Remote Control Unit Support
By connecting an RM-B170 or other remote
control unit, you can control some of the functions
of the unit from the remote control unit even
when Technical > System Configuration > RM/
RCP Paint Control (page 68) is set to Off in the
full menu.
Various Recording Formats
The unit supports recording on SxS memory cards
in XAVC 4K/QFHD, MPEG HD, and HD ProRes 422
formats. In addition, it can record in 16-bit RAW or
X-OCN format onto AXS memory cards when used
in combination with an optional AXS-R7 Portable
Memory Recorder.
Imager Block Extension
The imager block can be extended from the
camera body by 2.7 m (8.9 ft) or 5.5 m (18 ft) by
connecting the CBK-3610XS* Camera Extension
System.
* Update the firmware to version 3.0 or later.
Effective Picture Size
The unit supports shooting in the following effective picture sizes.
[Note]
A software license is required to shoot in 6K 17:9, 6K 1.85:1, 6K 2.39:1, 6K 3:2, 5.7K 16:9, 4K 4:3, 4K 6:5, and 4K 2.39:1.
6K 3:2
6K 1.85:1
6K 17:9
4K 6:5
4K 4:3
6K 2.39:1
4K 2.39:1
4K 17:9
(DCI 4K)
3.8K 16:9
(Ultra HD)
5.7K 16:9
1. Overview: Features
0005
Software Licenses
You can select software licenses (optional) according to the intended usage of the unit.
Software licenses are installed using Maintenance > License Options (page 72) in the full menu.
Software license Imager mode Effective
number of
pixels
(Image pixels)
W × H (mm) Project frame rate
License not required
1)
3.8K 16:9 3840 × 2160 22.8 × 12.8 23, 24, 25, 29, 50, 59
3.8K 16:9
Surround View
3840 × 2160
(4268 × 2400)
22.8 × 12.8
(25.4 × 14.3)
23, 24, 25, 29
4K 17:9 4096 × 2160 24.3 × 12.8 23, 24, 25, 29, 47, 50, 59
4K 17:9
Surround View
4096 × 2160
(4552 × 2400)
24.3 × 12.8
(27.0 × 14.3)
23, 24, 25, 29
Anamorphic License 4K 4:3 4096 × 3024 24.3 × 18.0 23, 24, 25, 29, 47, 50
2)
, 59
2) 3)
4K 4:3 Surround
View
4096 × 3024
(4552 × 3360)
24.3 × 18.0
(27.0 × 20.0)
23, 24, 25, 29
4K 6:5 4096 × 3432 24.3 × 20.4 23, 24, 25, 29
Full Frame License
1)
5.7K 16:9 5674 × 3192 33.7 × 18.9 23, 24, 25, 29
6K 2.39:1 6048 × 2534 35.9 × 15.0 23, 24, 25, 29
6K 17:9 6054 × 3192 36.0 × 19.0 23, 24, 25, 29
6K 1.85:1 6054 × 3272 36.0 × 19.4 23, 24, 25, 29
6K 3:2 6048 × 4032 35.9 × 24.0 23, 24, 25, 29
2)
, 50
2) 3)
, 59
2) 3)
High Frame Rate License 4K 2.39:1
2)
4096 × 1716 24.3 × 10.3 23, 24, 25, 29, 50, 59
1)
The Anamorphic license is required to enable ratio settings, other than Off(1.0×), for the de-squeeze function.
2)
When a High Frame Rate License is activated.
3)
AXS recording is supported, but AXS playback is not supported on the unit.
Supported Shooting Frame Rates and De-Squeeze Values
The following table shows the supported shooting frame rates and De-Squeeze values (page 59) in
each imager mode.
Full Frame License Anamorphic License High Frame Rate License
Imager mode Shooting frame rate De-Squeeze
Standard Extension frame rates Off (1.0×) 1.25× 1.3× 1.5× 1.8× 2.0×
6K 3:2 1 to 25 Up to 60 Yes Yes Yes Yes Yes Yes
6K 1.85:1 1 to 30 – Yes – – – – –
6K 17:9 1 to 30 – Yes Yes Yes – – Yes
6K 2.39:1 1 to 30 – Yes – – – – –
5.7K 16:9 1 to 30 – Yes – – – – –
4K 6:5 1 to 30 – Yes – – – – Yes
4K 4:3 Surround 1 to 30 – Yes – Yes – – Yes
4K 4:3 1 to 48 Up to 60, 66, 72, 75 Yes – Yes – – Yes
4K 17:9 Surround 1 to 48 – Yes Yes Yes – – Yes
4K 17:9 1 to 60 66, 72, 75, 88, 90, 96,
100, 110
Yes Yes Yes – – Yes
4K 2.39:1 – 120 Yes – – – – –
3.8K 16:9 Surround 1 to 48 – Yes – – – – –
3.8K 16:9 1 to 60 – Yes – – – – –
1. Overview: Features
0006
Surround View
Surround View is a mode available in the following imager modes that displays an image range that
includes a 5% outer region beyond the effective picture size (top/bottom/left/right) in the viewfinder and
SDI monitor output, allowing you to view a larger image range when shooting. The recorded image area
does not include the outer region.
3.8K 16:9
4K 17:9
4K 4:3
[Notes]
In this mode, limitations on the maximum project frame rate setting may apply.
In 4K 4:3 mode with de-squeeze ratio of 2.0×, the image area includes only 5% of the top and bottom outer regions.
1. Overview
0007
System Configuration
MPC-3610
VCT-FSA5
Shoulder Adaptor
DVF-L700
Viewfinder
(VF cable (A-2201-632-A or
A-2201-633-A) is required)
DVF-EL200
Viewfinder
(VF cable A-2203-
745-A (supplied with
unit) or 1-912-598-21
is required)
ECM-680S, ECM-678,
ECM-674
Microphone
(EC-0.5X3F5M is required)
Microphone Holder Base assembly (A-2182-620-A)
Rod Clamp (A-2182-621-A)
Rod (4-684-612-01)
Microphone Holder assembly (X-2596-733-2)
Screws P2.6×8 (2) (7-627-556-98)
SBP-64/128/256E, SBS-32/64/128G1C
SxS Memory Card
QD-G32E/G64E/G120F/G240F
XQD Memory Card
(QDA-EX1 XQD ExpressCard Adaptor is required)
SBAC-US30/UT100
USB Card Reader
AC-DN2B, AC-DN10A
AC Adaptor
AXS-AR1
AXS Memory Card Reader
BP-FL75, BP-FLX75
Battery Pack
SCL-PK6,
SCL-P11X15
S35 PL Lens
CBKZ-3610A,
CBKZ-3610AM,
CBKZ-3610AW
Anamorphic
License
CBKZ-3610F,
CBKZ-3610FM,
CBKZ-3610FW
Full Frame License
Anamorphic Lens
(PL mount / E mount)
CBK-3610XS
Camera Extension System
Full Frame Lens
(PL mount / E mount)
SELP28135G, SEL1635GM, SEL2470GM, SEL70200GM, SEL100400GM,
SEL1224G, SEL35F14Z, SEL50F14Z, SEL85F14GM, SEL90M28G,
SEL100F28GM
E Mount Lens
AXS-R7
Portable Memory
Recorder
AXS-A256S24, AXS-A512S48,
AXS-A512S24, AXS-A1TS48,
AXS-A1TS24
AXS Memory Card
AXS-AR1, AXS-CR1
AXS Memory Card
Reader
RM-B170/B750
RCP-1000/1500/1530
RCP-1001/1501
Remote Control Unit
CBKZ-3610H
CBKZ-3610HM
CBKZ-3610HW
High Frame Rate
License
1. Overview
0008
Location and Function of Parts
Operator Side
4
678910111213
15
16
14
1 2 3
5
Air inlet
SxS memory card
slot block (page 9)
1. ASSIGN (assignable) buttons 1/2 (page 39)
Assign functions using the EDIT page of the
user functions screen (page 39).
The assigned function toggles between on/off
(enable/disable) or is activated with each
press.
2. ASSIGN (assignable) lamps 1/2 (page 39)
Each lamp is lit orange when the assigned
function is on (enabled) or activated, and not
lit when the function is off (disabled).
3. Mini display ITEM keys 1 to 3
Controls the operation of functions on the
mini display (page 76).
4. Mini display
Displays various setup items, such as shutter
angle, that you can check or modify
(page 76).
5. ACCESS lamps (SLOT A/B)
Each lamp is lit when the recording media in
SxS card slot A/B is the target for recording/
playback and when data is being written to or
read from the recording media in SxS card slot
A/B (page 24).
6. Network connector (RJ-45)
Connect to a wired LAN network using a LAN
cable (not supplied) for remote control of the
unit (page 79).
7. CLIPS button
Press to display the clip screen on the mini
display to enable clip operations (page 78).
Simultaneously, the clip list screen is displayed
on the sub display and can also be used for
clip operations.
To switch from playback mode to shooting
mode, press the HOME button.
8. Power switch
Set to the ON position () to turn the power on.
Set to the OFF position () to turn the power
off.
[Notes]
This unit uses a small amount of standby power
even when the power switch is set to OFF. Remove
the battery pack if the unit will not be used for a
prolonged period.
When removing the battery pack or the DC IN
power, be sure to first set the power switch to the
OFF position. Interrupting the power supply during
recording or during memory card access could cause
a malfunction.
9. HOME button
Press to clear the item selection display and
return to the Home screen on the mini display.
If pressed when the unit is in playback state,
the unit transitions to shooting mode
(page 76).
10. LOCK switch
Locks the operation of the buttons on the
Operator side. When locked, the switch
background LED lights in orange.
11. Headphones connector (stereo mini jack)
Connect to earphones for audio monitoring.
You can monitor the input audio during
shooting/recording and playback sound
during playback (page 75).
12. Built-in speaker
You can monitor the input audio during
shooting/recording and playback sound
during playback. The speaker also sounds
alarms to reinforce visual warnings
(page 75).
If you connect earphones to the headphones
jack, the speaker output is suppressed
automatically.
13. REC ACTIVE lamp
The lamp is lit green when the REC button is
enabled.
14. ASSIGN (assignable) lamp 3 (page 39)
The lamp is lit orange when the assigned
function is on (enabled) or activated, and not
lit when the function is off (disabled).
15. REC (recording start/stop) button/lamp
Press to start recording, turning the REC lamp
on. Press again to stop recording, turning the
REC lamp off (page 83).
The REC lamp flashes when a device error or
warning occurs.
16. f mark
The f mark is on the same plane as the image
sensor.
To measure the precise distance between the
unit and the subject, use the
f
mark as a
reference.
1. Overview: Location and Function of Parts
0009
SxS memory card slot block (page 24)
The SxS memory card slots are located behind the
cover.
1
3
2
1. SxS memory card slots A/B
2. Manufacturer calibration terminal
Manufacturer terminal for calibration and
servicing (cannot be used by users).
3. SLOT SELECT (SxS memory card select)
button
Press to switch the active slot.
Assistant Side
1 2 3 4
6
5
7
8
9
1011
12
13
14
15
16
17
18
1 2 3
4 5 6
1. ASSIGN (assignable) button 4 (page 39)
Assign functions using the EDIT page of the
user functions screen (page 39).
The assigned function toggles between on/off
(enable/disable) or is activated with each
press.
2. ASSIGN (assignable) lamp 4 (page 39)
The lamp is lit orange when the assigned
function is on (enabled) or activated, and not
lit when the function is off (disabled).
3. Sub display
Allows you to check the operation status of
the unit and make various settings
(page 31).
With the Home screen displayed, press and
hold the BACK button (page 10) and turn
the SEL/SET dial to adjust the brightness of the
sub display and mini display.
The brightness can also be adjusted using
Technical > Control Display > Brightness level
(page 70) in the full menu.
4. Sub display ITEM keys 1 to 6
Controls the operation of functions on the sub
display (page 43).
5. Tape measure hook
The tape measure hook is on the same plane
as the image sensor. To measure the precise
distance between the unit and the subject, use
the tape measure hook as a reference. You can
attach the end of a tape measure to the hook,
and measure the distance from the subject.
6. HOME button
Press to clear the display and return to the
Home screen on the sub display (page 33).
If pressed when the unit is in playback state,
the unit transitions to shooting mode.
7. MENU (menu display on/off) button (pages
43, 54)
Press the MENU button to display the menu
screen on the sub display. Press and hold the
MENU button for 2 seconds or longer to
display the full menu screen on the sub
display. Press the button during menu screen
or full menu screen display to return to the
previous screen display.
8. SEL/SET (select/set) dial (MENU dial)
Changes the item selection or a setting within
the menu (pages
33
,
43
,
54
).
9. +48V power lamp
Lights in green if the AUDIO IN switch is set to
MIC and +48 V phantom power is supplied on
the AUDIO IN connector. It is not lit if phantom
power is not supplied.
You can turn +48 V phantom power on/off
using Audio category > Audio Details > Audio
Configuration > Phantom Power +48V
(page 67) in the menu.
10.
AUDIO IN (audio selector) switch
Select the input signal type corresponding to
the audio source connected to the AUDIO IN
connector.
LINE: When connecting an external analog
audio signal source
AES/EBU: When connecting an external digital
audio signal source
MIC: When connecting a microphone
1. Overview: Location and Function of Parts
00010
11. AUDIO IN connector (XLR 5-pin)
Input external microphone or audio
equipment signals.
When the audio source is set to LINE or MIC
using the AUDIO IN switch, this connector
functions as an AUDIO IN CH-1 and AUDIO IN
CH-2 connector.
When the audio source is set to AES/EBU using
the AUDIO IN switch, this connector functions
as the AUDIO IN CH-1/2 and AUDIO IN CH-3/4
connector.
12. BACK button
Cancels the menu setting and moves up one
level in the menu hierarchy during menu
display.
Cancels the execution process or
pending process during process execution/
pending display (pages 33, 43, 54).
13. LOCK switch
Locks the operation of the buttons on the
Assistant side. When locked, the switch
background LED lights in orange.
14. ACCESS (SD card access) lamp (page 26)
15. REC ACTIVE lamp
The lamp is lit green when the REC button is
enabled.
16. REC (recording start/stop) button/lamp
Press to start recording, turning the REC lamp
on. Press again to stop recording, turning the
REC lamp off (page 83).
The REC lamp flashes when a device error or
warning occurs.
17. CLIPS button
Press to display the clip list screen on the sub
display to enable clip operations (page 73).
Simultaneously, the clip screen is displayed on
the mini display.
To switch from playback mode to shooting
mode, press the HOME button.
18. USER button
Press to display the user function list on the
sub display, and to operate the ITEM keys 1 to
5 user function buttons.
ITEM key 6 is the user function list EDIT button.
Press this button to display the function
selection screen for the user function buttons
and assignable buttons. Press again when the
user functions screen is displayed to return to
the previous display (page 39).
Front
1
23
4
5
1. ASSIGN (assignable) button 3 (page 39)
Assign functions using the EDIT page of the
user functions screen (page 39).
The assigned function toggles between on/off
(enable/disable) or is activated with each
press.
2. PL lens mount adaptor (page 19)
3. VF (viewfinder output) connector
(page 22)
4. LENS connector (12-pin)
Supports iris, focus, and zoom control from a
network-connected computer, smartphone, or
tablet in firmware version 4.0 or later.
5. 24V OUT connector (DC OUT 24 V, Fischer
3-pin)
24 V DC power supply output connector
(page 90).
The output voltage and maximum output
current of this connector vary depending on
the input voltage to the unit. The maximum
current includes the output current from the
24V OUT connector on the rear panel
(page 11).
11 V to 17 V input
Output voltage : 24 V
Maximum output current: 1.0 A
22 V to 32 V input
Output voltage: Same as the input voltage
Maximum output current: 2.0 A
1. Overview: Location and Function of Parts
00011
Rear
2
1
3
4
5
6
7
8
9
10
11
12
13
1. 24V OUT connector (DC OUT 24 V, Fischer
3-pin)
24 V DC power supply output connector
(page 90).
The output voltage and maximum output
current of this connector vary depending on
the input voltage to the unit. The maximum
current includes the output current from the
24V OUT connector on the front panel
(page 10).
11 V to 17 V input
Output voltage : 24 V
Maximum output current: 1.0 A
22 V to 32 V input
Output voltage: Same as the input voltage
Maximum output current: 2.0 A
2.
12V OUT connector (DC OUT 12V, Hirose
4-pin)
12 V DC power supply output connector
(page 90).
The output voltage and maximum output
current of this connector vary depending on
the input voltage to the unit.
11 V to 17 V input
Output voltage: Same as the input voltage
Maximum output current: 1.0 A
22 V to 32 V input
Output voltage : 15 V
Maximum output current: 0.8 A
3. MONITOR OUT connector (BNC type)
HD SDI monitor signal output connector
(page 90).
4. GENLOCK (genlock input) connector (BNC
type)
To genlock the unit to an external source or to
lock the timecode of the unit to an external
source, input an external reference signal.
Digital signal and analog signal input are
supported.
Digital signal: 1.5G HDSDI interlaced signal
Analog signal: HD sync, Analog
5. TC IN (timecode input) connector (BNC type)
To lock the timecode of the unit to an external
source, input a reference timecode signal.
6. AUX connector (LEMO 5-pin)
Outputs the timecode signal (page 91).
7. REMOTE (remote control) connector (8-pin)
Connect to a remote control unit or other
external control device.
8. 12V/24V (DC power input) connector
(page 16)
DC power supply input connector for external
power supply to the unit. Supports 12 V and 24
V input voltages.
No. Signal
1 GND
2 NC
3 NC
4 DC IN (11 V to 17 V or 22 V to 32 V)
9. Battery attachment terminal (page 16)
10. SDI OUT 1 to 4 (serial digital output)
connectors (BNC type) (page 90)
11. Battery pack mount (page 16)
12. Battery release lever (page 16)
13. HDMI OUT connector (page 90)
1. Overview: Location and Function of Parts
00012
Top
1 2 3 4
1. External device connector
Used for updating an AXS-R7 AXS Recorder
(option) when the AXS-R7 is attached to the
unit (page 29) or for using camera wireless
remote control (page 79) by connecting a
CBK-WA02 Wireless LAN Adaptor (option).
2. Release button (page 18)
3. Handle/VF attachment mount (page 18)
4. Accessory mounting screw holes
Type of screw: 1/4-20UNC (8)
Type of screw: 3/8-16UNC (10)
Length of engagement: 10 mm (3/8 inch) or
less
Bottom
3
1 2
Air vent
1. Tripod plate attachment holes
Type of screw: 1/4-20UNC (2)
Type of screw: 3/8-16UNC (4)
Length of engagement: 9 mm (3/8 inch) or less
2. Bottom cover
Remove the four hex screws to remove the
cover.
3. SD card slot (page 26)
1. Overview: Location and Function of Parts
00013
Viewfinder/Monitor Screen
During shooting (recording or standby) and playback, the information selected in Monitoring > OSD
Appearance > Status Info A/B Setup (page 63) in the full menu is displayed.
Information displayed on the screen while recording
27
1 2 3 64 5 7 9
212223242526
10
8
11
14
15
16
17
18
19
20
12
13
31
33
34
32
28
29
30
35
1. Recording frame rate indicator
Displays the recording frame rate and project
frame rate.
2. Shutter angle/shutter speed indicator
Displays the shutter angle or shutter speed of
the electronic shutter, according to the
Technical > System Configuration setting in
the full menu.
3. ND filter indicator
Displays the density of the ND filter. The
display value is a LOG (base 10) value
(page 55).
CLEAR
0.3 (1/2)
0.6 (1/4)
0.9 (1/8)
1.2 (1/16)
1.5 (1/32)
1.8 (1/64)
2.1 (1/128)
2.4 (1/256)
4. Thermometer icon
Displayed when a high temperature warning
message is issued.
The description is displayed in the Info
category in the menu.
5. Warning icon
Displayed when other than a high
temperature warning message is issued.
The description is displayed in the Info
category in the menu.
6. Exposure index (EI)/gain indicator
Displays the EI value, or the gain value (dB
units) set by an RM-B170 or other remote
control unit.
[Note]
The gain value is displayed only when Technical
> System Configuration > RM/RCP Paint Control
(page 68) is set to On in the full menu.
7. Color temperature indicator
Displays the color temperature and Tint value
of the white balance.
8. Look information display
Displays the selected Look (page 57).
9. Battery capacity/voltage indicator
Displays the following indicators according to
the type of battery power source.
Battery type Display
InfoLithium
battery
Battery remaining capacity
and remaining recording
time
Anton/Bauer
battery
Remaining battery capacity
(% indicator)
Other batteries
Input voltage
10. VF LUT indicator
Displays the viewfinder LUT (page 56).
11. VF Double Speed Scan indicator
Displays the on/off state of the function for
doubling the frame rate of the viewfinder
display.
12. VF Peaking indicator
Displays the on/off state of the peaking
function of the viewfinder display.
13. VF Zebra indicator
Displays the on/off state of the zebra function
of the viewfinder display (page 41).
14. SDI OUT 1/2 connector LUT indicator
Displays the LUT setting of the SDI OUT 1/2
connectors (page 56).
15. SDI OUT 3/4 connector LUT indicator
Displays the LUT setting of the SDI OUT 3/4
connectors (page 56).
16. Monitor LUT indicator
Displays the LUT setting of the Monitor output
(page 56).
17. HDMI LUT indicator
Displays the LUT setting of the HDMI output
(page 56).
1. Overview: Location and Function of Parts
00014
18. SDI output REC trigger indicator
Displays the SDI output REC trigger status.
State Display
Technical > System Configuration > SDI Rec Remote
Trigger in the full menu
Recording command
superimposed on the
SDI output
Off – (Blank)
HD SDI Remote I/F Stop command Top: SDI
Bottom: Stop
Rec command Top: SDI
Bottom: REC
Parallel Rec Stop command Top: SDI-P
Bottom: Stop
Rec command Top: SDI-P
Bottom: REC
19. Network connection status indicator
Displays the network connection status (LAN
or Wi-Fi).
State Display
Disconnected or other error (valid
network connection settings)
Flashing
Connected (valid network connection
settings)
On
Network connection function not
used
Blank
20. Audio level meter indicators
Displays the levels of audio channels 1 and 2
while recording.
21. Recording media state/remaining capacity
indicator for each media slot
Displays the state and remaining capacity of
the media in SxS memory card slots A/B and
AXS memory card slots A/B.
A
mark on the left of “AXS” or “SxS” indicates
the recording target media.
An indicator
on the upper right of the slot
A/B icon on the right of “AXS” or “SxS” indicates
the playback target media (green indicator
indicates media is being played).
A
icon is displayed for media if a condition
occurs that could impact recording.
22. High Key/Low Key indicator (Monitor output)
Displayed when the Monitor output is High
Key (screen for checking blown-out highlights)
or Low Key (screen for checking blocked-out
shadows) (displayed for Monitor Out output).
23.
Recording media format (codec) indicator
Displays the format of the recording on an AXS
memory card or an SxS memory card.
24. Recording status indicator
Displays the following recording operation
states of the unit.
Display Description
Rec
Recording
Stby
Recording standby
Cache
Picture cache recording
standby
25. Clip name display
Displays the first 8 characters of the name of
the next clip to be recorded in recording
standby mode.
Displays the first 8 characters of the name of
the clip currently being recorded when
recording.
26. Time data display
Displays the duration or timecode, depending
on the TC/Media category > TC Display setting
in the menu (page 44).
27. Iris position indicator
Displays the iris position (only when a lens that
is compatible with the iris setting display
function is attached).
The iris position indicator displays in 1/3 stop
increments when using an E mount lens.
[Note]
The F-stop value is displayed instead of the T-stop value
if the T-stop value cannot be obtained.
28. Focus position indicator
Displays the focus position (only when a lens
that is compatible with the focus setting
display function is attached).
29. Zoom position indicator
Displays the focal length of the zoom
(displayed only when a lens that supports the
zoom setting indicator is attached).
30. High Key/Low Key indicator (viewfinder
output)
Displayed when the viewfinder output is High
Key (screen for checking blown-out highlights)
or Low Key (screen for checking blocked-out
shadows) (displayed for viewfinder output).
31. Simultaneous recording status indicator
Displays the sub clip recording format in 1-slot
simultaneous recording mode (page 84).
32. SxS Sub LUT indicator
Displays the LUT setting to register for a sub
clip in SxS 1-slot simultaneous recording
mode.
33. SxS LUT indicator
Displays the LUT setting for SxS recording.
34. Base ISO indicator
Displays the configured native sensitivity.
35. Effective picture size indicator
Displays the effective picture size and whether
anamorphic de-squeeze conversion is applied,
set using Project category > Imager Mode in
the menu. In Surround View mode, a “Sur.V”
icon is displayed below the anamorphic
conversion factor icon (page 44).
Menu display and settings on the viewfinder
screen
When a DVF-EL200 is attached to the unit, press
and hold the Menu button on the DVF-EL200 to
display the Monitoring > VF Display (page 66)
and VF Function (page 66) setup menus on the
viewfinder screen. This allows you to configure
these functions while viewing the viewfinder
screen.
1. Overview: Location and Function of Parts
00015
Information displayed on the playback screen
The following information is displayed on the playback picture.
98
54321
6
7
1. Time data display
Displays the duration or timecode, depending
on the TC/Media category > TC Display setting
in the menu (page 44).
2. Playback clip name display
Displays the first 8 characters of the name of
the playback clip.
3. Playback status indicator
Displays the playback status.
4. Playback media format (codec) indicator
Displays the recording format (codec) of the
playback clip.
5. Playback media indicator
Displays the type of recording media being
played.
A
icon appears on the right if the memory
card is write-protected.
6. Audio level meter indicators
Displays the levels of audio channels 1 and 2
during playback.
7. Network connection status indicator
Displays the network connection status (LAN
or Wi-Fi).
State Display
Disconnected or other error (valid
network connection settings)
Flashing
Connected (valid network connection
settings)
On
Network connection function not
used
Blank
8. Thermometer icon
Displayed when a high temperature warning
message is issued.
The description is displayed in the Info
category in the menu.
9. Warning icon
Displayed when other than a high
temperature warning message is issued.
The description is displayed in the Info
category in the menu.
00016
2. Preparation
Preparing a Power Supply
You can use a battery pack or AC power via an AC
adaptor.
For safety, use only the Sony battery packs and AC
adaptors listed below.
Lithium-ion battery pack
BP-FL75
BP-FLX75
AC adaptor
AC-DN2B
AC-DN10A
Using a Battery Pack
Insert the battery pack into the battery pack
mount (page 11) of the battery adaptor, then
slide the battery pack down to lock it in place.
To remove it, unlock the battery pack by sliding
it up while pressing the battery release lever
(page 11), then remove it.
[Notes]
Before use, charge the battery pack with the battery
charger.
A warm battery pack immediately after use may not be
able to be fully recharged.
Remove the battery adaptor while supporting the unit
by hand.
Checking the remaining battery charge
When recording or playback is in progress using
the battery pack, the current battery remaining
time and battery voltage are displayed on the sub
display screen (page 31) and viewfinder/monitor
screen (page 13).
The unit indicates the remaining usage time in
minutes by calculating the available time with
the battery pack if operation is continued at the
current rate of power consumption.
If the remaining battery charge becomes low
If the remaining battery charge decreases to a
certain level during operation, the remaining
battery capacity indicator flashes and the REC
lamp flashes to warn you.
If the remaining charge further decreases to a
level at which operation cannot be continued, a
battery-empty message appears.
Replace the battery pack with one that is fully
charged.
To change the message levels
Change levels using Technical > Battery
(page 70) in the full menu.
Using AC Power (DC IN Power)
The unit works with AC power using the AC-
DN10A (optional) or AC-DN2B AC adaptor
(optional) and CCDD-X2 DC cable (optional).
11V to 17V and 22V to 32V input voltage ranges
are supported.
[Notes]
When switching to the DC IN power supply during battery
operation, use a power supply with a voltage in the range
12V to 17V.
When using a 22V to 32V power supply, first set the
power switch to the OFF position before connecting the
power supply.
Do not switch directly from a 11V to 17V power supply to
a 22V to 32V power supply, or vice versa. This may cause
a malfunction.
Using a Battery Pack and DC IN
Power Supply Together
Whenever an active power supply is applied using
a battery pack and a DC IN power supply, the DC
IN power supply takes precedence.
[Note]
When the power supply switches from battery operation to
the DC IN power supply, operation of the unit may stop if the
following occurs.
Chattering of the connector contacts when inserting the
DC connector
Voltage drop when switching between power supplies
(more prevalent when the external load is greater)
2. Preparation
00017
Setting the Clock
When you use the unit for the first time, the initial
setup screen appears on the sub display when the
power is turned on.
Set the date and time of the built-in clock using
this display.
Time Zone
The value shows the time difference from UTC
(Coordinated Universal Time). Change the setting
if needed.
[Note]
When Time Zone is changed, the clock setting changes
according to the time difference.
Setting the Date and Time
Turn the MENU dial (page 9) to move the
cursor, then press the MENU dial to set each menu
item. When you press the MENU dial when the
cursor is on “Set,” the setting display disappears
and the clock setting is completed.
After the initial setup screen disappears, you can
change Time Zone and date/time settings using
Maintenance > Clock Set (page 71) in the full
menu.
[Notes]
If the clock setting is cleared because the backup battery
fully discharged when no power was supplied (no battery
pack and no DC IN connection), the initial setup display
will be displayed when you next turn the unit on.
While the initial setup display is shown, no other
operation, except turning the power off, is permitted until
you finish the setting for this display.
2. Preparation
00018
Attaching the VF Attachment
1 Slide the VF attachment on in the direction of
the arrow to attach it.
2 Position the VF attachment in the desired
front/rear position, then turn the lock lever to
secure it in position.
1
2
Lock
lever
[Notes]
You can also attach the VF attachment in the front/
rear or left/right orientation.
If the lock lever is difficult to tighten or loosen, you
can use a hex wrench (3mm) on the lock screw on
the top of the lock lever.
To remove the VF attachment
Turn the lock lever to loosen, press the release
button and slide the VF attachment off in the
reverse direction from when attaching it.
Attaching the Handle
1 Slide the handle on in the direction of the
arrow to attach it.
2 Position the handle in the desired front/rear
position, then turn the lock lever to secure it in
position.
2
1
Lock screw
Hex socket
bolt
Lock
lever
[Notes]
You can also attach a lock screw using a hex wrench
(5 mm) to secure it in position.
If the lock lever on the handle becomes loose during
use, you can secure the handle by tightening a hex
socket bolt (2 mm) beside the lock screw.
You can also attach the handle in the reverse
orientation.
To remove the handle
Turn the lock lever to loosen, press the release
button and slide the handle off in the reverse
direction from when attaching it.
Attaching the VF Attachment and Handle
2. Preparation
00019
Recommended PL mount lens (Super 35mm size)
SCL-PK6/F, SCL-PK6/M (set of 6 lenses,
20mm/25mm/35mm/50mm/85mm/135mm)
SCL-PK3/F, SCL-PK3/M (set of 3 lenses,
20mm/25mm/135mm)
SCL-P11X15
Recommended E mount lens
SELP28135G, SEL1635GM, SEL2470GM,
SEL70200GM, SEL100400GM, SEL1224G,
SEL35F14Z, SEL50F14Z, SEL85F14GM, SEL90M28G,
SEL100F28GM
[Note]
Control may not be supported with some E mount lenses.
Use a recommended lens.
For details about available lenses for the unit, contact a Sony
service representative.
[CAUTION]
Do not leave the lens facing the sun. Direct
sunlight can enter through the lens, be focused in
the unit, and cause fire.
[Notes]
Turn the unit off before attaching or removing the lens
and adapter.
A lens is a precision part. Do not place the lens down with
the mount side facing down. Attach the cap supplied
with the lens.
The lens interface of the unit is configured by factory
default for an SCL-P11X15 and lenses with Cooke type
connector. To use an SCL-PK6, SCL-PK3, or other lenses
that do not have a Cooke type connector, set Technical >
Lens Configuration > PL-Mt Interface Position (page 68)
to Off in the full menu. If this setting is not correct, an
alert message appears when the unit is turned on after
attaching the lens.
Attaching a PL Mount Lens
1 Remove the mount cover from the lens mount
by turning the PL mount lever
counterclockwise.
PL mount
lever
[Note]
Turn the PL mount lever counterclockwise to the
stopper position.
2 Insert the lens into the lens mount by aligning
the concave part of the lens with the
positioning pin on the upper right of the lens
mount.
3 Secure the lens by turning the PL mount lever
clockwise while holding the lens.
[Note]
Do not turn the lens when attaching the PL mount lens.
It may cause damage to the hot shoe pin.
To attach a Cooke /i lens
Align the contacts on the lens with the hot shoe of
the unit. There are two connectors on the side of
the lens adaptor, and either can be used.
To remove the lens
1 Turn the PL mount lever counterclockwise
while holding the lens from underneath.
2 Pull the lens forward.
[Note]
If another lens will not be attached soon, carefully align
the concave part of the mount cover, then secure the
mount cover by turning the PL mount lever clockwise.
Adjusting the Flange Focal Length
The unit is shipped with the flange focal length
already adjusted. If you need to adjust the flange
focal length, remove the lens mount, and change
the shims with those of the appropriate thickness.
You can adjust the thickness by ±0.1 mm in 0.01
mm increments.
Shims
The following shims are supplied with the unit.
0.05 mm × 1 (circular)
0.01 mm × 15 (1/3 arc)
1/3 arc shims should always be used as a set of
three shims. Insert shims to increase the flange
focal length. The unit is shipped with the flange
focal length already adjusted using the following
three types of shims.
0.10 mm (circular)
0.05 mm (circular)
0.01 mm (1/3 arc)
A seal is attached showing the shim thickness
when shipped.
Adjusting the flange focal length
1 Remove the six Torx screws and remove the PL
mount flange.
1
PL mount flange
2 Loosen the four Phillips screws on both sides
of the PL connectors (two locations), and
remove the PL connectors and PL connector
plates.
3 Attach shims to the PL mount adaptor (three
locations).
33
3
3
3
3
2
2
2
2
PL connectors
PL connector plates
Mounting a Lens and Adjusting the Flange Focal Length
2. Preparation: Mounting a Lens and Adjusting the Flange Focal Length
00020
When using 1/3 arc shims
Attach shims so that they have the same
thickness in all three locations.
Shims
When using circular shims
Attach with the surface that has markings on it
facing the front.
Markings
Markings
4 Reattach the PC connectors (two locations) to
their original positions, and tighten the four
Phillips screws with 0.18 N·m tightening
torque.
5 Reattach the PL mount flange in its original
position, and tighten the six Torx screws to a
tightening torque of 0.35 N·m using a T8
torque wrench.
Cleaning the Filter
To clean the filter, first remove the adaptor.
Exercise care when wiping the adaptor center
part (shaded part) with a cloth or other material
to prevent fibers adhering to surfaces. If fibers are
adhering, wipe off using a soft brush.
Adaptor
Removing the PL Lens Adaptor
Remove the PL lens adaptor when you want to
mount an E mount lens to the unit. Attachment/
removal is performed with the rear side of the unit
facing down.
Remove the six hex screws (2.5mm) and remove
the PL lens adaptor.
PL lens adaptor
[Notes]
Removing the battery and placing the rear side of the unit
face down provides stability.
When attaching/removing the adaptor, take care not
to touch the connector contacts of the unit and PL lens
adaptor.
To attach the PL lens adaptor
1 Check that the mount lever is in the locked
position.
Mount lever
2 Place the PL lens adaptor back in its original
position, insert the six hex screws (2.5mm),
and tighten the screws to a tightening torque
of 0.8 ± 0.12 N·m using a hex wrench (2.5mm).
2. Preparation: Mounting a Lens and Adjusting the Flange Focal Length
00021
Attaching an E Mount Lens
1 Remove the PL lens adaptor (page 20).
2 Push the lock switch up, and turn the mount
lever clockwise to release the lock.
Mount lever
Lock switch
3 Align the mounting marks (white) on the unit
and lens mount, and then push the lens into
the mount.
4 Secure the lens by turning the mount lever
counterclockwise while holding the lens.
Mounting marks
(white)
[Note]
When an E mount lens is connected, operation using a 12-
pin lens connector is not guaranteed.
To remove the lens
1 Push the lock switch up, and turn the mount
lever clockwise to release the lock.
2 Pull the lens forward.
[Note]
If another lens will not be attached soon, carefully
align the concave part of the mount cover, then
secure the mount cover by turning the mount lever
counterclockwise.
2. Preparation
00022
Attaching a Viewfinder
Available viewfinders for the unit
DVF-EL200: OLED color viewfinder
DVF-L700: LCD color viewfinder
Viewfinders are available separately.
This section describes attachment of the DVF-
EL200 as an example.
For details about attaching each viewfinder, refer to the
operating instructions of the viewfinder.
[CAUTION]
Do not leave the unit with the eyepiece of the
viewfinder facing the sun. Direct sunlight can
enter through the eyepiece, be focused in the
viewfinder, and cause fire.
[Notes]
Attach/remove the viewfinder while the unit is turned off.
A VF cable (A-2201-632 or A-2201-633-A) is required in
order to attach the DVF-L700. Also, turn the unit on after
setting the POWER switch of the DVF-L700 to the ON
position.
Attaching a Viewfinder
1 Align the viewfinder shoe with the groove of
the viewfinder mount on the VF attachment,
and attach the viewfinder.
2 Turn the viewfinder lock lever in the LOCK
direction to secure it in position.
2
1
Lock lever
3 Connect the viewfinder and unit using the VF
connection cable.
Viewfinder side:
Position the connector with the mark (red) at
the top, and fully insert the connector.
Camera side:
Alight the concave part of the VF connector
with the connector mark (red), and fully insert
the connector.
Clamper
[Note]
Secure the cable in the clamper as required.
To remove the viewfinder
1 Disconnect the VF connection cable from the
viewfinder and unit.
2 Turn the lock lever in the direction opposite to
LOCK, then remove the viewfinder from the VF
attachment.
Adjusting the Viewfinder Position
To adjust the front/rear position
1 Loosen one or both of the front/rear rod lock
levers of the VF attachment.
2 Slide the VF attachment forward/rearward to
adjust the viewfinder position.
11
11
2
2
Rod lock
levers
3 Tighten the rod lock levers.
[Note]
If a rod lock lever is difficult to turn, pull the lever out,
turn it to a position where it is easier to operate, and
then push the lever back in.
2. Preparation: Attaching a Viewfinder
00023
To adjust the left/right position and height
(angle)
1 Loosen the rod lock lever at the front of the VF
attachment.
2 Slide the VF attachment rod left/right and turn
the rod up/down to adjust the viewfinder
position.
11
2
2
2
2
Lock screw
Rod lock lever
3 Tighten the rod lock lever.
[Note]
When the rod lock lever is loosened, adjust the lock
screw using a hex wrench (3mm) to prevent the
viewfinder from falling down.
To adjust the viewfinder angle
You can adjust the angle of the viewfinder while
shooting.
1 Loosen the rotation lock lever on the
viewfinder mount.
2 Turn the viewfinder up/down to adjust the
angle.
11
2
2
Rotation lock lever
3 Tighten the rotation lock lever.
2. Preparation
00024
This unit records audio and video on SxS memory
cards (optional) loaded in the card slots.
About SxS Memory Cards
Use the following Sony SxS memory cards or XQD
memory cards.*
* When using an XQD memory card, the XQD ExpressCard
adaptor (QDA-EX1) is required.
The supported memory cards differ depending on
the recording format.
SxS PRO+
SBP-256D/E, SBP-128B/C/D/E, SBP-64B/C/D/E:
Supported for all recording formats
SxS PRO
SBP-64A, SBP-32:
MPEG 1920×1080i, HD ProRes 422,
HD ProRes 422 Proxy
SxS-1
SBS-128G1B/C, SBS-64G1A/B/C, SBS-32G1A/B/C:
MPEG 1920×1080i, HD ProRes 422,
HD ProRes 422 Proxy
XQD memory card S series, G series
QD-S64E, QD-S32E, QD-G128A/E, QD-G64A/E, QD-
G32A/E, QD-G120F, QD-G240F: Supported for all
recording formats
XQD memory card N series, M series
QD-N64, QD-M128A, QD-M64A, QD-M32A:
MPEG 1920×1080i, HD ProRes 422 Proxy
Operations are not guaranteed with other memory
cards.
These memory cards comply with the ExpressCard
standard.
For details on using SxS memory cards and usage-related
precautions, refer to the instruction manual for the SxS memory
card.
SxS, SxS PRO, and SxS-1 are trademarks of Sony
Corporation.
XQD is a trademark of Sony Corporation.
The ExpressCard word mark and logo are
owned by Personal Computer Memory Card
International Association (PCMCIA) and are
licensed to Sony Corporation.
ProRes is a registered trademark of Apple Inc.
All other trademarks are the property of their
respective owners.
Inserting an SxS Memory Card
1 Open the cover of the card slot block
(page 9).
2 Insert the SxS memory card into the slot with
the SxS label facing to the right.
The ACCESS lamp (page 8) lights in red
then changes to green once the memory card
is ready for use.
3 Close the cover.
ACCESS lamp status
Card slots A and B each have an ACCESS lamp that
indicate the slot status.
Lamp Slot status
Lights in red Accessing the SxS memory card
(writing/reading data)
Lights in green Standby (ready for recording or
playback using the SxS memory
card)
Off
No SxS memory card is loaded.
The loaded card is invalid.
An SxS memory card is loaded,
but the other slot is selected.
Removing an SxS Memory Card
1 Open the cover of the card slot block.
2 Pull out the SxS memory card.
[Note]
Data integrity is not guaranteed if the power is turned off or
a memory card is removed while it is being accessed. Data
on the card may be destroyed. Be sure that its ACCESS lamp
is lit in green or off when you turn off the power or remove a
memory card.
Switching Between SxS Memory
Cards
When SxS memory cards are loaded in both slot A
and slot B, you can press the SLOT SELECT button
(page 9) to select the SxS memory card to use.
If a card becomes full, recording continues after
automatically switching to the second card.
[Note]
The SLOT SELECT button is disabled while recording/
playback is in progress. The memory cards are not switched
even if you press the button.
Handling SxS Memory Cards
2. Preparation: Handling SxS Memory Cards
00025
Formatting (Initializing) SxS Memory
Cards
When an unformatted SxS memory card or an SxS
memory card formatted in another specification
is loaded, a message notifying you that the media
has a different file system appears. In this case,
format the memory card in the following way.
1 Select TC/Media category > Format Media in
the menu.
2 Select SxS Slot A (slot A) or SxS Slot B (slot B),
then press the MENU dial.
A confirmation screen prompting whether to
format the card appears.
3 Press and hold ITEM key 1 and ITEM key 3 for 3
seconds to execute formatting.
Formatting starts, a message is displayed
during execution, and the ACCESS lamp lights
in red.
When formatting ends, a completion message
appears. Press the MENU dial to dismiss the
message.
If formatting fails
A write-protected SxS memory card or memory
card that cannot be used with this unit will not be
formatted.
A warning message is displayed. Replace the card
with an appropriate SxS memory card, according
to the instructions in the message.
[Note]
All the data, including recorded pictures and setup files, are
erased when a memory card is formatted.
Formatting while recording
Even while recording, the SxS memory card loaded
in the other card slot can be formatted.
Checking the Remaining Recording
Time
While shooting (recording or standby), you can
check the remaining capacity on the SxS memory
cards loaded in each slot using the recording
media remaining capacity indicator on the Home
screen of the sub display (page 31) or the
viewfinder/monitor screen (page 13).
The available time for recording with the current
video format (recording bit rate) is calculated
according to the remaining space on each card
and displayed in time units of minutes.
[Note]
A icon appears if a memory card is write-protected.
Exchanging an SxS memory card
If the total remaining time on the inserted
memory cards during recording becomes less
than 5 minutes, the remaining media capacity
indicator flashes, the REC lamp flashes, and a
beep sound is emitted to warn you. Replace the
cards with those that have sufficient space.
If you continue recording, the message “Media
Full” appears, and recording stops when the
total remaining recording time falls to 0.
[Note]
Up to approximately 600 clips can be recorded on one SxS
memory card.
The display of remaining recording time changes to “0”
and the message “Media Full” appears when the clip limit is
reached.
Restoring an SxS Memory Card
If for any reason an error should occur in a memory
card, the card must be restored before use.
If an SxS memory card that needs to be restored is
loaded, a message prompting you to execute the
restore operation is displayed on the sub display.
To start the restore process, select Execute by
turning the MENU dial, then press the MENU dial.
The restoration starts.
During execution, a message is displayed and the
ACCESS lamp lights in red.
When restoration ends, a completion message
appears. Press the MENU dial to dismiss the
message.
If restoration fails
A write-protected SxS memory card, or one on
which an error occurred, cannot be restored.
For such a card, a warning message is displayed.
Release the write protection or replace the card,
according to the instructions in the message.
An SxS memory card on which an error occurred
may become usable again when reformatted.
In some cases, some clips can be restored while
others cannot. Playback of the restored clips
becomes possible again.
The following operation may restore an SxS
memory card for which the message “Could not
Restore Some Clips” is repeatedly displayed each
time you try the restoration process.
[1] Copy the required clips to another SxS
memory card.
[2] Format the unusable SxS memory card on
the unit.
[3] Copy the required clips back to the newly
formatted SxS memory card.
[4] Update the management file as described
below.
[Note]
For restoration of media recorded with this unit, be sure to
use this unit.
Media recorded with a device other than this unit or with
another unit of different version (even of the same model)
may not be restored using this unit.
Updating the management file
If clips cannot be played back, updating the
management file on the card may improve the
situation.
Use TC/Media > Update Media (page 62) in the
full menu to update the management file.
If you write an XAVC file that is imported by RAW
Viewer V2.2 or later to the “XDROOT\Clip” directory
of an SxS memory card directly, that file can
become playable by executing Update Media.
2. Preparation
00026
You can store the configuration file of the camera
on an SD card (optional). The stored file can be
loaded from the SD card.
Supported SD Cards
SDHC memory cards* (Speed Class: 4 to 10, non-
UHS, Capacity: 2GB to 32GB)
SD memory cards* (File system: FAT 16, Capacity:
up to 2 GB)
* Referred to as “SD cards” in this manual.
Inserting an SD Card
Insert an SD card into the SD card slot (page 12).
The ACCESS lamp (page 10) lights in red then
changes to green once the memory card is ready
for use.
ACCESS lamp status
Lamp Slot status
Lights in red Accessing the SD card (writing/
reading data)
Off
No SD card is loaded.
The loaded card is invalid.
Removing an SD Card
Press the SD card in slightly, then remove the card.
[Notes]
Data integrity is not guaranteed if the power is turned off
or a memory card is removed while it is being accessed.
Data on the card may be destroyed. Be sure that its
ACCESS lamp is lit in green or off when you turn off the
power or remove a memory card.
Make sure that the card does not pop out when inserting
or removing it.
Formatting (Initializing) an SD Card
SD cards must be formatted the first time they are
used in the unit.
SD cards for use in the unit should be formatted
using the format function of the unit. It is also
necessary to format an SD memory card if a
caution message is displayed when the card is
loaded.
If an SD card that was formatted in an
unsupported format is loaded in the unit, a file
system mismatch message is displayed.
1 Select TC/Media category > Format Media >
SD Card in the menu, then press the MENU
dial.
A confirmation screen prompting whether to
format the card appears.
2 Press and hold ITEM key 1 and ITEM key 3 for 3
seconds to execute formatting.
Formatting starts, a message is displayed
during execution, and the ACCESS lamp lights
in red.
When formatting ends, a completion message
appears. Press the MENU dial to dismiss the
message.
[Note]
All data is erased when an SD card is formatted, and the data
cannot be restored.
To use media formatted with this unit in the slots
of other devices
Make a backup of the media, then format it using
the other device.
Handling SD Cards for Saving Configuration Data
2. Preparation
00027
Using with AXS-R7
You can record video/audio in RAW or X-OCN
to an AXS-R7 AXS (Access Memory Card System)
Recorder (optional) by attaching the recorder to
the unit.
[Note]
To attach an AXS-R7 to the unit, the firmware version of the
AXS-R7 may need to be updated according to the version
of the unit (page 29). The following shows the version
compatibility.
Version of unit Version of AXS-R7
1.0, 1.01 1.1
2.01 2.0
3.0 3.0
4.0 4.0
Attaching the AXS-R7
[Note]
Attach/remove the AXS-R7 while the unit is turned off.
1 Unscrew the four hex screws (3 mm) on the
rear of the unit, and remove the battery plate.
Battery plate
2 Unscrew the four hex screws on the rear of the
AXS-R7, and remove the docking module from
the AXS-R7.
AXS-R7
Docking module
3 Attach the AXS-R7 to the unit, and tighten the
four hex screws.
AXS-R7
To remove the AXS-R7
Unscrew the four hex screws, and remove the
AXS-R7.
Inserting an AXS Memory Card
1 Press the memory card slot cover open button
to open the cover.
2 Insert the AXS memory card into the card slot
with the label facing as indicated below.
Label
3 Close the cover.
Switching Between AXS Memory
Cards
When two AXS memory cards are loaded, press
the SLOT SELECT button of the AXS-R7 to switch
active slot.
SLOT SELECT button
Removing an AXS Memory Card
Open the memory slot cover of the AXS-R7, and
pull out the AXS memory card.
[Note]
Data integrity is not guaranteed if the power is turned off or
an AXS memory card is removed while it is being accessed.
Data on the card may be destroyed. Be sure that its ACCESS
lamp is lit in green or off when you turn off the power or
remove a memory card.
2. Preparation: Using with AXS-R7
00028
Recording to an AXS Memory Card
You can select the format for recording to an AXS memory card using Project category > AXS Rec Format
(page 44) in the menu.
During AXS standalone recording on the AXS-R7, recording automatically switches to the second AXS
memory card when the first card becomes full.
If using an S24 or S48 AXS memory card, the following restrictions apply depending on the AXS Rec
Format and Imager Mode settings. If an S24 AXS memory card is detected for a setting where S24 AXS
memory cards are not supported, a warning message is displayed.
AXS Rec Format Imager Mode Shooting frame rate and S24/S48 AXS memory card support
24 25 30 48 50 60 75 110 120
X-OCN XT 3.8K 16:9 S24/
S48
S24/
S48
S24/
S48
S24/
S48
S24/
S48
S24/
S48
– – –
4K 2.39:1
– – – – – – – –
S48
4K 17:9 S24/
S48
S24/
S48
S24/
S48
S24/
S48
S24/
S48
S24/
S48
S48 S48
–
4K 4:3 S24/
S48
S24/
S48
S24/
S48
S48 S48 S48
– – –
4K 6:5 S24/
S48
S24/
S48
S24/
S48
– – – – – –
5.7K 16:9 S24/
S48
S24/
S48
S48
– – – – – –
6K 2.39:1 S24/
S48
S24/
S48
S24/
S48
– – – – – –
6K 17:9 S24/
S48
S24/
S48
S48
– – – – – –
6K 1.85:1 S24/
S48
S24/
S48
S48
– – – – – –
6K 3:2 S48 S48 S48
– – – – – –
RAW SQ 4K 17:9 S24/
S48
S24/
S48
S24/
S48
S24/
S48
S24/
S48
– – – –
AXS Rec Format Imager Mode Shooting frame rate and S24/S48 AXS memory card support
24 25 30 48 50 60 75 110 120
X-OCN ST 3.8K 16:9 S24/
S48
S24/
S48
S24/
S48
S24/
S48
S24/
S48
S24/
S48
– – –
4K 2.39:1
– – – – – – – –
S48
4K 17:9 S24/
S48
S24/
S48
S24/
S48
S24/
S48
S24/
S48
S24/
S48
S24/
S48
S48
–
4K 4:3 S24/
S48
S24/
S48
S24/
S48
S24/
S48
S24/
S48
S24/
S48
S48
– –
4K 6:5 S24/
S48
S24/
S48
S24/
S48
– – – – – –
5.7K 16:9 S24/
S48
S24/
S48
S24/
S48
– – – – – –
6K 2.39:1 S24/
S48
S24/
S48
S24/
S48
– – – – – –
6K 17:9 S24/
S48
S24/
S48
S24/
S48
– – – – – –
6K 1.85:1 S24/
S48
S24/
S48
S24/
S48
– – – – – –
6K 3:2 S24/
S48
S24/
S48
S24/
S48
S48 S48 S48
– – –
X-OCN LT 3.8K 16:9 S24/
S48
S24/
S48
S24/
S48
S24/
S48
S24/
S48
S24/
S48
– – –
4K 2.39:1
– – – – – – – –
S24/
S48
4K 17:9 S24/
S48
S24/
S48
S24/
S48
S24/
S48
S24/
S48
S24/
S48
S24/
S48
S24/
S48
–
4K 4:3 S24/
S48
S24/
S48
S24/
S48
S24/
S48
S24/
S48
S24/
S48
S24/
S48
– –
4K 6:5 S24/
S48
S24/
S48
S24/
S48
– – – – – –
5.7K 16:9 S24/
S48
S24/
S48
S24/
S48
– – – – – –
6K 2.39:1 S24/
S48
S24/
S48
S24/
S48
– – – – – –
6K 17:9 S24/
S48
S24/
S48
S24/
S48
– – – – – –
6K 1.85:1 S24/
S48
S24/
S48
S24/
S48
– – – – – –
6K 3:2 S24/
S48
S24/
S48
S24/
S48
S24/
S48
S24/
S48
S48
– – –
2. Preparation: Using with AXS-R7
00029
Formatting (Initializing) an AXS
Memory Card
AXS memory cards must be formatted the first
time they are used in the AXS-R7 attached to the
unit.
Use the format function of the unit to format
AXS memory cards for use in the AXS-R7. It is
also necessary to format an AXS memory card if
a caution message is displayed when the unit is
turned on with the AXS-R7 attached.
If an AXS memory card that was formatted in a
format not supported by the AXS-R7 is loaded, a
file system mismatch message is displayed.
1 Select TC/Media category > Format Media in
the menu, then press the MENU dial.
2 Select AXS Slot A (slot A) or AXS Slot B (slot B).
A confirmation screen prompting whether to
format the card appears.
3 Press and hold ITEM key 1 and ITEM key 3 for 3
seconds to execute formatting.
Formatting starts, a message is displayed
during execution, and the ACCESS lamp lights
in red.
When formatting ends, a completion message
appears. Press the MENU dial to dismiss the
message.
[Note]
All data is erased when a memory card is formatted, and the
data cannot be restored.
Checking the Remaining Recording
Time
While shooting (recording or standby), you
can check the remaining capacity on a loaded
AXS memory card using the recording media
remaining capacity indicator on the Home screen
of the sub display (page 31) or the viewfinder/
monitor screen (page 13).
The available time for recording with the current
video format (recording bit rate) is calculated
according to the remaining space of each card and
displayed in time units of minutes.
[Note]
A icon appears if an AXS memory card is write-protected.
Restoring an AXS Memory Card
If for any reason an error should occur in a memory
card, the card must be restored before use.
If an AXS memory card that needs to be restored
is loaded, a message prompting you to execute
restoration is displayed.
To start the restore process, select Execute by
turning the MENU dial, then press the MENU dial.
The restoration starts.
During execution, a message is displayed and the
ACCESS lamp lights in red.
When restoration ends, a completion message
appears. Press the MENU dial to dismiss the
message.
If restoration fails
A write-protected AXS memory card or one on
which an error occurred cannot be restored. For
such a card, a warning message is displayed.
Release the write protection or replace the card,
according to the instructions in the message.
An AXS memory card on which an error
occurred may become usable again when
reformatted.
In some cases, some clips can be restored while
others cannot. Playback of the restored clips
becomes possible again.
[Note]
For restoration of media recorded with this unit, be sure to
use this unit.
Media recorded with a device other than this unit or with
another unit of different version (even of the same model)
may not be restored using this unit.
Updating the management file
If clips cannot be played back, updating the
management file on the card may improve the
situation.
Use TC/Media > Update Media (page 62) in the
full menu to update the management file.
Updating the AXS-R7 Firmware
Version
You can update the version of the AXS-R7
firmware with the AXS-R7 attached to the unit.
[Notes]
The firmware version of the unit must be 2.0 or later in
order to perform this operation.
Set AXS Rec Format (page 44) to Rec Off before
performing this operation.
1
Prepare a USB flash drive updater according to
the update procedure for the AXS-R7.
2 Insert the USB flash drive updater in the
external device connector (page 12).
3
Execute the AXS-R7 update function using
Maintenance > Firmware > FW Update-AXS-R7
(page 72) in the menu.
The version update process takes about 15
minutes. When the version update process
finishes, the unit automatically restarts and
“Firmware Upgrade Done” is displayed.
00030
3. Camera Operations
Sub Display
The sub display displays the Home screen, clip list screen, playback screen, menu screen, full menu screen, and user functions screen.
You can switch between the screens on the sub display using the buttons on the Assistant side of the unit.
User functions screen
Home screen
Clip list screen
Menu screen Full menu screen
Playback screen
USER button
USER button
MENU button
HOME button
HOME button
HOME button
CLIPS button
CLIPS button
CLIPS button
USER button
MENU button
MENU button
3. Camera Operations: Sub Display
00031
Home Screen
Press the HOME button on the Assistant side to display the Home screen. You can check the status of the
unit and set basic settings for the unit on the Home screen.
Item name/Setting
value/Function
display area
Status
display area
Item name/Setting value/Function display area
1 2 3
4 5 6
ITEM key 4 ITEM key 5 ITEM key 6
ITEM key 3ITEM key 2ITEM key 1
[Note]
The areas labeled 1 to 6 correspond to ITEM keys 1 to 6
(page 39). Press an ITEM key to select the corresponding
item. The ITEM keys for functions displayed in orange text
color are enabled.
1. FPS
Displays and sets the video frame rate.
2. Exposure Index/Gain
Displays and sets the exposure index (EI) (top
icon displays the Base ISO sensitivity) or the
gain set by an RM-B170 or other remote
control unit.
[Note]
The gain value is displayed only when Technical
> System Configuration > RM/RCP Paint Control
(page 68) is set to On in the full menu.
3. Shutter
Displays and sets the shutter speed/shutter
angle of the electronic shutter.
4. ND Filter
Displays and sets the ND filter position.
5. LUT
Displays and sets the monitor LUT.
6. WB (White Balance)
Displays and sets the white balance.
Status display area
1
9
2 3
5
4
7 6810
13
12
11
1. Time data display
Displays the duration or timecode, depending
on the TC/Media category > TC Display setting
in the menu (page 44).
Displays the type of data currently shown in
the time data display, as follows.
TCG: Recorded timecode
TCR: Playback timecode
Dur: Duration
2. Frame rate indicator
Displays the value of the Project category >
Project Frame Rate setting in the menu
(page 44).
3. Imager mode indicator
Displays the Project category > Imager Mode
setting in the menu, and de-squeeze
information.
4. Clip name display
Displays “Reel: Camera ID + Reel Number” and
“ShotNumber”.
5. Audio level meters
Displays the audio recording or playback
levels. The numbers 1 and 2 Indicate channels
1 and 2.
6. Simultaneous recording indicator
When 1-slot simultaneous recording is
configured for the displayed media, a “Sub”
icon appears on the right of the displayed
main recording format.
7. Recording format (codec) indicator
Displays the format of the recording on an AXS
memory card or an SxS memory card
(page 48).
8. Power supply voltage/Remaining battery
capacity indicator
Displays the power supply voltage or
remaining battery capacity.
9. Remaining media capacity indicator
Displays the active media icon, media type, slot
type (A/B), and remaining recording time
(when recording in the current recording
format).
It also displays the clip name during playback.
10. Recording status indicator
Displays the following recording operation
states of the unit.
Display Description
Stby
Recording standby
Rec
Recording
Cache
Picture cache recording
standby
11. Thermometer icon
Displayed when a high temperature warning
message is issued.
The description is displayed in the Info
category in the menu.
3. Camera Operations: Sub Display
00032
12. Warning icon
Displayed when other than a high
temperature warning message is issued.
The description is displayed in the Info
category in the menu.
13. Ext-LK icon
Displayed when the internal timecode
generator is locked to an external signal input
to the TC IN (timecode input) connector.
3. Camera Operations
00033
Operations on the Home Screen of the Sub Display
Basic Operation
1 Press the HOME button.
The Home screen appears.
2 Select the item to set using the ITEM keys 1 to
6.
The setting value for items that can be
changed are displayed in orange.
The following diagram shows an example
when ITEM key 3 is pressed.
3 Move the cursor to the item or setting value to
select using the
button (ITEM key 2),
button (ITEM key 5), or MENU dial.
4 Press the MENU dial or Set button (ITEM key 3)
to apply the setting.
Changing the brightness of the sub display
You can change the brightness of the sub display
using Technical > Control Display > Brightness
level (page 70) in the full menu.
On the Home screen, you can also press and hold
the BACK button and turn the MENU dial clockwise
to change the brightness of the sub display in the
sequence Minimum Low Mid High with
the current setting as the base point.
You can also press and hold the BACK button and
turn the MENU dial counterclockwise to change
the brightness of the sub display in the sequence
High Mid Low Minimum with the
current setting as the base point.
[Note]
The display brightness setting is common to both the sub
display and the mini display, and is reflected on both displays
simultaneously.
Display and operation when RM/RCP Paint
Control is enabled
When Technical > System Configuration > RM/
RCP Paint Control (page 68) is set to On in
the full menu, the gain value set by an RM-B170
or other remote control unit is displayed in the
EI display area. In this mode, the EI display area
is grayed out, and the EI value and gain value
cannot be changed. However, the Base ISO
setting can be switched.
In this case too, the LUT display area is grayed
output and cannot be operated.
The following display areas are grayed out and
cannot be operated when an RM-B170 or other
remote control unit is connected and Technical
> System Configuration > RM/RCP Paint Control
(page 68) is set to On in the full menu. Set
these using the remote control unit (page 86).
Shutter display area
WB display area
Step Edit Operation
You can change the settings available for selection
when “Step Edit” is displayed for ITEM key 4 in step
2 in the basic operation. You can add and delete
settings on the settings edit screen.
1 On the settings selection screen, move the
cursor to the setting you want to change or
delete, and press the Step Edit button (ITEM
key 4).
The settings edit screen appears.
2
To delete a setting, press the Delete button (ITEM
key 4).
[Note]
The selected setting can be deleted if the “Delete”
character string is displayed in orange.
3 Use the button (ITEM key 2), button
(ITEM key 5), or MENU dial to change the
setting.
4 When finished, press the Add button (ITEM key
4).
The setting is added and the display returns to
the setting selection screen.
[Note]
A setting can be added if the “Add” character string is
displayed in orange.
When setting White Balance
On the White Balance settings edit screen, you
can press the Coarse/Fine button (ITEM key 1) to
change the 1-step increment variation to coarse
or fine. You can also press the Temp/Tint button
(ITEM key 3) to switch the value between color
temperature (Temp) and color tone (Tint).
FPS Operation
Press ITEM key 1 on the Home screen to display
the FPS operation screen. You can press the
Variable/Fixed button (ITEM key 4) to switch
between “Fixed” for constant speed shooting and
“Variable (Select FPS)” for variable speed shooting.
[Note]
Audio is not recorded in “Select FPS” mode.
3. Camera Operations: Operations on the Home Screen of the Sub Display
00034
EI Operation
Changing the EI value
You can change the EI value using ITEM key 2 on
the Home screen.
1 Press ITEM key 2 on the Home screen.
The EI setup screen appears.
2 Use the button (ITEM key 2), button
(ITEM key 5), or MENU dial to change the
setting.
3 Press the MENU dial or Set button (ITEM key 3)
to apply the setting.
Switching the Base ISO
You can switch the Base ISO by pressing ITEM key
4 on the EI setup screen.
1 Press ITEM key 4 on the EI setup screen.
The Base ISO switching screen appears.
2 Press the two Change buttons (ITEM key 1 and
ITEM key 3) simultaneously.
The Base ISO is changed (page 38).
AWB Operation
Press ITEM key 6 on the Home screen to display
the white balance operation screen. Press the Auto
White Bal. button (ITEM key 1) to execute white
balance. After execution, press the Add button
(ITEM key 4) to add the setting to a step. You can
also press the Temp/Tint button (ITEM key 3) to
switch the value between color temperature
(Temp) and color tone (Tint) to make fine
adjustments to the value before adding a value to
a step.
[Note]
During AWB operation, shoot a white chart under uniform
lighting conditions.
LUT Operation
Setting a LUT
You can set a LUT for each output system using
ITEM key 5 on the Home screen.
1 Press ITEM key 5 on the Home screen.
The LUT selection screen appears.
The LUT selection screen has two pages, and
you can switch the page by pressing ITEM key
1.
On page 1, you can set the LUT settings for SDI
1/2 (display only), SDI 3/4, Monitor, and HDMI.
On page 2, you can set the LUT settings for the
viewfinder, SxS Rec, and Sub Rec.
2 Select the output to set using ITEM keys 2, 3, 5,
and 6.
The settings edit screen appears.
3 Use the button (ITEM key 2), button
(ITEM key 5), or MENU dial to change the
setting.
4 Press the MENU dial or Set button (ITEM key 3)
to apply the setting.
Changing Preset Look
You can set a LUT when Look is selected on the
LUT selection screen using the Edit Look button
(ITEM key 4) on page 1 or page 2.
1 Press the Edit Look button (ITEM key 4) on the
LUT selection screen.
The Look selection screen appears.
2 Press the Select button (ITEM key 3).
The items that can be selected are displayed.
3 Use the button (ITEM key 2), button
(ITEM key 5), or MENU dial to change the
setting.
4 Press the MENU dial or Set button (ITEM key 3)
to apply the setting.
3. Camera Operations: Operations on the Home Screen of the Sub Display
00035
Changing the LUT category
You can change the target category for LUT
operations to User 3D LUT or Preset Look.
1 Press the Edit Look button (ITEM key 4) on the
LUT selection screen.
The Look selection screen appears.
2 Use the button (ITEM key 2), button
(ITEM key 5), or MENU dial to enable category
selection.
3 Press the MENU dial or the Select button (ITEM
key 3).
4 Use the button (ITEM key 2), button
(ITEM key 5), or MENU dial to select a category
(User 3D LUT or Preset Look).
5 Press the MENU dial or Set button (ITEM key 3)
to apply the setting.
Loading a User 3D LUT file
You can load a User 3D LUT file stored on an SD
card into the unit.
[Note]
Save the User 3D LUT file in the following directory on the SD
card (page 85).
PRIVATE\SONY\PRO\LUT\
1 Insert the SD card into the SD card slot
(page 12).
2 Press the Edit Look button (ITEM key 4) on the
LUT selection screen.
The Look selection screen appears.
3 Press the Load File button (ITEM key 4).
4 Press the MENU dial or the Select button (ITEM
key 3).
The load destination numbers (01 to 16) are
displayed.
A file name is displayed for loaded numbers.
5 Use the button (ITEM key 2), button
(ITEM key 5), or MENU dial to select a load
destination number.
6 Press the MENU dial or the Select button (ITEM
key 3).
The file name of the User 3D LUT file stored on
the SD card is displayed.
7 Use the button (ITEM key 2), button
(ITEM key 5), or MENU dial to select a file.
8 Press the MENU dial or the Load button (ITEM
key 3).
When the file is loaded successfully,
“Successfully loaded” is displayed.
9 Press the OK button (ITEM key 6).
Loading an ASC CDL file
You can load an ASC CDL file stored on an SD card
into the unit.
[Note]
Save the ASC CDL file in the following directory on the SD
card (page 85).
PRIVATE\SONY\PRO\CDL\
1 Insert the SD card into the SD card slot
(page 12).
2 Press the Edit Look button (ITEM key 4) on the
LUT selection screen.
The Look selection screen appears.
3 Press the Load File button (ITEM key 4).
4 Select Load ASC CDL File, and press the MENU
dial or the Select button (ITEM key 3).
The file name of the ASC CDL file stored on the
SD card is displayed.
5 Use the button (ITEM key 2), button
(ITEM key 5), or MENU dial to select a file.
3. Camera Operations: Operations on the Home Screen of the Sub Display
00036
6 Press the MENU dial or the Load button (ITEM
key 3).
You can press the Load All Files button (ITEM
key 1) to load all files.
When the file is loaded successfully,
“Successfully loaded” is displayed.
7 Press the OK button (ITEM key 6).
8 Specify the ASC CDL processing sequence in
ASC CDL Process.
Changing the User 3D LUT File
You can change the currently selected User 3D
LUT file.
1 Press the Edit Look button (ITEM key 4) on the
LUT selection screen.
The Look selection screen appears.
2 Press the MENU dial or the Select button (ITEM
key 3).
3 Use the button (ITEM key 2), button
(ITEM key 5), or MENU dial to change the User
3D LUT file.
4 Press the MENU dial or Set button (ITEM key 3)
to apply the setting.
Changing the ASC CDL File
You can change the currently selected ASC CDL
file.
1 Press the Edit Look button (ITEM key 4) on the
LUT selection screen.
The Look selection screen appears.
2 Select ASC CDL Select, and press the MENU
dial or the Select button (ITEM key 3).
3 Use the button (ITEM key 2), button
(ITEM key 5), or MENU dial to change the ASC
CDL file.
4 Press the MENU dial or Set button (ITEM key 3)
to apply the setting.
Displaying ASC CDL information
You can display information for the currently
selected ASC CDL file.
1 Press the Edit Look button (ITEM key 4) on the
LUT selection screen.
The Look selection screen appears.
2 Select ASC CDL Select, and press the ASC CDL
Info button (ITEM key 1).
The ASC CDL information is displayed.
About the ASC CDL file setting ranges
The ASC CDL file setting ranges are shown below.
Files that exceed the ranges cannot be loaded.
Slope: 0.000 to 3.999
Offset: –1.000 to 1.000
Power: 0.400 to 4.000
Saturation: 0.000 to 3.999
3. Camera Operations: Operations on the Home Screen of the Sub Display
00037
Home Screen Items on the Sub Display
The names of items and corresponding setting values are given below.
Default values are shown underlined and in bold text.
[Note]
The maximum shooting frame rate value varies depending on the recording format. The maximum shooting frame rate value
is restricted to the following during SxS standalone recording and AXS/SxS simultaneous recording.
4K/QFHD XAVC Intra Class 480: 30 fps (max)
4K/QFHD XAVC Intra Class 300: 60 fps (max)
MPEG HD 422 Codec: 30 fps (max)
ProRes Codec: 60 fps (max)
Item Description
FPS Sets the shooting frame rate.
Variable/Fixed: Switch between variable speed and constant speed shooting.
When “Fixed” is selected, the setting is determined by the Project category >
Project Frame Rate (page 44) setting in the menu.
Project Frame Rate Display
23.98
Fixed-24
24
Fixed-24
25
Fixed-25
29.97
Fixed-30
47.95
Fixed-48
50
Fixed-50
59.94
Fixed-60
When “Variable” is selected, the setting changes as follows depending on the
Project category > Imager Mode (page 58) setting in the menu.
Imager Mode Setting
3.8K 16:9
4K 17:9
1 to 60 FPS
4K 17:9
1)
1 to 60, 66, 72, 75, 88, 90, 96,
100, 110FPS
3.8K 16:9 Surround View
4K 17:9 Surround View
4K 4:3
1 to 48 FPS
4K 4:3
1)
1 to 60, 66, 72, 75FPS
4K 2.39:1
1)
120 FPS
4K 4:3 Surround View
4K 6:5
5.7K 16:9
6K 2.39:1
6K 17:9
6K 1.85:1
1 to 30 FPS
6K 3:2
1 to 25 FPS
6K 3:2
1)
1 to 60 FPS
3. Camera Operations: Operations on the Home Screen of the Sub Display
00038
Item Description
Exposure Index
Sets the EI value. You can change the Base ISO setting by pressing the Change
Base button (ITEM key 4) and then simultaneously pressing the two Change
buttons (ITEM key 1 and ITEM key 3) on the subsequent screen. The available
settings vary as follows depending on the Base ISO setting.
Base ISO 500:
125EI/160EI/200EI/250EI/320EI/400EI/500EI/640EI/800EI/1000EI/1250EI/
1600EI/2000EI
Base ISO 2500:
640EI/800EI/1000EI/1250EI/1600EI/2000EI/2500EI/3200EI/4000EI/5000EI/
6400EI/8000EI/10000EI
Shutter Sets the electronic shutter angle/shutter speed.
Press the Step/Cont. button (ITEM key 1) to switch between step and continuous
selection methods.
Step: Select from up to 16 preset values registered as shutter steps. You can press
the Step Edit button (ITEM key 4) to change any setting from the preset value after
selection.
Displays the following selection options depending on the Technical >
System Configuration > Shutter Mode (page 68) setting in the full menu.
Angle: Shutter angle indicator
Default selection options
360/180/172.8/144/90/45/22.5/11.2/5.6
Speed: Shutter speed indicator
Default selection options
1/24, 1/25, 1/30, 1/50, 1/60, 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000
2)
[Note]
The default speed values for different Project Frame Rate (page 44) settings are
given below.
23.98/24: 1/24, 25: 1/25, 29.97: 1/30, 47.95: 1/48, 50: 1/50, 59.94: 1/60
Cont.: Select an angle/speed within the supported range.
ND Filter
Sets the ND filter position. The following settings are available.
Clear/0.3/0.6/0.9/1.2/1.5/1.8/2.1/2.4
Item Description
LUT Configures settings related to the LUT to apply to the output video.
Page 1
SDI 1/2 (ITEM key 2): Log
Display only, as LUT cannot be applied to the SDI 1/2 output image.
SDI 3/4 (ITEM key 3): Log/Look
Selects the LUT to apply to the SDI 3/4 output image.
Disabled when Monitoring category > Output Format > SDI 1/2 is set to 4K/
QFHD in the menu.
Monitor (ITEM key 5): Log/s709/R709(800%)
Selection becomes Log/Look when Monitoring category > Output Format >
SDI 1/2 is set to 4K/QFHD in the menu.
HDMI (ITEM key 6): Log/s709/R709(800%)
Fixed to Log when Monitoring category > Output Format > SDI 1/2 is set to
4K/QFHD and HDMI is set to 4K/QFHD in the menu. In all other cases, the
options are the same as for Monitor.
Page 2
Viewfinder (ITEM key 2): Log/s709/R709(800%)
Selects the LUT to apply to the viewfinder/monitor screen output image.
SxS Rec (ITEM key 5): Log/Look
Disabled when Project category > SxS Rec Format is set to Rec Off in the
menu, or fixed to Log when set to XAVC.
Sub Rec (ITEM key 6): Log/Look
Disabled when Project category > SxS Rec Format is set to Rec Off in the
menu.
Page 1/2 common items
Edit Look: Sets a LUT to apply as a Look.
s709 / R709(800%) / S-Gamut3.Cine/SLog3 / S-Gamut3/SLog3 / User 3D LUT
WB (White Balance)
Sets the color temperature/color tone of the white balance.
Default selection options
3200K+00/4300K+00/5500K+00
You can press the Step Edit button (ITEM key 4) to change the white balance
preset value and Tint value.
Auto White Bal.: Execute auto white balance.
1)
Only when a High Frame Rate License is activated.
2)
The options are 1/60 and subsequent values when the project frame rate is 59.94, 1/50 and subsequent values when 50.0,
1/30 and subsequent values when 29.97, and 1/25 and subsequent values when 25.0.
3. Camera Operations
00039
User Functions Screen
You can press the USER button (page 10) to
display the user functions screen on the sub
display and use the ITEM keys 1 to 5 as assignable
buttons (User 1 to 5).
There are also four assignable buttons (1 to 4)
(pages 8, 9, 10) on the unit and three
assignable buttons (A to C) on the viewfinder
(DVF-EL200) to which you can assign various
functions.
Functions can be assigned to these buttons using
the user functions screen, in addition to using
Project > Assignable Button in the full menu.
ITEM key 4 ITEM key 5 ITEM key 6
ITEM key 3ITEM key 2ITEM key 1
[Note]
When a lens that supports the iris setting display function is
attached, the iris position is displayed in the center left of the
user functions screen.
Changing Button Functions
The user functions selection screen is displayed by
pressing the Edit button (ITEM key 6) on the user
functions screen. You can set the functions for the
User 1 to 5 buttons, assignable buttons 1 to 4, and
viewfinder assignable buttons A to C on the user
functions selection screen.
1 On the user functions selection screen, move
the cursor to the button you want to change,
and press the Select button (ITEM key 3).
The functions that can be selected are
displayed.
2 Use the button (ITEM key 2), button
(ITEM key 5), or MENU dial to change the
setting.
3
When finished, press the Set button (ITEM key
3).
The display returns to the user functions
screen, and displays the changed function.
The following tables lists the functions that are assigned when the unit is shipped from the factory.
Button Function Assignable Button setting
Assignable 1 Displays clipped highlight areas in red in the
viewfinder.
VF Highlight Clip Ind
Assignable 2 No assignment Not Assigned
Assignable 3 No assignment Not Assigned
Assignable 4 No assignment Not Assigned
ITEM key 1 No assignment Not Assigned
ITEM key 2 No assignment Not Assigned
ITEM key 3 No assignment Not Assigned
ITEM key 4 Displays clipped highlight areas in red on the
Monitor output.
Monitor Highlight Clip Ind
ITEM key 5 Sets the fan control mode. Fan Mode
Viewfinder assignable A Turns the focus magnifier function of the
viewfinder on/off.
VF Focus Magnifier
Viewfinder assignable B Turns the false color function display in a
viewfinder on/off.
VF False Color
Viewfinder assignable C Turns the information display on the viewfinder/
monitor screen output image on/off.
VF Status Info
Functions that can be Assigned to ITEM Keys 1 to 5
Assignable Button
setting
Function State when unit is powered
on
No Assign No assignment –
SDI Frame Line Turns superimposition of frame lines on the SDI
3/4 output image on/off.
Setting retained
SDI Status Info Turns display of information on the SDI 3/4 output
image on/off.
Setting retained
Press & Hold for SDI Log
1)
Disables the LUT applied to the SDI 3/4 output
image while the key is pressed, and sets Log
image quality without applying a LUT.
Setting not retained
Monitor Frame Line Turns superimposition of frame lines on the
Monitor output image on/off.
Setting retained
Monitor Status Info Turns display of information on the Monitor
output image on/off.
Setting retained
Press & Hold for Monitor
Log
1)
Disables the LUT applied to the Monitor output
image while the key is pressed, and sets Log
image quality without applying a LUT.
Setting not retained
3. Camera Operations: User Functions Screen
00040
Assignable Button
setting
Function State when unit is powered
on
Monitor Highlight Clip
Ind
1)
Turns the function that displays clipped highlight
areas in red on the Monitor output image on/off.
Setting retained
Monitor False Color
1)
Turns the false color function display on a monitor
on/off.
Setting retained
Color Bars
2)
Turns color bars on/off. Setting retained
AXS Slot Change Switches the active slot when two AXS memory
cards are inserted.
Switches between A and B each time the key is
pressed.
Setting retained
SxS Slot Change Switches the active slot when two SxS memory
cards are inserted.
Switches between A and B each time the key is
pressed.
Setting retained
Fan Mode Sets the fan control mode.
Switches between Auto Max Off in Rec/
Auto Off in Rec/Max each time the key is
pressed.
Setting retained
Format Media AXS Slot A Formats media in AXS slot A. –
Format Media AXS Slot B Formats media in AXS slot B. –
Format Media SxS Slot A Formats media in SxS slot A. –
Format Media SxS Slot B Formats media in SxS slot B. –
APR Executes APR. –
PL-Mt Interface Position Sets the interface position of the PL mount lens.
Switches between Top Side Off each time
the key is pressed.
Setting retained
VF Highlight Clip Ind
1)
Turns the function to display clipped highlight
areas in red in the viewfinder on/off.
Setting retained
VF False Color
1)
Turns the false color function display in a
viewfinder on/off.
Setting retained
Auto White Balance
2)
Executes auto white balance. –
Picture Cache Rec Turns the picture cache recording function on/off. Setting retained
Iris Open (1/16 stop)
3)
Opens the lens iris.
Press and hold to open the iris until fully open.
This function is available when an E mount lens
with power iris is attached.
The setting is in 1/16 stop increments, whereas
the iris indication is in units of 1/3 stop
increments.
–
Assignable Button
setting
Function State when unit is powered
on
Iris Close (1/16 stop)
3)
Closes the lens iris.
Press and hold to close the iris until fully closed.
This function is available when an E mount lens
with power iris is attached.
The setting is in 1/16 stop increments, whereas
the iris indication is in units of 1/3 stop
increments.
–
1)
Does not function if the key is pressed when Technical > System Configuration > RM/RCP Paint Control (page 68) is set to
On in the full menu.
2)
Does not function if the key is pressed when an RM-B170 or other remote control unit is connected and Technical > System
Configuration > RM/RCP Paint Control (page 68) is set to On in the full menu.
3)
Does not function if the key is pressed when an RM-B170 or other remote control unit is connected.
Functions that can be Assigned to Assignable Buttons 1 to 4
Assignable Button setting Function State when unit is
powered on
No Assign No assignment –
SDI Frame Line Turns superimposition of frame lines on the SDI
3/4 output image on/off.
Setting retained
SDI Status Info Turns display of information on the SDI 3/4
output image on/off.
Setting retained
Press & Hold for SDI Log
1)
Disables the LUT applied to the SDI 3/4 output
image while the button is pressed, and sets
Log image quality without applying a LUT.
Setting not retained
Monitor Frame Line Turns superimposition of frame lines on the
Monitor output image on/off.
Setting retained
Monitor Status Info Turns display of information on the Monitor
output image on/off.
Setting retained
Press & Hold for Monitor Log
1)
Disables the LUT applied to the Monitor output
image while the button is pressed, and sets
Log image quality without applying a LUT.
Setting not retained
Monitor Highlight Clip Ind
1)
Turns the function that displays clipped
highlight areas in red on the Monitor output
image on/off.
Setting retained
3. Camera Operations: User Functions Screen
00041
Assignable Button setting Function State when unit is
powered on
Monitor High/Low Key
1)
Selects the Monitor output mode.
Switches between High Key (screen for
checking for blown-out highlights) Low Key
(screen for checking for blocked-out shadows)
Off (normal display) each time the button is
pressed.
Setting not retained
Monitor False Color
1)
Turns the false color function display on a
monitor on/off.
Setting retained
Color Bars
2)
Turns color bars on/off. Setting retained
AXS Slot Change Switches the active slot when two AXS
memory cards are inserted.
Switches between A and B each time the
button is pressed.
–
SxS Slot Change Switches the active slot when two SxS memory
cards are inserted.
Switches between A and B each time the
button is pressed.
–
Rec Review Executes the Rec Review function. Setting not retained
VF Frame Line Turns superimposition of frame lines on the
viewfinder/monitor screen output image on/
off.
Setting retained
VF Zebra Turns the zebra function of the viewfinder/
monitor screen output image on/off.
Setting retained
VF Status Info Turns the information display on the
viewfinder/monitor screen output image on/
off.
Setting retained
VF Focus Magnifier Turns the focus magnifier function of the
viewfinder on/off.
Setting not retained
Press & Hold for VF Log
1)
Disables the LUT applied to the viewfinder/
monitor screen output image while the button
is pressed, and sets Log image quality without
applying a LUT.
Setting not retained
VF Highlight Clip Ind
1)
Turns the function to display clipped highlight
areas in red in the viewfinder on/off.
Setting retained
VF High/Low Key
1)
Selects the viewfinder output mode.
Switches between High Key (screen for
checking for blown-out highlights) Low Key
(screen for checking for blocked-out shadows)
Off (normal display) each time the button is
pressed.
Setting not retained
VF False Color
1)
Turns the false color function display in a
viewfinder on/off.
Setting retained
Assignable Button setting Function State when unit is
powered on
Auto White Balance
2)
Executes auto white balance. Stops execution if
pressed during auto white balance.
–
Picture Cache Rec Turns the picture cache recording function on/
off.
Setting retained
Iris Open (1/16 stop)
3)
Opens the lens iris.
Press and hold to open the iris until fully open.
This function is available when an E mount lens
with power iris is attached.
The setting is in 1/16 stop increments, whereas
the iris indication is in units of 1/3 stop
increments.
–
Iris Close (1/16 stop)
3)
Closes the lens iris.
Press and hold to close the iris until fully closed.
This function is available when an E mount lens
with power iris is attached.
The setting is in 1/16 stop increments, whereas
the iris indication is in units of 1/3 stop
increments.
–
Rec Starts/stops recording. –
1)
Does not function if the button is pressed when Technical > System Configuration > RM/RCP Paint Control (page 68) is
set to On in the full menu.
2)
Does not function if the button is pressed when an RM-B170 or other remote control unit is connected and Technical >
System Configuration > RM/RCP Paint Control (page 68) is set to On in the full menu.
3)
Does not function if the button is pressed when an RM-B170 or other remote control unit is connected.
3. Camera Operations: User Functions Screen
00042
Functions that can be Assigned to Viewfinder (DVF-EL200) Assignable Buttons A
to C
Assignable Button setting Function State when unit is
powered on
No Assign No assignment –
Color Bars
1)
Turns color bars on/off. Setting retained
AXS Slot Change Switches the active slot when two AXS
memory cards are inserted.
Switches between A and B each time the
button is pressed.
–
SxS Slot Change Switches the active slot when two SxS
memory cards are inserted.
Switches between A and B each time the
button is pressed.
–
Rec Review Executes the Rec Review function. Setting not retained
VF Frame Line Turns superimposition of frame lines on the
viewfinder/monitor screen output image on/
off.
Setting retained
VF Zebra Turns the zebra function of the viewfinder/
monitor screen output image on/off.
Setting retained
VF Status Info Turns the information display on the
viewfinder/monitor screen output image on/
off.
Setting retained
VF Focus Magnifier Turns the focus magnifier function of the
viewfinder on/off.
Setting not retained
Press & Hold for VF Log
2)
Disables the LUT applied to the viewfinder/
monitor screen output image while the button
is pressed, and sets Log image quality without
applying a LUT.
Setting not retained
VF Highlight Clip Ind
2)
Turns the function to display clipped highlight
areas in red in the viewfinder on/off.
Setting retained
VF High/Low Key
2)
Selects the viewfinder output mode.
Switches between High Key (screen for
checking for blown-out highlights) Low
Key (screen for checking for blocked-out
shadows) Off (normal display) each time
the button is pressed.
Setting not retained
VF False Color
2)
Turns the false color function display in a
viewfinder on/off.
Setting retained
Assignable Button setting Function State when unit is
powered on
Picture Cache Rec Turns the picture cache recording function
on/off.
Setting retained
Iris Open (1/16 stop)
3)
Opens the lens iris.
Press and hold to open the iris until fully open.
This function is available when an E mount
lens with power iris is attached.
The setting is in 1/16 stop increments, whereas
the iris indication is in units of 1/3 stop
increments.
–
Iris Close (1/16 stop)
3)
Closes the lens iris.
Press and hold to close the iris until fully
closed.
This function is available when an E mount
lens with power iris is attached.
The setting is in 1/16 stop increments, whereas
the iris indication is in units of 1/3 stop
increments.
–
Rec Starts/stops recording. –
1)
Does not function if the button is pressed when an RM-B170 or other remote control unit is connected and Technical >
System Configuration > RM/RCP Paint Control (page 68) is set to On in the full menu.
2)
Does not function if the button is pressed when Technical > System Configuration > RM/RCP Paint Control (page 68) is
set to On in the full menu.
3)
Does not function if the button is pressed when an RM-B170 or other remote control unit is connected.
3. Camera Operations
00043
Menu Operations
By pressing the MENU button while shooting
(during recording or recording standby) or during
playback, you can display and operate the menu
screen on the sub display.
Project category: Basic settings and recording
format settings
TC/Media category: Timecode value and TC
format settings
Monitoring category: SDI/HDMI/Monitor
external signal output format, OSD, and marker
overlay status settings
Audio category: Audio source and audio level
settings
Info category: Camera, media, and battery status
information
Controls
MENU button (page 9)
Press to display the menu on the sub display.
ITEM keys 1 to 6 (page 9)
Selects the category of the menu.
SEL/SET dial (MENU dial) (page 9)
Turn to move the cursor in the corresponding
direction to select setting items or setting values.
Press the MENU dial to apply the selected item.
BACK button (page 10)
Press to return to the previous menu. Unconfirmed
changes are canceled.
Basic Operation
1 Press the MENU button.
The menu screen appears.
2 Select the category to set using ITEM keys 1 to
6.
3 Turn the MENU dial to move the cursor to the
setting item to select.
For each setting item, the setting value is
displayed.
“Menu Item List” (page 44)
4 Press the MENU dial.
The setting value selection screen appears
next to the selected item.
5 Turn the MENU dial to move the cursor to the
setting value.
6 Press the MENU dial to apply the setting.
3. Camera Operations: Menu Operations
00044
Menu Item List
The items available in each category are given below.
Project category
Default values are shown underlined and in bold text.
Item Settings Description
Imager Mode
6K 3:2/6K 1.85:1/6K 17:9/
6K 2.39:1/5.7K 16:9/4K 6:5/
4K 4:3/4K 4:3 Surround View/
4K 17:9/
4K 17:9 Surround View/
4K 2.39:1/3.8K 16:9/
3.8K 16:9 Surround View
Sets the effective picture size.
[Notes]
6K 3:2/6K 1.85:1/6K 17:9 are displayed only when a
Full Frame license is installed.
4K 6:5/4K 4:3/4K 4:3 Surround View are displayed
only when an Anamorphic license is installed.
4K 2.39:1 is displayed only when a High Frame Rate
license is installed.
Project Frame Rate 23.98/24/25/29.97/47.95/
50/59.94
Sets the project frame rate.
Input Color Space
S-Gamut3.Cine/SLog3 /
S-Gamut3/SLog3 /
Rec.2020/HLG_Rec.2100
Sets the color space.
[Note]
Rec.2020/HLG_Rec.2100 can be selected only when
Technical > System Configuration > RM/RCP Paint
Control (page 68) is set to On in the full menu.
AXS Rec Format
1)
(Only when an AXS-R7 is
attached)
Rec Off/X-OCN XT/
RAW SQ/X-OCN ST/
X-OCN LT
Sets the recording format for AXS memory cards
when an AXS-R7 is connected.
SxS Rec Format
1)
Rec Off/XAVC 4K Class480/
XAVC 4K Class300/
XAVC QFHD Class480/
XAVC QFHD Class300/
MPEG HD P/MPEG HD i/
ProRes 422 HQ HD P/
ProRes 422 HQ HD i/
ProRes 422 HD P/
ProRes 422 HD i/
ProRes Proxy HD P/
ProRes Proxy HD i
Sets the main recording format for SxS memory
cards.
Sub Rec Format
1)
Rec Off/MPEG HD P/
MPEG HD i/
ProRes 422 Proxy HD P/
ProRes 422 Proxy HD i
Sets the sub recording format for SxS memory
cards.
Item Settings Description
Project Details
(ITEM key 6)
Displays the contents of the Project menu
(page 58) in the full menu.
1)
The recording formats available vary depending on the combination of the effective picture size and project frame rate
settings. For details about settings, see “Recording Format Settings” (page 48).
TC/Media category
Default values are shown underlined and in bold text.
Item Settings Description
TC Mode
Preset F-Run (Ext-Lk)/Preset
R-Run/Int Regen
Sets the timecode mode.
Preset F-Run (Ext-Lk): Timecode
advances continuously from specified
value, regardless of whether recording or
not.
Preset R-Run: Timecode advances from
specified value only when recording.
Int Regen: Timecode continues from that
of the previous clip.
TC Display
Timecode/Duration Switches the time data indication.
TC Setting
(set when switching
to another screen)
Setting
(H, M, S, F)
Sets the timecode to a desired value.
Reset Resets the timecode to 00:00:00:00.
TC Format
DF/NDF Sets the timecode format.
DF: Drop frame
NDF: Non drop frame
TC Source Internal/External Display only.
Cam ID
A to Z Sets the camera ID used when
generating clip names.
Clip name: Camera ID + Reel Number +
Shot Number + date + random string
Reel#
001 to 999 Sets the numeric portion of the Reel
Number used when generating clip
names.
Clip name: Camera ID + Reel Number +
Shot Number + date + random string
Camera Position
C/L/R Sets the first character portion of the
Shot Number used when generating clip
names.
Clip name: Camera ID + Reel Number +
Shot Number + date + random string
3. Camera Operations: Menu Operations
00045
Item Settings Description
Format Media
(executed when
switching to another
screen)
AXS Slot A Formats the AXS memory card in slot A.
AXS Slot B Formats the AXS memory card in slot B.
SxS Slot A Formats the SxS memory card in slot A.
SxS Slot B Formats the SxS memory card in slot B.
SD Card Formats the SD card.
Media Details
(ITEM key 6)
Displays the contents of the TC/Media
menu (page 61) in the full menu.
Monitoring category
Default values are shown underlined and in bold text.
[Notes]
The unit supports independent configuration of Status Info and Frame Line for each system. The display information for the
A and B output images is configured using the Monitoring menu (page 63).
Info and Frame Line may not be displayed depending on the Output Format setting. In this case, “–” is displayed and the
setting cannot be changed.
Item Settings Description
VF Status Info
Info A/Info B/Off Selects the information to display
superimposed on the viewfinder image.
Frame Line
Line A/Line B/Off Selects the frame lines to display
superimposed on the viewfinder image.
SDI 1/2 Output
Format
The available settings vary
according to the imager
mode, project frame rate, and
SxS recording format settings.
Selects the SDI 1/2 output format.
1)
Status Info – Information display is not superimposed
on the SDI 1/2 output.
Frame Line
Line A/Line B/Off Selects the frame lines to display
superimposed on the SDI 1/2 output.
[Note]
Frame lines are only superimposed if the
output format is 4K/QFHD.
SDI 3/4
[Note]
Depending on the
Output Format setting
of SDI 1/2, the Output
Format, Info, Frame
Line settings of SDI
3/4 may be blank and
cannot be changed.
Output
Format
The available settings vary
depending on the SDI 1/2
setting.
Selects the SDI 3/4 output format.
1)
Status Info Info A/Info B/Off Selects the information to display
superimposed on the SDI 3/4 output.
Frame Line
Line A/Line B/Off Selects the frame lines to display
superimposed on the SDI 3/4 output.
Item Settings Description
Monitor Output
Format
The available settings vary
depending on the SDI 1/2
setting.
Selects the Monitor output format.
2)
Status Info Info A/Info B/Off Selects the information to display
superimposed on the Monitor output.
Frame Line
Line A/Line B/Off Selects the frame lines to display
superimposed on the Monitor output.
HDMI Output
Format
The available settings vary
depending on the SDI 1/2
setting.
Selects the HDMI output format.
2)
Moni. Details
(ITEM key 6)
Displays the contents of the Monitoring
menu (page 63) in the full menu.
1)
For details about formats available for selection, see “SDI OUT Connector Output Formats” (page 96).
2)
For details about formats available for selection, see “MONITOR OUT Connector/HDMI OUT Connector Output Formats”
(page 100).
3. Camera Operations: Menu Operations
00046
Audio category
Default values are shown underlined and in bold text.
Item Settings Description
Source Switch LINE / AES/EBU / MIC Displays the position of the AUDIO IN switch
(page 9) that sets the CH1 and CH2 input
source.
CH-1 Audio Level
Auto/Manual
–99 to ±0 to +99
The audio recording level is adjusted
automatically when set to Auto.
The audio recording level is adjusted manually
when set to Manual.
CH-2 Audio Level
Auto/Manual
–99 to ±0 to +99
The audio recording level is adjusted
automatically when set to Auto.
The audio recording level is adjusted manually
when set to Manual.
MIC Reference
–60dB/–50dB/–40dB Selects the reference input level of the
microphone.
Monitor CH
When Monitor Output CH Pair
is set to CH-1/CH-2
CH-1/CH-2, CH-1, CH-2
When Monitor Output CH Pair
is set to CH-3/CH-4
CH-3/CH-4, CH-3, CH-4
Selects the audio channel that is output to the
headphones and speaker.
Monitor Level
0 to 99 Adjusts the monitor audio level.
CH1 Level Meter – Displays the CH1 level meter.
CH2 Level Meter – Displays the CH2 level meter.
CH3 Level Meter – Displays the CH3 level meter.
CH4 Level Meter – Displays the CH4 level meter.
Audio Details
(ITEM key 6)
Displays the contents of the Audio menu
(page 67) in the full menu.
Checking the Status using the Info Category
You can check the status of media and the battery, and check the contents of warnings and errors that
are issued using the Info category. The contents of the display update in realtime as the status of the unit
changes.
The Info category consists of the following seven information pages. Turn the MENU dial to switch the
page.
No. Page Description
1 Camera Condition Displays warning messages and error messages. When there are
no messages, “All Systems are OK” is displayed at the top of the
display area.
2 Firmware Displays the serial number and firmware version of the unit, and
the serial number and firmware version of the AXS-R7 attached
to the unit.
3 License Displays the name and installation status/validity of option
software licenses. If an option is not added, “Not Installed” or
“Expired” is displayed for the installation status.
4 System Displays the following system information.
Date and time
Fan rotation speed
Sensor detection temperature
Hours meter
IP Address
[Notes]
If the sensor detection temperature reaches 65 °C (149 °F), a high
temperature warning message is issued.
“0.0.0.0” is displayed if the IP address cannot be obtained.
5 Battery Displays the following battery information.
Detected battery name or type
Remaining capacity (%)
Estimated remaining time
Remaining capacity (Ah)
Voltage (V)
Number of times that the battery has been charged
Power source
Supplied power source voltage
6 Media Displays the remaining capacity, remaining recording time, and
lifespan data of SxS memory cards, AXS memory cards (when
AXS-R7 is attached), and SD cards.
3. Camera Operations: Menu Operations
00047
No. Page Description
7 Lens Displays the following information for the lens attached to the
unit.
Lens model name
T value of iris
[Note]
The F-stop value is displayed instead of the T-stop value if the T-stop
value cannot be obtained.
Focal length
Focus distance
Depth of field
Serial number
8 Network Displays the network connection setup information.
Status (LAN/Wireless Access Point/Wireless Station/Off)
IP Address
SSID
MAC Address
[Note]
“0.0.0.0” is displayed if the IP address cannot be obtained.
3. Camera Operations: Menu Operations
00048
Recording Format Settings
The following recording formats can be selected for different combinations of effective picture size and project frame rate settings.
If a value shown underlined and in bold text is selected, a Log or LUT setting can be applied to the recorded video signal.
AXS Rec Format and SxS Rec Format combinations
Effective picture size (Imager Mode) Main recording format Project Frame Rate
AXS Rec Format SxS Rec Format 23.98 24.00 25.00 29.97 47.95 50.00 59.94
6K 3:2
(6048×4032)
X-OCN XT
X-OCN ST
X-OCN LT
None Yes Yes Yes Yes – Yes Yes
4K XAVC-I Class480 Yes Yes Yes Yes – – –
4K XAVC-I Class300 Yes Yes Yes Yes – Yes Yes
MPEG HD422 P Yes – Yes Yes – – –
MPEG HD422 i – – – – – Yes Yes
FHD ProRes 422 HQ P Yes Yes Yes Yes – Yes Yes
FHD ProRes 422 P Yes Yes Yes Yes – Yes Yes
FHD ProRes 422 Proxy P Yes Yes Yes Yes – Yes Yes
FHD ProRes 422 Proxy i – – – – – Yes Yes
6K 1.85:1
(6054×3272)
X-OCN XT
X-OCN ST
X-OCN LT
None Yes Yes Yes Yes – – –
4K XAVC-I Class480 Yes Yes Yes Yes – – –
4K XAVC-I Class300 Yes Yes Yes Yes – – –
MPEG HD422 P Yes – Yes Yes – – –
FHD ProRes 422 HQ P Yes Yes Yes Yes – – –
FHD ProRes 422 P Yes Yes Yes Yes – – –
FHD ProRes 422 Proxy P Yes Yes Yes Yes – – –
6K 17:9
(6054×3192)
X-OCN XT
X-OCN ST
X-OCN LT
None Yes Yes Yes Yes – – –
4K XAVC-I Class480 Yes Yes Yes Yes – – –
4K XAVC-I Class300 Yes Yes Yes Yes – – –
MPEG HD422 P Yes – Yes Yes – – –
FHD ProRes 422 HQ P Yes Yes Yes Yes – – –
FHD ProRes 422 P Yes Yes Yes Yes – – –
FHD ProRes 422 Proxy P Yes Yes Yes Yes – – –
6K 2.39:1
(6048×2534)
X-OCN XT
X-OCN ST
X-OCN LT
None Yes Yes Yes Yes – – –
4K XAVC-I Class480 Yes Yes Yes Yes – – –
4K XAVC-I Class300 Yes Yes Yes Yes – – –
MPEG HD422 P Yes – Yes Yes – – –
FHD ProRes 422 HQ P Yes Yes Yes Yes – – –
FHD ProRes 422 P Yes Yes Yes Yes – – –
FHD ProRes 422 Proxy P Yes Yes Yes Yes – – –
3. Camera Operations: Menu Operations
00049
Effective picture size (Imager Mode) Main recording format Project Frame Rate
AXS Rec Format SxS Rec Format 23.98 24.00 25.00 29.97 47.95 50.00 59.94
5.7K 16:9
(5674×3192)
X-OCN XT
X-OCN ST
X-OCN LT
None Yes Yes Yes Yes – – –
QFHD XAVC-I Class480 Yes – Yes Yes – – –
QFHD XAVC-I Class300 Yes – Yes Yes – – –
MPEG HD422 P Yes – Yes Yes – – –
FHD ProRes 422 HQ P Yes Yes Yes Yes – – –
FHD ProRes 422 P Yes Yes Yes Yes – – –
FHD ProRes 422 Proxy P Yes Yes Yes Yes – – –
4K 6:5
(4096×3432)
X-OCN XT
X-OCN ST
X-OCN LT
None Yes Yes Yes Yes – – –
4K XAVC-I Class480 Yes Yes Yes Yes – – –
4K XAVC-I Class300 Yes Yes Yes Yes – – –
MPEG HD422 P Yes – Yes Yes – – –
FHD ProRes 422 HQ P Yes Yes Yes Yes – – –
FHD ProRes 422 P Yes Yes Yes Yes – – –
FHD ProRes 422 Proxy P Yes Yes Yes Yes – – –
4K 4:3
(4096×3024)
X-OCN XT
X-OCN ST
X-OCN LT
None Yes Yes Yes Yes Yes Yes Yes
4K XAVC-I Class480 Yes Yes Yes Yes – – –
4K XAVC-I Class300 Yes Yes Yes Yes – Yes Yes
MPEG HD422 P Yes – Yes Yes – – –
MPEG HD422 i – – – – – Yes Yes
FHD ProRes 422 HQ P Yes Yes Yes Yes – Yes Yes
FHD ProRes 422 P Yes Yes Yes Yes – Yes Yes
FHD ProRes 422 Proxy P Yes Yes Yes Yes – Yes Yes
FHD ProRes 422 Proxy i – – – – – Yes Yes
4K 4:3 Surround
(4096×3024)
Picture size
(4552×3360)
X-OCN XT
X-OCN ST
X-OCN LT
None Yes Yes Yes Yes – – –
MPEG HD422 P Yes – Yes Yes – – –
FHD ProRes 422 HQ P Yes Yes Yes Yes – – –
FHD ProRes 422 P Yes Yes Yes Yes – – –
FHD ProRes 422 Proxy P Yes Yes Yes Yes – – –
3. Camera Operations: Menu Operations
00050
Effective picture size (Imager Mode) Main recording format Project Frame Rate
AXS Rec Format SxS Rec Format 23.98 24.00 25.00 29.97 47.95 50.00 59.94
4K 17:9
(4096×2160)
X-OCN XT
RAW SQ
X-OCN ST
X-OCN LT
None Yes Yes Yes Yes Yes Yes Yes
4K XAVC-I Class480 Yes Yes Yes Yes – – –
4K XAVC-I Class300 Yes Yes Yes Yes – Yes Yes
MPEG HD422 P Yes – Yes Yes – – –
MPEG HD422 i – – – – – Yes Yes
FHD ProRes 422 HQ P Yes Yes Yes Yes – Yes Yes
FHD ProRes 422 HQ i – – – – – Yes Yes
FHD ProRes 422 P Yes Yes Yes Yes – Yes Yes
FHD ProRes 422 i – – – – – Yes Yes
FHD ProRes 422 Proxy P Yes Yes Yes Yes – Yes Yes
FHD ProRes 422 Proxy i – – – – – Yes Yes
4K 17:9 Surround
(4096×2160)
Picture size
(4552×2400)
X-OCN XT
RAW SQ
X-OCN ST
X-OCN LT
None Yes Yes Yes Yes – – –
MPEG HD422 P Yes – Yes Yes – – –
FHD ProRes 422 HQ P Yes Yes Yes Yes – – –
FHD ProRes 422 P Yes Yes Yes Yes – – –
FHD ProRes 422 Proxy P Yes Yes Yes Yes – – –
4K 4096×1716 2.39:1 X-OCN XT
X-OCN ST
X-OCN LT
None Yes Yes Yes Yes – Yes Yes
3.8K (QFHD) 16:9
(3840×2160)
X-OCN XT
RAW SQ
X-OCN ST
X-OCN LT
None Yes Yes Yes Yes – Yes Yes
QFHD XAVC-I Class480 Yes – Yes Yes – – –
QFHD XAVC-I Class300 Yes – Yes Yes – Yes Yes
MPEG HD422 P Yes – Yes Yes – – –
MPEG HD422 i – – – – – Yes Yes
FHD ProRes 422 HQ P Yes Yes Yes Yes – Yes Yes
FHD ProRes 422 HQ i – – – – – Yes Yes
FHD ProRes 422 P Yes Yes Yes Yes – Yes Yes
FHD ProRes 422 i – – – – – Yes Yes
FHD ProRes 422 Proxy P Yes Yes Yes Yes – Yes Yes
FHD ProRes 422 Proxy i – – – – – Yes Yes
3.8K (QFHD) 16:9 Surround
(3840×2160)
Picture size
(4268×2400)
X-OCN XT
RAW SQ
X-OCN ST
X-OCN LT
None Yes Yes Yes Yes – – –
MPEG HD422 P Yes – Yes Yes – – –
FHD ProRes 422 HQ P Yes Yes Yes Yes – – –
FHD ProRes 422 P Yes Yes Yes Yes – – –
FHD ProRes 422 Proxy P Yes Yes Yes Yes – – –
3. Camera Operations: Menu Operations
00051
SxS Rec Format and Sub Rec Format combinations
Effective picture size (Imager Mode) Recording format Project Frame Rate
SxS main recording format
(SxS Rec Format)
1)
SxS sub recording format
(Sub Rec Format)
2)
23.98 24.00 25.00 29.97 47.95 50.00 59.94
6K 3:2
(6048×4032)
4K XAVC-I Class480 None – – – – – – –
4K XAVC-I Class300 None – – – – – – –
FHD XAVC-I None – – – – – – –
MPEG HD422 P None – – – – – – –
FHD ProRes 422 HQ P None – – – – – – –
FHD ProRes 422 P None – – – – – – –
FHD ProRes 422 Proxy P None – – – – – – –
6K 1.85:1
(6054×3272)
4K XAVC-I Class480 None Yes Yes Yes Yes – – –
MPEG HD422 P Yes – Yes Yes – – –
ProRes 422 Proxy P Yes Yes Yes Yes – – –
4K XAVC-I Class300 None Yes Yes Yes Yes – – –
MPEG HD422 P Yes – Yes Yes – – –
ProRes 422 Proxy P Yes Yes Yes Yes – – –
MPEG HD422 P None Yes – Yes Yes – – –
FHD ProRes 422 HQ P None Yes Yes Yes Yes – – –
FHD ProRes 422 P None Yes Yes Yes Yes – – –
6K 17:9
(6054×3192)
4K XAVC-I Class480 None Yes Yes Yes Yes – – –
MPEG HD422 P Yes – Yes Yes – – –
ProRes 422 Proxy P Yes Yes Yes Yes – – –
4K XAVC-I Class300 None Yes Yes Yes Yes – – –
MPEG HD422 P Yes – Yes Yes – – –
ProRes 422 Proxy P Yes Yes Yes Yes – – –
6K 2.39:1
(6048×2534)
4K XAVC-I Class480 None Yes Yes Yes Yes – – –
MPEG HD422 P Yes – Yes Yes – – –
ProRes 422 Proxy P Yes Yes Yes Yes – – –
4K XAVC-I Class300 None Yes Yes Yes Yes – – –
MPEG HD422 P Yes – Yes Yes – – –
ProRes 422 Proxy P Yes Yes Yes Yes – – –
MPEG HD422 P None Yes – Yes Yes – – –
FHD ProRes 422 HQ P None Yes Yes Yes Yes – – –
FHD ProRes 422 P None Yes Yes Yes Yes – – –
3. Camera Operations: Menu Operations
00052
Effective picture size (Imager Mode) Recording format Project Frame Rate
SxS main recording format
(SxS Rec Format)
1)
SxS sub recording format
(Sub Rec Format)
2)
23.98 24.00 25.00 29.97 47.95 50.00 59.94
5.7K 16:9
(5674×3192)
QFHD XAVC-I Class480 None Yes – Yes Yes – – –
MPEG HD422 P Yes – Yes Yes – – –
ProRes 422 Proxy P Yes – Yes Yes – – –
QFHD XAVC-I Class300 None Yes – Yes Yes – – –
MPEG HD422 P Yes – Yes Yes – – –
ProRes 422 Proxy P Yes – Yes Yes – – –
MPEG HD422 P None Yes – Yes Yes – – –
FHD ProRes 422 HQ P None Yes Yes Yes Yes – – –
FHD ProRes 422 P None Yes Yes Yes Yes – – –
4K 6:5
(4096×3432)
4K XAVC-I Class480 None Yes Yes Yes Yes – – –
MPEG HD422 P Yes – Yes Yes – – –
ProRes 422 Proxy P Yes Yes Yes Yes – – –
4K XAVC-I Class300 None Yes Yes Yes Yes – – –
MPEG HD422 P Yes – Yes Yes – – –
ProRes 422 Proxy P Yes Yes Yes Yes – – –
MPEG HD422 P None Yes – Yes Yes – – –
FHD ProRes 422 HQ P None Yes Yes Yes Yes – – –
FHD ProRes 422 P None Yes Yes Yes Yes – – –
4K 4:3
(4096×3024)
4K XAVC-I Class480 None Yes Yes Yes Yes – – –
MPEG HD422 P Yes – Yes Yes – – –
ProRes 422 Proxy P Yes Yes Yes Yes – – –
4K XAVC-I Class300 None Yes Yes Yes Yes – Yes Yes
MPEG HD422 P Yes – Yes Yes – – –
MPEG HD422 i – – – – – Yes Yes
ProRes 422 Proxy P Yes Yes Yes Yes – – –
ProRes 422 Proxy i – – – – – Yes Yes
MPEG HD422 P None Yes – Yes Yes – – –
MPEG HD422 i None – – – – – Yes Yes
FHD ProRes 422 HQ P None Yes Yes Yes Yes – Yes Yes
FHD ProRes 422 P None Yes Yes Yes Yes – Yes Yes
4K 4:3 Surround
(4096×3024)
Picture size
(4552×3360)
MPEG HD422 P None Yes – Yes Yes – – –
FHD ProRes 422 HQ P None Yes Yes Yes Yes – – –
FHD ProRes 422 P None Yes Yes Yes Yes – – –
3. Camera Operations: Menu Operations
00053
Effective picture size (Imager Mode) Recording format Project Frame Rate
SxS main recording format
(SxS Rec Format)
1)
SxS sub recording format
(Sub Rec Format)
2)
23.98 24.00 25.00 29.97 47.95 50.00 59.94
4K 17:9
(4096×2160)
4K XAVC-I Class480 None Yes Yes Yes Yes – – –
MPEG HD422 Yes – Yes Yes – – –
ProRes 422 Proxy P Yes Yes Yes Yes – – –
4K XAVC-I Class300 None Yes Yes Yes Yes – Yes Yes
MPEG HD422 P Yes – Yes Yes – – –
MPEG HD422 i – – – – – Yes Yes
ProRes 422 Proxy P Yes Yes Yes Yes – – –
ProRes 422 Proxy i – – – – – Yes Yes
3.8K (QFHD) 16:9
(3840×2160)
QFHD XAVC-I Class480 None Yes – Yes Yes – – –
MPEG HD422 P Yes – Yes Yes – – –
ProRes 422 Proxy P Yes – Yes Yes – – –
QFHD XAVC-I Class300 None Yes – Yes Yes – Yes Yes
MPEG HD422 P Yes – Yes Yes – – –
MPEG HD422 i – – – – – Yes Yes
ProRes 422 Proxy P Yes – Yes Yes – – –
ProRes 422 Proxy i – – – – – Yes Yes
MPEG HD422 P None Yes – Yes Yes – – –
MPEG HD422 i None – – – – – Yes Yes
FHD ProRes 422 HQ P None Yes Yes Yes Yes – Yes Yes
FHD ProRes 422 HQ i None – – – – – Yes Yes
FHD ProRes 422 P None Yes Yes Yes Yes – Yes Yes
FHD ProRes 422 i None – – – – – Yes Yes
3.8K (QFHD) 16:9 Surround
(3840×2160)
Picture size
(4268×2400)
MPEG HD422 P None Yes – Yes Yes – – –
FHD ProRes 422 HQ P None Yes Yes Yes Yes – – –
FHD ProRes 422 P None Yes Yes Yes Yes – – –
1)
When the SxS main recording format is set to XAVC, the LUT is off (fixed) for XAVC recording.
2)
When the SxS recording format is set to MPEG or ProRes, either Log or Look can be selected (FHD only).
3. Camera Operations
00054
Full Menu Operations
The full menu for configuring the required settings
for shooting and playback is displayed on the sub
display be pressing and holding the MENU button
for 2 seconds or longer.
Menu Structure
Shooting menu
Menu used to make settings related to shooting.
Project menu
Menu used to make basic settings for a project.
TC/Media menu
Menu used to make settings related to timecode
and recording media.
Monitoring menu
Menu used to make settings related to video
output and viewfinder output.
Audio menu
Menu used to make settings related to audio.
Technical menu
Menu used to make settings related to technical
matters.
Maintenance menu
Menu used to make unit settings, such as the clock
and language settings.
Controls
MENU button (page 9)
Press and hold for 2 seconds or longer to display
the full menu on the sub display.
SEL/SET dial (MENU dial) (page 9)
Turn to move the cursor in the corresponding
direction to select setting items or setting values.
Press the MENU dial to apply the selected item.
BACK button (page 10)
Press to return to the previous menu. Unconfirmed
changes are canceled.
Setting Menu Items
Turn the MENU dial to move the cursor to the
menu item you want to set, then press the MENU
dial to select that item.
The menu item selection area can show a
maximum of nine lines. When all the selectable
items cannot be displayed at one time, you can
scroll the display up or down by moving the
cursor.
For items having a wide range of available
values (example: –99 to +99), the selection
area is not displayed. The current setting is
highlighted to indicate that the value can be
changed.
If you select Execute for an executable item, the
corresponding function is executed.
When you select an item that you must confirm
before execution, a confirmation message
appears. Follow the instructions in the message
to execute or cancel the operation.
3. Camera Operations
00055
Full Menu List
The functions and available settings of each menu item are given below.
Shooting Menu
Default values are shown underlined and in bold text.
Shooting > FPS
Sets the shooting frame rate.
[Note]
FPS cannot be configured if Project > Basic Setting > SxS Rec Format in the full menu is set to interlaced recording. In this
case, the Fixed/Variable Select setting changes to Fixed.
Menu item Settings Description
Fixed/Variable Select
Fixed/Variable Selects whether the FPS setting is set to constant
speed shooting or variable speed shooting.
[Note]
Set to Variable (fixed) when Project > Basic Setting >
Imager Mode (page 58) is set to 4K 2.39:1 in the full
menu.
FPS Select When Fixed/Variable Select is set
to Fixed, one of the following
values is displayed.
Fixed 24/Fixed 25/Fixed 30/
Fixed 48/Fixed 50/Fixed 60
Selects the shooting frame rate.
The default values vary as shown below
depending on the Project Frame Rate setting.
Project
Frame
Rate
Default when
Fixed/Variable
Select is Variable
Display value
when Fixed/
Variable Select is
Fixed
59.94
60 Fixed 60
50
50 Fixed 50
47.95
48 Fixed 48
29.97
30 Fixed 30
25
25 Fixed 25
24
24 Fixed 24
23.97
24 Fixed 24
[Note]
Set to 120 (fixed) when Project > Basic Setting > Imager
Mode (page 58) is set to 4K 2.39:1 in the full menu.
Shooting > Shutter
Makes settings related to the electronic shutter.
[Note]
Shutter is grayed out and cannot be operated when an RM-B170 or other remote control unit is connected and Technical >
System Configuration > RM/RCP Paint Control (page 68) is set to On in the full menu.
Menu item Settings Description
Shutter Select
When Shutter Mode (page 68)
is set to Speed
Default selection options
1/24, 1/25, 1/30, 1/48, 1/50,
1/60,
1/100, 1/120, 1/250, 1/500,
1/1000, 1/2000
1)
When Shutter Mode (page 68)
is set to Angle
Default selection options
360.0/180.0/172.8/144.0/
90.0/45.0/22.5/11.2/5.6
When Step/Cont. Select is set to
Continuous, the selection range
is 360.0 to 4.2 (Angle) or 1/24
1)
to
1/8000
2)
(Speed).
Selects shutter angle or speed of the electronic
shutter.
The default speed values for different Project
Frame Rate (page 58) settings are given below.
23.98/24: 1/24
25: 1/25
29.97: 1/30
47.95: 1/48
50: 1/50
59.94: 1/60
Step/Cont. Select
Step/Continuous Selects whether the electronic shutter values are
step values or continuous.
Add/Change Step Adds or edits a selection option available in
Shutter Select in Step mode.
Up to 16 selection options can be added.
Delete Step Deletes a selection option available in Shutter
Select in Step mode.
Shooting > ND
Sets the ND filter position.
Menu item Settings Description
ND Position
Clear/0.3/0.6/0.9/1.2/1.5/1.8/2.1/
2.4
Selects the density of the ND filter.
3. Camera Operations: Full Menu List
00056
Shooting > Exposure Index
Sets the EI value.
[Note]
Exposure Index is grayed out and the setting cannot be changed when Technical > System Configuration > RM/RCP Paint
Control (page 68) is set to On in the full menu.
Menu item Settings Description
EI Select
The setting changes as follows
depending on the Project > Basic
Setting > Base ISO (page 58)
setting in the full menu.
ISO 500:
125EI/160EI/200EI/250EI/
320EI/400EI/500EI/640EI/
800EI/1000EI/1250EI/1600EI/
2000EI
ISO 2500:
640EI/800EI/1000EI/1250EI/
1600EI/2000EI/2500EI/
3200EI/4000EI/5000EI/
6400EI/8000EI/10000EI
Selects the EI value.
[Note]
The settings are fixed to the following values when
Technical > System Configuration > RM/RCP Paint
Control (page 68) is set to On in the full menu.
When Base ISO is set to ISO500: 500EI
When Base ISO is set to ISO2500: 2500EI
Shooting > White Balance
Makes settings related to white balance.
[Note]
White Balance is grayed out and cannot be operated when an RM-B170 or other remote control unit is connected and
Technical > System Configuration > RM/RCP Paint Control (page 68) is set to On in the full menu.
Menu item Settings Description
Color Temp. Select
3200K+00/4300K+00/
5500K+00
+ other added options (up to 16)
Displays and selects the color temperature/color
tone of the white balance.
Add/Change Step Adds or edits a selection option by changing the
color temperature and tint value of white balance.
Delete Step Deletes an added selection option.
Auto White Balance Execute/Cancel Executes auto white balance (execute by
selecting Execute).
Shooting > LUT Select
Makes settings related to the LUT to apply to the output image.
[Notes]
LUT Select is grayed out and the setting cannot be changed when Technical > System Configuration > RM/RCP Paint
Control (page 68) is set to On in the full menu.
The HLG setting is configured (fixed) only when Project > Basic Setting > Input Color Space (page 58) is set to Rec.2020/
HLG_Rec.2100 in the menu.
Menu item Settings Description
SDI 1/2 Log/HLG
Display only, as LUT cannot be applied to the SDI
1/2 output image.
SDI 3/4
Log/Look/---/HLG
Selects the LUT to apply to the SDI 3/4 output
image.
Monitor Log/s709/R709(800%)/Look/---/
HLG
The default values are given
below.
When Output Format > SDI
1/2 is 2K/HD: s709
When Output Format > SDI
1/2 is 4K/QFHD: Look
Selects the LUT to apply to the Monitor output
image.
HDMI
Log/s709/R709(800%)/Look/
HLG
The default values are given
below.
When Output Format > SDI
1/2 is 2K/HD: s709
When Output Format > SDI
1/2 is 4K/QFHD and HDMI is
not 4K/QFHD: Look
When Output Format >
HDMI is 4K/QFHD: Log
Displays the LUT to apply to HDMI output image.
VF LUT
Log/s709/R709(800%) Selects the LUT to apply to the viewfinder/
monitor screen output image.
[Notes]
Set to R709(800%) (fixed) when Technical > System
Configuration > RM/RCP Paint Control (page 68) is
set to On in the full menu.
An SDR gain value (–12 dB) is applied to the
viewfinder/monitor output image.
SxS Rec Log/Look/---/HLG
Selects the LUT to apply to SDI Main clip recorded
video.
Sub Rec
Log/Look/---/HLG
Selects the LUT to apply to SDI Sub clip recorded
video.
3. Camera Operations: Full Menu List
00057
Shooting > Look
Makes settings related to Preset Look.
[Note]
Look is grayed out and the setting cannot be changed when Technical > System Configuration > RM/RCP Paint Control
(page 68) is set to On in the full menu.
Menu item Settings Description
Category
Preset Look/User 3D LUT Selects the LUT category.
Preset Look Select
s709 / R709(800%) / S-Gamut3.
Cine/SLog3 / S-Gamut3/SLog3
Selects the Preset Look.
Outputs images that are suitable as the starting
point for color grading or images that are close to
print film quality.
s709: Cinema color
R709(800%): Faithful color
S-Gamut3/SLog3: Wide color space
S-Gamut3.Cine/SLog3: Color space for digital
cinema
[Notes]
Configurable only when Category is set to Preset
Look.
S-Gamut3/SLog3 can be selected only when Project >
Basic Setting > Input Color Space (page 58) is set to
S-Gamut3/SLog3 in the full menu.
User 3D LUT Select File name (01 to 16) of User 3D
LUT files stored in internal
memory
Selects the User 3D LUT file.
[Note]
Configurable only when Category is set to User 3D LUT.
Shooting > Look
Makes settings related to Preset Look.
[Note]
Look is grayed out and the setting cannot be changed when Technical > System Configuration > RM/RCP Paint Control
(page 68) is set to On in the full menu.
Menu item Settings Description
ASC CDL Process
CDL Off/Look-> CDL/CDL ->
Look
Sets whether to apply ASC CDL to the output
video. When applying, specify the ASC CDL
processing sequence.
CDL Off: Do not apply ASC CDL to the output
video.
CDL -> Look: Apply CDL before applying Look.
Look -> CDL: Apply CDL after applying Look.
[Notes]
ASC CDL is enabled for outputs for which Look is
selected in Shooting > LUT Select (page 56) in the
full menu.
The conditions under which the ASC CDL Process
options are enabled are given below.
When an ASC CDL file is not selected:
CDL Off
When an ASC CDL file is selected, and Shooting >
Look > Category (page 57) is set to Preset
Look:
CDL Off / Look -> CDL
When an ASC CDL file is selected, Shooting > Look >
Category is set to User 3D LUT, and Preset Look
Select (page 57) is set to s709:
CDL Off / Look -> CDL
When an ASC CDL file is selected, Shooting > Look >
Category is set to User 3D LUT, and Preset Look
Select is not set to s709:
CDL Off / Look -> CDL / CDL -> Look
ASC CDL Select No File/Not Selected Selects the ASC CDL registered in the unit.
ASC CDL Information Displays information about the ASC CDL selected
by ASC CDL Select.
3. Camera Operations: Full Menu List
00058
Shooting > Look File
Loads a User 3D LUT file into the unit.
[Note]
Look File is grayed out and the setting cannot be changed when Technical > System Configuration > RM/RCP Paint Control
(page 68) is set to On in the full menu.
Menu item Settings Description
Load User 3D LUT Loads a User 3D LUT file stored on an SD card into
the unit.
Reset User 3D LUT Resets a User 3D LUT data setting.
Reset All User 3D LUTs Execute/Cancel Resets all User 3D LUT data settings (execute by
selecting Execute).
Load ASC CDL Loads ASC CDL data from an SD card.
Reset ASC CDL Resets an ASC CDL data setting.
Reset All ASC CDLs Execute/Cancel Resets all ASC CDL data settings (execute by
selecting Execute).
1)
The options are 1/60 and subsequent values when the project frame rate is 59.94, 1/50 and subsequent values when 50.0,
1/30 and subsequent values when 29.97, and 1/25 and subsequent values when 25.0.
2)
The options are 1/7000 and preceding values when the project frame rate is 50.0 or 25.0, and 1/6000 and preceding values
when 24.0 or 23.98.
Project Menu
Default values are shown underlined and in bold text.
Project > Basic Setting
Makes settings related to picture size and project frame rate.
Menu item Settings Description
Imager Mode
6K 3:2/6K 1.85:1/6K 17:9/
6K 2.39:1/5.7K 16:9/4K 6:5/
4K 4:3/4K 4:3 Surround View/
4K 17:9/4K 17:9 Surround View/
4K 2.39:1/3.8K 16:9/
3.8K 16:9 Surround View
Selects the effective picture size.
[Notes]
6K 3:2/6K 1.85:1/6K 17:9 are displayed only when a
Full Frame license is installed.
4K 6:5/4K 4:3/4K 4:3 Surround View are displayed only
when an Anamorphic license is installed.
4K 2.39:1 is displayed only when a High Frame Rate
license is installed.
Project Frame Rate 23.98/24/25/29.97/47.95/
50/59.94
Selects the project frame rate.
Input Color Space
S-Gamut3.Cine/SLog3 /
S-Gamut3/SLog3 /
Rec.2020/HLG_Rec.2100
Sets the color space.
[Note]
Rec.2020/HLG_Rec.2100 can be selected only when
Technical > System Configuration > RM/RCP Paint
Control (page 68) is set to On in the full menu.
AXS Rec Format
(Only when an AXS-R7
is attached)
Rec Off/X-OCN XT/RAW SQ/
X-OCN ST/X-OCN LT
Selects the video format for recording onto an
AXS memory card inserted into an AXS-R7.
SxS Rec Format
Rec Off/XAVC 4K Class480/
XAVC 4K Class300/
XAVC QFHD Class480/
XAVC QFHD Class300/
MPEG HD P/MPEG HD i/
ProRes 422 HQ HD P/
ProRes 422 HQ HD i/
ProRes 422 HD P/
ProRes 422 HD i/
ProRes Proxy HD P/
ProRes Proxy HD i
Selects the video format to be recorded on an SxS
memory card.
Sub Rec Format
Rec Off/MPEG HD P/
MPEG HD i/
ProRes 422 Proxy HD P/
ProRes 422 Proxy HD i
Selects the sub recording format for SxS memory
cards.
Base ISO
ISO 500/ISO 2500 Sets the base ISO sensitivity.
3. Camera Operations: Full Menu List
00059
Project > Basic Setting
Makes settings related to picture size and project frame rate.
Menu item Settings Description
SxS/Output
De-Squeeze
Off (1.0×)/1.25×/1.3×/1.5×/
1.8×/2.0×
Sets the de-squeeze processing for SxS recording
signals and video output signals.
This setting is available when an Anamorphic
license is installed and Imager Mode is set to 4K
4:3/4K 4:3 Surround View/4K 6:5/4K 17:9/4K 17:9
Surround View/6K 3:2/6K 17:9, or when an
Anamorphic license and Full Frame license are
installed and Imager Mode is set to 6K 3:2/6K 17:9.
The options vary depending on the picture size.
Imager Mode SxS/Output De-Squeeze
Off (1.0×) 1.25× 1.3× 1.5× 1.8× 2.0×
6K 6048×4032 3:2 Yes Yes Yes Yes Yes Yes
6K 6054×3192 17:9 Yes Yes Yes – – Yes
4K 4096×3432 6:5 Yes – – – – Yes
4K 4096×3024 4:3 Yes – Yes – – Yes
4K 4096×3024 4:3 Surround Yes – Yes – – Yes
4K 4096×2160 17:9 Yes Yes Yes – – Yes
4K 4096×2160 17:9
Surround
Yes Yes Yes – – Yes
Project > Special Recording
Makes settings related to picture cache recording.
Menu item Settings Description
Cache Rec Select
On/Off Turns the picture cache recording function on/off.
Picture cache recording is not supported (set to
Off and grayed out) in the following cases.
When XAVC-I Class480 (4K, QFHD) recording
format is selected
For some combinations of effective picture size
and system frequency settings
When AXS Rec Format and SxS Rec Format are
both set to Rec Off
During simultaneous AXS and SxS recording
Project > Special Recording
Makes settings related to picture cache recording.
Menu item Settings Description
Max Cache Rec
Duration
2sec/4sec/6sec/8sec/10sec/
15sec/24sec/30sec
Sets the playback duration of video to cache in
picture cache memory.
The maximum value that can be set for each
memory card is given below.
When recording to an SxS memory card
SxS Rec Format Project Frame Rate
23.98 24 25 29.97 47.95 50 59.94
4K/QFHD XAVC-I Class480 – – – – – – –
4K/QFHD XAVC-I Class300 2 2 2 2 – – –
2K/FHD ProRes 422 HQ P 2 2 2 2 – – –
2K/FHD ProRes 422 HQ i – – – – – 2 2
2K/FHD ProRes 422 P 6 6 6 6 – 2 2
2K/FHD ProRes 422 i – – – – – 6 6
MPEG HD422 P 15 – 15 15 – – –
MPEG HD422 i – – – – – 15 15
3. Camera Operations: Full Menu List
00060
Project > Special Recording
Makes settings related to picture cache recording.
Menu item Settings Description
When recording to an AXS memory card
Imager
Mode
AXS Rec
Format
Project Frame Rate
23.98 24 25 29.97 47.95 50 59.94
6K
6048×4032
3:2
X-OCN XT 4 4 2 2 – – –
X-OCN ST 8 8 8 6 – – –
X-OCN LT 15 15 15 15 – 6 4
6K
6054×3272
1.85:1
X-OCN XT 6 6 6 4 – – –
X-OCN ST 10 10 10 8 – – –
X-OCN LT 24 24 24 15 – – –
6K
6054×3192
17:9
X-OCN XT 6 6 6 4 – – –
X-OCN ST 10 10 10 8 – – –
X-OCN LT 24 24 24 15 – – –
6K
6048×2534
2.39:1
X-OCN XT 10 10 10 6 – – –
X-OCN ST 15 15 15 10 – – –
X-OCN LT 30 30 30 24 – – –
5.7K
5674×3192
16:9
X-OCN XT 6 6 6 4 – – –
X-OCN ST 10 10 10 8 – – –
X-OCN LT 24 24 24 15 – – –
4K
4096×3432
6:5
X-OCN XT 10 10 10 8 – – –
X-OCN ST 15 15 15 15 – – –
X-OCN LT 30 30 30 30 – – –
4K
4096×3024
4:3
X-OCN XT 15 15 10 10 4 4 2
X-OCN ST 24 24 24 15 8 8 6
X-OCN LT 30 30 30 30 15 15 15
Project > Special Recording
Makes settings related to picture cache recording.
Menu item Settings Description
Imager
Mode
AXS Rec
Format
Project Frame Rate
23.98 24 25 29.97 47.95 50 59.94
4K
4096×3024
4:3 Surround
X-OCN XT 15 15 10 10 – – –
X-OCN ST
24 24 24 15 – – –
X-OCN LT 30 30 30 30 – – –
4K
4096×2160
17:9
RAW SQ 24 24 24 15 8 8 6
X-OCN XT 24 24 24 15 8 8 6
X-OCN ST
30 30 30 30 15 15 10
X-OCN LT 30 30 30 30 30 30 24
4K
4096×2160
17:9
Surround
RAW SQ 24 24 24 15 – – –
X-OCN XT 24 24 24 15 – – –
X-OCN ST
30 30 30 30 – – –
X-OCN LT 30 30 30 30 – – –
4K
4096×1716
2.39:1
X-OCN XT 30 30 30 24 – 10 10
X-OCN ST
30 30 30 30 – 15 15
X-OCN LT 30 30 30 30 – 30 30
3.8K(QFHD)
3840×2160
16:9
X-OCN XT 24 24 24 15 – 8 6
X-OCN ST
30 30 30 30 – 15 10
X-OCN LT 30 30 30 30 – 30 24
3.8K(QFHD)
3840×2160
16:9
Surround
X-OCN XT 24 24 24 15 – – –
X-OCN ST
30 30 30 30 – – –
X-OCN LT 30 30 30 30 – – –
3. Camera Operations: Full Menu List
00061
Project > Assignable Button
Assigns functions to assignable buttons.
For details about assigning functions, see “User Functions Screen” (page 39).
Menu item Settings Description
<1> page 39 Assigns a function to assignable button 1.
<2> page 39 Assigns a function to assignable button 2.
<3> page 39 Assigns a function to assignable button 3.
<4> page 39 Assigns a function to assignable button 4.
<VF A> page 39 Assigns a function to assignable button A on the
viewfinder (DVF-EL200).
<VF B> page 39 Assigns a function to assignable button B on the
viewfinder (DVF-EL200).
<VF C> page 39 Assigns a function to assignable button C on the
viewfinder (DVF-EL200).
<User 1> page 39 Assigns a function to ITEM key 1.
<User 2> page 39 Assigns a function to ITEM key 2.
<User 3> page 39 Assigns a function to ITEM key 3.
<User 4> page 39 Assigns a function to ITEM key 4.
<User 5> page 39 Assigns a function to ITEM key 5.
Project > All File
Makes settings related to All-settings files.
Menu item Settings Description
Load SD Card Load an All-settings file from an SD card.
Save SD Card Save an All-settings file on an SD card.
File ID Displays the file ID of the All-settings file for
editing.
Format SD Card Formats an SD card.
TC/Media Menu
Default values are shown underlined and in bold text.
TC/Media > Timecode
Makes settings related to timecode.
Menu item Settings Description
Mode
Preset F-Run (Ext-Lk)/Preset
R-Run/Int Regen
Selects the timecode mode.
Preset F-Run (Ext-Lk): Timecode advances
continuously from specified value, in sync
with external input timecode.
Preset R-Run: Timecode advances from specified
value only when recording.
Int Regen: Timecode continues from that of the
previous clip.
Manual Setting 00:00:00:00 to 23:59:59:29 Sets an arbitrary timecode value.
Reset Execute/Cancel Resets the timecode to 00:00:00:00 (execute by
selecting Execute).
TC Format
DF/NDF Selects the timecode format.
DF: Drop frame
NDF: Non drop frame
TC Source Internal/External Displays the TCG sync source.
Time Data Display
Timecode/Duration Selects the time data to display.
TC/Media > Clip Name Format
Sets clip names. (Clip name: Camera ID + Reel Number + Shot Number + date + random string)
Menu item Settings Description
Camera ID
A to Z Sets the camera ID used when generating clip
names.
Reel Number
001 to 999 Sets the numeric portion of the Reel Number
used when generating clip names.
Camera Position
C/L/R Sets the first character portion of the Shot
Number used when generating clip names.
3. Camera Operations: Full Menu List
00062
TC/Media > Clip Name Format
Sets clip names. (Clip name: Camera ID + Reel Number + Shot Number + date + random string)
Menu item Settings Description
SxS Root Folder Name
XDROOT/Cam ID + Reel# Sets the naming format for the volume label and
root folder names on an SxS card.
XDROOT: Root folder is named “XDROOT”.
Cam ID + Reel#: Volume label name and root
folder name follow the Cam ID naming
format.
[Notes]
If the setting is changed, playback is not possible on
Sony camcorders and VTRs other than the MPC-3610
and PMW-PZ1 (setting must be changed on PMW-
PZ1).
Changes to volume label name and root folder name
are applied when recording starts.
On media in which the root folder name has been set
to Camera ID naming format, the root folder name
cannot be reset to “XDROOT” using this setting.
The root folder is set to “XDROOT” when media is
formatted.
If media recorded with a root folder name in Camera
ID naming format is inserted into a device that does
not support Camera ID naming format (including
Venice V2.0 or earlier), an XDROOT folder is created
and recognized as the root folder (because a root
folder in Camera ID naming format cannot be
recognized).
TC/Media > Format Media
Formats media.
Menu item Settings Description
AXS Slot A
(Only when an AXS-R7
is attached)
Execute/Cancel Initializes the AXS memory card in slot A (execute
by selecting Execute).
AXS Slot B
(Only when an AXS-R7
is attached)
Execute/Cancel Initializes the AXS memory card in slot B (execute
by selecting Execute).
SxS Slot A Execute/Cancel Initializes the SxS memory card in slot A (execute
by selecting Execute).
SxS Slot B Execute/Cancel Initializes the SxS memory card in slot B (execute
by selecting Execute).
SD Card Execute/Cancel Formats the SD card (execute by selecting
Execute).
TC/Media > Update Media
Updates the media’s management file.
Menu item Settings Description
AXS Slot A
(Only when an AXS-R7
is attached)
Execute/Cancel Updates the management file on the AXS
memory card in slot A of the AXS-R7 (execute by
selecting Execute).
AXS Slot B
(Only when an AXS-R7
is attached)
Execute/Cancel Updates the management file on the AXS
memory card in slot B of the AXS-R7 (execute by
selecting Execute).
SxS Slot A Execute/Cancel Updates the management file on the SxS memory
card in slot A (execute by selecting Execute).
SxS Slot B Execute/Cancel Updates the management file on the SxS memory
card in slot B (execute by selecting Execute).
3. Camera Operations: Full Menu List
00063
Monitoring Menu
Default values are shown underlined and in bold text.
Monitoring > Output Format
Makes settings related to output format.
Menu item Settings Description
SDI 1/2 The available settings vary
according to the imager mode,
project frame rate, and SxS
recording format settings.
Selects the SDI 1/2 output format.
Settings vary according to the recording format
(page 96).
SDI 3/4 The available settings vary
depending on the SDI 1/2
setting.
Selects the SDI 3/4 output format.
Settings vary according to the recording format
(page 96).
Monitor The available settings vary
depending on the SDI 1/2
setting.
Selects the Monitor output format.
Settings vary according to the recording format
(page 100).
HDMI The available settings vary
depending on the SDI 1/2
setting.
Selects the HDMI output format.
Settings vary according to the recording format
(page 100).
Monitoring > OSD Appearance
Makes settings related to information and frame lines superimposed on each output signal.
On/Off setting is selected using a checkbox (excluding Frame Line on Playback).
On: Checkbox selected
Off: Checkbox cleared
Menu item Settings Description
VF
Status Info (On/Off,
Info. A/Info. B)
Selects the information to display superimposed
on the viewfinder/monitor screen output image.
Frame Line (On/Off,
Line A/Line B)
Selects the frame lines to display superimposed
on the viewfinder/monitor screen output image.
SDI
SDI 1/2
SDI 3/4
[Note]
The display changes
according to the Output
Format > SDI 1/2 and SDI
3/4 settings.
Status Info (On/Off,
Info. A/Info. B)
Selects the information to display superimposed
on the SDI 3/4 output signal.
Frame Line (On/Off,
Line A/Line B)
Selects the frame lines to display superimposed
on the SDI 3/4 output signal.
Monitor
Status Info (On/Off,
Info. A/Info. B)
Selects the information to display superimposed
on the SDI 3/4 output signal.
Frame Line (On/Off,
Line A/Line B)
Selects the frame lines to display superimposed
on the SDI 3/4 output signal.
Monitoring > OSD Appearance
Makes settings related to information and frame lines superimposed on each output signal.
On/Off setting is selected using a checkbox (excluding Frame Line on Playback).
On: Checkbox selected
Off: Checkbox cleared
Menu item Settings Description
HDMI Same as SDI/Same as Monitor Selects whether the information displayed
superimposed on the HDMI output signal is the
same as for the SDI output or Monitor output.
Status Info A/B Setup
Project
Info. A (On/Off)
Info. B (On/Off)
Selects whether to display the project in the
output information set for Status Info A and Status
Info B.
Timecode
Info. A (On/Off)
Info. B (On/Off)
Selects whether to display the timecode in the
output information set for Status Info A and Status
Info B.
Audio Level Meter
Info. A (On/Off)
Info. B (On/Off)
Selects whether to display an audio level meter in
the output information set for Status Info A and
Status Info B.
Look Status
Info. A (On/Off)
Info. B (On/Off)
Selects whether to display the type of selected
Look in the output information set for Status Info
A and Status Info B.
Output LUT
Info. A (On/Off)
Info. B (On/Off)
Selects whether to display the output LUT in the
output information set for Status Info A and Status
Info B.
Recording LUT
Info. A (On/Off)
Info. B (On/Off)
Selects whether to display the recording LUT in
the output information set for Status Info A and
Status Info B.
VF Status
Info. A (On/Off)
Info. B (On/Off)
Selects whether to display the viewfinder status in
the output information set for Status Info A and
Status Info B.
Lens Status
Info. A (On/Off)
Info. B (On/Off)
Selects whether to display the lens status in the
output information set for Status Info A and Status
Info B.
Remote Control Status
Info. A (On/Off)
Info. B (On/Off)
Selects whether to display the remote control
status in the output information set for Status Info
A and Status Info B.
3. Camera Operations: Full Menu List
00064
Monitoring > OSD Appearance
Makes settings related to information and frame lines superimposed on each output signal.
On/Off setting is selected using a checkbox (excluding Frame Line on Playback).
On: Checkbox selected
Off: Checkbox cleared
Menu item Settings Description
Frame Line A/B Setup
Center Marker
Line A (On/Off)
Line B (On/Off)
Option (Cross/Open Cross/
Dot)
Selects whether to display the center marker in
the output information set for Frame Line A and
Frame Line B.
Selects the display form (Cross/Open Cross/Dot)
of the center marker.
Aspect Ratio
Line A (On/Off)
Line B (On/Off)
Option (17:9/16:9/15:9/14:9/
13:9/4:3/1.66:1/1.85:1/2:1/
2.35:1/2.39:1)
Selects whether to display the aspect ratio marker
in the output information set for Frame Line A
and Frame Line B.
Selects the mode (17:9/16:9/15:9/14:9/13:9/4:3/
1.66:1/1.85:1/2:1/2.35:1/2.39:1) when displaying
the aspect ratio marker.
Aspect Safety Zone
Line A (On/Off)
Line B (On/Off)
Option
(80%/90%/92.5%/95%)
Selects whether to display the aspect safety zone
in the output information set for Frame Line A
and Frame Line B.
Selects the size (percentage of the entire screen)
of the aspect safety zone marker.
Picture Area
Line A (On/Off)
Line B (On/Off)
Selects whether to display the picture area in the
output information set for Frame Line A and
Frame Line B.
Safety Zone
Line A (On/Off)
Line B (On/Off)
Option
(80%/90%/92.5%/95%)
Selects whether to display the safety zone in the
output information set for Frame Line A and
Frame Line B.
Selects the range (80%/90%/92.5%/95%) of the
safety zone.
User Frame Line
Line A (On/Off)
Line B (On/Off)
Selects whether to display the user frame lines in
the output information set for Frame Line A and
Frame Line B.
Color
Option (White/Yellow/Cyan/
Green/Magenta/Red/Blue)
Sets the display color of frame lines.
Surround View Type
Option (Line/Mask/
Line&Mask)
Selects the display form of the Surround View
marker.
Line: Displays the recording area using lines.
Mask: Displays the recording area by masking
(reducing) the video signal level outside the
recording area.
Line&Mask: Displays the recording area using lines
and by masking (reducing) the video signal
level outside the recording area.
Monitoring > OSD Appearance
Makes settings related to information and frame lines superimposed on each output signal.
On/Off setting is selected using a checkbox (excluding Frame Line on Playback).
On: Checkbox selected
Off: Checkbox cleared
Menu item Settings Description
Aspect Ratio Type
Option (Line/Mask/
Line&Mask)
Selects the display form of the aspect ratio marker.
Line: Displays lines with color set by Color.
Mask: Displays a lower video signal level for areas
outside the marker area.
Line&Mask: Displays lines with color set by Color
and a lower video signal level for areas
outside the marker area.
Mask Level
Option (0 to 15 (12))
Selects the brightness of the image outside the
marker when Aspect Ratio Type or Surround View
Type is set to Mask.
Frame Line on Playback
Option (On/Off)
Turns the function to superimpose frame lines
during playback on/off.
Monitoring > Monitor Display
Makes settings related to monitor display.
Menu item Settings Description
Focus Distance Format
Meter/Feet Selects the focus position display units.
Monitoring > Frame Line
Makes settings related to lines and markers displayed on the output image.
Menu item Settings Description
Center Marker
Cross/Open Cross/Dot Selects the display form of the center marker.
Aspect Ratio
17:9/16:9/15:9/14:9/13:9/4:3/1.66:
1/1.85:1/2:1/2.35:1/2.39:1
Selects the mode when displaying the aspect
ratio marker.
Aspect Safety Zone
80%/90%/92.5%/95% Selects the size (percentage of the entire screen)
of the aspect safety zone marker.
Safety Zone
80%/90%/92.5%/95% Selects the safety zone range.
Color
White/Yellow/Cyan/Green/
Magenta/Red/Blue
Selects the display color of frame lines.
Surround View Type
Line/Mask/Line&Mask Selects the display form of the Surround View
marker.
Line: Displays the recording area using lines.
Mask: Displays the recording area by masking
(reducing) the video signal level outside the
recording area.
Line&Mask: Displays the recording area using lines
and by masking (reducing) the video signal
level outside the recording area.
3. Camera Operations: Full Menu List
00065
Monitoring > Frame Line
Makes settings related to lines and markers displayed on the output image.
Menu item Settings Description
Aspect Ratio Type
Line/Mask/Line&Mask Selects the display form of the aspect ratio marker.
Line: Displays lines with color set by Color.
Mask: Displays a lower video signal level for areas
outside the marker area.
Line&Mask: Displays lines with color set by Color
and a lower video signal level for areas
outside the marker area.
Mask Level
0 to 15 (12) Selects the brightness of the image outside the
marker when Aspect Ratio Type or Surround View
Type is set to Mask.
Frame Line on
Playback
On/Off Turns the function to superimpose frame lines
during playback on/off.
Monitoring > User Frame Line
Makes settings related to the user frame lines.
Menu item Settings Description
Width
3 to 479 (240) Sets the user frame line width (distance from the
center to the left and right edges).
Height
3 to 269 (135) Sets the user frame line height (distance from the
center to the top and bottom edges).
H Position
Max. –476 to 476 (±0) Sets the horizontal position of the center of the
user frame lines.
The setting range becomes narrower as the Width
setting increases above 3.
V Position
Max. –266 to 266 (±0) Sets the vertical position of the center of the user
frame lines.
The setting range becomes narrower as the
Height setting increases above 3.
Monitoring > False Color
Makes settings related to false colors.
[Note]
False Color is grayed out and the setting cannot be changed when Technical > System Configuration > RM/RCP Paint Control
(page 68) is set to On in the full menu.
Menu item Settings Description
Level
Preset/Manual Sets whether to use the preset on/off setting and
threshold of each false color in the viewfinder/
monitor output or to set colors manually.
When Manual is selected, the following items can
be configured.
Red
On/Off Turns the display of red on/off.
Monitoring > False Color
Makes settings related to false colors.
[Note]
False Color is grayed out and the setting cannot be changed when Technical > System Configuration > RM/RCP Paint Control
(page 68) is set to On in the full menu.
Menu item Settings Description
Red Upper Limit
0.0% to 109.0% (96.1%)
(0.1% increments)
Sets the upper limit for display in red.
Red Lower Limit
0.0% to 109.0% (93.4%)
(0.1% increments)
Sets the lower limit for display in red.
Yellow
On/Off Turns the display of yellow on/off.
Yellow Upper Limit
0.0% to 109.0% (93.4%)
(0.1% increments)
Sets the upper limit for display in yellow.
Yellow Lower Limit
0.0% to 109.0% (91.3%)
(0.1% increments)
Sets the lower limit for display in yellow.
Orange
On/Off Turns the display of orange on/off.
Orange Upper Limit
0.0% to 109.0% (90.6%)
(0.1% increments)
Sets the upper limit for display in orange.
Orange Lower Limit
0.0% to 109.0% (87.7%)
(0.1% increments)
Sets the lower limit for display in orange.
Pink
On/Off Turns the display of pink on/off.
Pink Upper Limit
0.0% to 109.0% (58.0%)
(0.1% increments)
Sets the upper limit for display in pink.
Pink Lower Limit
0.0% to 109.0% (54.3%)
(0.1% increments)
Sets the lower limit for display in pink.
Light Pink
On/Off Turns the display of light pink on/off.
Light Pink Upper Limit
0.0% to 109.0% (50.8%)
(0.1% increments)
Sets the upper limit for display in light pink.
Light Pink Lower Limit
0.0% to 109.0% (47.8%)
(0.1% increments)
Sets the lower limit for display in light pink.
Cyan
On/Off Turns the display of cyan on/off.
Cyan Upper Limit
0.0% to 109.0% (46.5%)
(0.1% increments)
Sets the upper limit for display in cyan.
Cyan Lower Limit
0.0% to 109.0% (43.8%)
(0.1% increments)
Sets the lower limit for display in cyan.
Green
On/Off Turns the display of green on/off.
Green Upper Limit
0.0% to 109.0% (42.2%)
(0.1% increments)
Sets the upper limit for display in green.
Green Lower Limit
0.0% to 109.0% (38.9%)
(0.1% increments)
Sets the lower limit for display in green.
Light Blue
On/Off Turns the display of light light blue on/off.
Light Blue Upper Limit
0.0% to 109.0% (34.4%)
(0.1% increments)
Sets the upper limit for display in light blue.
3. Camera Operations: Full Menu List
00066
Monitoring > False Color
Makes settings related to false colors.
[Note]
False Color is grayed out and the setting cannot be changed when Technical > System Configuration > RM/RCP Paint Control
(page 68) is set to On in the full menu.
Menu item Settings Description
Light Blue Lower Limit
0.0% to 109.0% (24.6%)
(0.1% increments)
Sets the lower limit for display in light blue.
Blue
On/Off Turns the display of blue on/off.
Blue Upper Limit
0.0% to 109.0% (5.6%)
(0.1% increments)
Sets the upper limit for display in blue.
Blue Lower Limit
0.0% to 109.0% (3.5%)
(0.1% increments)
Sets the lower limit for display in blue.
Purple
On/Off Turns the display of purple on/off.
Purple Upper Limit
0.0% to 109.0% (3.5%)
(0.1% increments)
Sets the upper limit for display in purple.
Purple Lower Limit
–7.3% to 109.0% (–7.3%)
(0.1% increments)
Sets the lower limit for display in purple.
Reset Execute/Cancel Resets the on/off setting and threshold of each
color (execute by selecting Execute).
Monitoring > VF Display
Makes settings related to the viewfinder display.
Menu item Settings Description
VF LUT
Log/s709/R709(800%) Selects the LUT to apply to the viewfinder/
monitor screen output image.
Status Info
Info. A/Info. B/Off Selects the information to display superimposed
on the viewfinder/monitor screen output image.
Frame Line
Frame Line A/Frame Line B/Off Selects the frame lines to display superimposed
on the viewfinder/monitor screen output image.
VF Magnifier Ratio
×2.0 / ×4.0 / ×2.0/×4.0 Selects the focus magnification ratio for the
viewfinder.
Color
–99 to ±0 to +99 Adjusts the color depth of the viewfinder image.
Monitoring > VF Function
Makes settings related to viewfinder functions.
Menu item Settings Description
Double Speed Scan
On/Off Turns the viewfinder double speed scan function
on/off.
Peaking Frequency
Normal/High Selects whether the peaking frequency is normal
or high during peaking.
[Note]
The peaking level is set using the viewfinder menu.
Zebra On/Off Turns the zebra function on/off.
Monitoring > VF Function
Makes settings related to viewfinder functions.
Menu item Settings Description
Zebra Select
1/2/Both Selects the zebra pattern type (Zebra 1, Zebra 2,
Both).
Zebra1 Level
0% to 107% (41%) Sets the display level of zebra 1.
Zebra1 Aperture Level
1% to 20% (10%) Sets the aperture level of zebra 1.
Zebra2 Level
0% to 109% (61%) Sets the display level of zebra 2.
Assign<VF A> page 39 Assigns a function to assignable button A on the
viewfinder (DVF-EL200).
Assign<VF B> page 39 Assigns a function to assignable button B on the
viewfinder (DVF-EL200).
Assign<VF C> page 39 Assigns a function to assignable button C on the
viewfinder (DVF-EL200).
3. Camera Operations: Full Menu List
00067
Audio Menu
Default values are shown underlined and in bold text.
Audio > Audio Input
Makes settings related to audio recording levels.
[Note]
The audio recording level with AES/EBU signal selected is fixed.
Menu item Settings Description
CH-1 Audio Select
Auto/Manual Automatically adjusts the audio recording when
set to Auto.
CH-2 Audio Select
Auto/Manual Automatically adjusts the audio recording when
set to Auto.
CH-1 Audio Level
–99 to ±0 to +99 Adjusts the audio recording level when CH-1
Audio Select is set to Manual.
CH-2 Audio Level
–99 to ±0 to +99 Adjusts the audio recording level when CH-2
Audio Select is set to Manual.
MIC Reference
–60dB/–50dB/–40dB Selects the reference input level of the
microphone.
Audio > Audio Monitor
Makes settings related to audio monitoring.
Menu item Settings Description
Monitor CH
When Monitor Output CH Pair is
set to CH-1/CH-2
CH-1/CH-2, CH-1, CH-2
When Monitor Output CH Pair is
set to CH-3/CH-4
CH-3/CH-4, CH-3, CH-4
Selects the audio channel that is output to the
headphones and speaker.
CH-1/CH-2 (CH-3/CH-4): Channel 1+2 (Channel
3+4)
CH-1 (CH-3): Channel 1 (Channel 3) only
CH-2 (CH-4): Channel 2 (Channel 4) only
Monitor Level
0 to 99 Adjusts the monitor audio level.
Audio > Audio Configuration
Makes settings related to audio input/output.
Menu item Settings Description
Alarm Level
0 to 99 Adjusts the alarm audio level.
[Note]
This also sets the audio level of the beep emitted when
recording starts/stops if Technical > Switch & Rec Light >
Rec Start/Stop Beep is set to On in the full menu.
Input Limiter Mode Off/–6dB/–9dB/–12dB/–15dB/
–17dB
Selects the limiter characteristic (saturation level)
for large input signals when adjusting the audio
input level manually. Select Off if not using the
limiter.
AGC Level
–6dB/–9dB/–12dB/–15dB/–17dB Selects the AGC characteristic (saturation level).
Audio > Audio Configuration
Makes settings related to audio input/output.
Menu item Settings Description
AGC Mono/Stereo
Mono/Stereo Automatically adjusts the input level of analog
audio signals recorded on channels 1 and 2, and
selects whether to make the adjustments
separately for each channel (Mono) or in stereo
mode (Stereo).
MIC Input Mono/
Stereo
Mono/Stereo Selects whether the front microphone is
monaural (Mono) or stereo (Stereo).
Phantom Power +48V
On/Off Turns the function to supply a +48 V external
source (phantom power) to the microphone on/
off.
Monitor Output CH
Pair
CH-1/CH-2, CH-3/CH-4 Sets the audio output channels to either channels
1 and 2 or channels 3 and 4.
Headphone Mono/ST
Mono/Stereo Sets the headphones output to monaural (Mono)
or stereo (Stereo).
3. Camera Operations: Full Menu List
00068
Technical Menu
Default values are shown underlined and in bold text.
Technical > Test Signals
Makes settings related to color bars.
Menu item Settings Description
Color Bars
On/Off Turns color bars on/off.
[Note]
When an RM-B170 or other remote control unit is
connected, the setting from the remote control unit is
displayed and grayed out.
Color Bars Type ARIB/SMPTE Selects the type of color bars.
1KHz Tone on Color
Bars
On/Off Turns the function to output a 1 kHz test signal in
color bars mode on/off.
Test Saw
On/Off Turns the test signal on/off.
Technical > Switch & Rec Light
Makes settings related to the REC button.
Menu item Settings Description
Lock Operator Side
without Rec Button/with Rec
Button
Sets whether to lock the REC button operation
when buttons are locked using the LOCK switch
on the Operator side.
Lock Assistant Side
without Rec Button/with Rec
Button
Sets whether to lock the REC button operation
when buttons are locked using the LOCK switch
on the Assistant side.
Rec Light
On/Off Turns the REC lamp on/off.
Rec Start/Stop Beep
On/Off Turns the function to emit a beep sound when
recording starts and stops on/off.
Technical > System Configuration
Makes settings related to control of the unit.
Menu item Settings Description
Fan Control
Auto / Max / Off in Rec/Auto /
Off in Rec/Max
Selects the fan control mode.
Auto: Controls the fan automatically in response
to the internal temperature.
Max: Fan rotates at maximum speed.
Off in Rec/Auto: The fan is silent when recording,
and operates automatically in response to the
internal temperature when not recording.
Off in Rec/Max: The fan is silent when recording,
and rotates at maximum speed when not
recording.
Technical > System Configuration
Makes settings related to control of the unit.
Menu item Settings Description
RM/RCP Paint Control
On/Off Turns the paint functions of an RM-B170 or other
remote control unit on/off.
[Note]
All settings on the unit are initialized when the RM/RCP
Paint Control setting is changed. However, the RM/RCP
Paint Control setting is not changed.
SDI Rec Remote
Trigger
Off / HD SDI Remote I/F / Parallel
Rec
Selects the SDI remote mode control method.
Off: Disables remote control.
HD SDI Remote I/F: Uses HD SDI Remote control
method.
Parallel Rec: Uses valid flag control method.
SD HDMI
On/Off Turns the function to set the HDMI output signal
to SD format on/off.
Shutter Mode
Speed/Angle Selects the operating mode of the electronic
shutter.
Technical > Special Configuration
Makes settings related to screen flip and noise reduction functions.
Menu item Settings Description
Flip Image
Normal/Horizontal Flip Turns the screen flip function on/off.
[Note]
AXS recording images are stored unflipped.
NR(4K 17:9/16:9 AXS) On/Off Turns the 4K 17:9/16:9 AXS recording image noise
reduction on/off.
[Note]
Set to Off (fixed) when the following functions are
enabled.
Select FPS
SxS/Output De-Squeeze: Settings other than Off(1.0×)
Flip Image: Horizontal Flip
Technical > Lens Configuration
Makes settings related to lenses.
Menu item Settings Description
PL-Mt Interface
Position
Top/Side/Off Sets the lens interface, before attaching a lens,
according to the lens type to attach.
[Note]
If changing this setting while the lens is attached to the
unit, turn the turn off and then on again.
3. Camera Operations: Full Menu List
00069
Technical > Lens Configuration
Makes settings related to lenses.
Menu item Settings Description
Lens 12pin
On/Off Turns the 12-pin lens interface on/off.
[Note]
If changing this setting while the lens is attached to the
unit, turn the turn off and then on again.
E-Mount Shading
Comp.
Auto/Off Sets whether to compensate for a drop in
peripheral lighting when a compatible lens is
attached.
E-Mt Chro. Aber. Comp.
Auto/Off Sets whether to compensate for chromatic
aberration in peripheral lighting when a
compatible lens is attached.
Technical > Authentication
Makes basic settings related to network authentication.
Menu item Settings Description
User Name (Displays the current user name.) Sets the user name to use for access
authentication.
Set to “admin” by factory default.
Password (*******) Sets the password to use for access
authentication.
Set to “mpc3610” by factory default.
Technical > Network
Makes settings related to the network.
Menu item Settings Description
Setting
LAN/Wireless/Off Turns the network connection on/off.
LAN
DHCP (On/Off) Enables/disables DHCP.
When set to [On], an IP address is automatically
assigned to the unit. To enter the IP address of the
unit manually, set to [Off].
IP Address (DHCP/On: obtain
automatically, DHCP/Off:
192.168.2.50)
Enter the IP address of the unit.
Enabled only when DHCP is [Off].
Subnet Mask (DHCP/On: obtain
automatically, DHCP/Off:
255.255.255.0)
Enter the subnet mask of the unit.
Enabled only when DHCP is [Off].
Technical > Network
Makes settings related to the network.
Menu item Settings Description
Wireless
Network Mode (Access Point/
Station)
Sets the network mode for wireless connections.
Scan Networks (Execute/Cancel) Scans for access points for connection
destinations (execute by selecting Execute).
[Note]
Configurable only when Network Mode is set to Station.
SSID When Network Mode is set to Access Point
Displays the SSID for the wireless connection
to the unit.
When Network Mode is set to Station
Displays/configures the SSID of the
connection destination access point.
[Note]
Valid characters for display and entry:
Alphabetic (A to Z, a to z)
Numeric (0 to 9 -.@—_())
Symbols (!"#$%&'*+,/:;<=>?[\]^`{|}~)
Password When Network Mode is set to Access Point
Displays the password for wireless connection
to the unit.
When Network Mode is set to Station
Displays/configures the password of the
connection destination access point.
[Note]
Valid characters for display and entry:
Alphabetic (A to Z, a to z)
Numeric (0 to 9 -.@—_())
Symbols (!"#$%&'*+,/:;<=>?[\]^`{|}~)
WPS (Execute/Cancel) Starts connection setup using WPS (execute by
selecting Execute).
Channel (Auto(5GHz)/Auto/CH1/
CH2/CH3/CH4/CH5/CH6/CH7/
CH8/CH9/CH10/CH11)
Sets the channel of the access point.
[Notes]
Configurable only when Network Mode is set to
Access Point.
Auto(5GHz) may not be displayed, depending on
the wireless LAN module being used. Check whether
use of the wireless LAN module is supported in your
country/region. For details, refer to the operating
instructions of the wireless LAN module.
3. Camera Operations: Full Menu List
00070
Technical > Network
Makes settings related to the network.
Menu item Settings Description
DHCP (On/Off) Enables/disables DHCP.
When set to [On], an IP address is automatically
assigned to the unit. To enter the IP address of the
unit manually, set to [Off].
[Note]
Configurable only when Network Mode is set to Station.
IP Address (DHCP/On: obtain
automatically, DHCP/Off:
192.168.1.50)
Enter the IP address of the unit.
Enabled only when DHCP is [Off].
[Note]
Configurable only when Network Mode is set to Station.
Subnet Mask (DHCP/On: obtain
automatically, DHCP/Off:
255.255.255.0)
Enter the subnet mask of the unit.
Enabled only when DHCP is [Off].
[Note]
Configurable only when Network Mode is set to Station.
MAC Address Displays the MAC address of the wireless LAN
adaptor connected to the unit.
Regenerate Password (Execute/
Cancel)
Regenerates the password (execute by selecting
Execute).
[Note]
Executable only when Network Mode is set to Access
Point.
Technical > APR
Executes APR (Auto Pixel Restoration: auto adjustment of the image sensor).
Menu item Settings Description
APR Execute/Cancel Executes the automatic pixel noise reduction
function (execute by selecting Execute).
Reset Execute/Cancel Deletes white flecks added by execution of the
APR function (execute by selecting Execute).
Technical > Battery
Makes settings related to batteries.
Menu item Settings Description
Near End:Info Battery
5% to 100% (5% increments) Sets the threshold value at which the remaining
battery capacity indicator starts flashing when
using an InfoLithium battery.
End:Info Battery
0% to 5% Sets the threshold value for displaying the “Battery
End” warning when using an InfoLithium battery.
Near End:Sony Battery
11.5V to 17V (0.1V increments) Sets the threshold value at which the remaining
battery capacity indicator starts flashing when
using a Sony non-InfoLithium battery.
Technical > Battery
Makes settings related to batteries.
Menu item Settings Description
End:Sony Battery
11.0V to 11.5V (0.1V increments) Sets the threshold value for displaying the “Battery
End” warning when using a Sony non-InfoLithium
battery.
Near End:Other Battery
11.5V to 17V (11.8V) (0.1V
increments)
Sets the threshold value at which the remaining
battery capacity indicator starts flashing when
using a non-Sony battery.
End:Other Battery
11.0V to 14V (0.1V increments) Sets the threshold value for displaying the “Battery
End” warning when using a non-Sony battery.
Detected Battery Sony Info Battery/Sony Battery/
Other Battery/DC IN (12V)/DC IN
(24V)
Displays the result of automatic battery pack type
detection.
Technical > DC Voltage Alarm
Sets alarms relating to external DC supply voltage.
Menu item Settings Description
DC Low Voltage1
11.5V to 17V (0.1V increments) Sets the threshold value for displaying a low
voltage warning when using an external power
source connected to the DC IN connector.
DC Low Voltage2
11.0V to 14V (0.1V increments) Sets the threshold value for displaying an
undervoltage warning when using an external
power source connected to the DC IN connector.
DC(24V) Low Voltage1
22.5V to 34.0V (0.1V increments) Sets the threshold value for displaying a low
voltage warning when using a 24 V external
power source connected to the DC IN connector.
DC(24V) Low Voltage2
22.0V to 28.0V (0.1V increments) Sets the threshold value for displaying an
undervoltage warning when using a 24 V external
power source connected to the DC IN connector.
Technical > Control Display
Makes settings related to the displays.
Menu item Settings Description
Brightness level
High/Mid/Low/Minimum Adjusts the brightness of the sub display and mini
display.
Technical > Genlock
Makes settings related to genlock.
Menu item Settings Description
Input Source
HD SDI/Analog Selects the genlock input signal.
HD SDI: Digital
Analog: Analog
3. Camera Operations: Full Menu List
00071
Technical > Genlock
Makes settings related to genlock.
Menu item Settings Description
Reference Lock Type Internal/External(HD)/
External(SD)
Displays the genlock status. Displays the signal
type when genlocked.
Internal: Not genlocked.
External(HD): Genlocked by the HD signal.
External(SD): Genlocked by the SD signal.
Maintenance Menu
Default values are shown underlined and in bold text.
Maintenance > Clock Set
Makes settings related to the built-in clock.
Menu item Settings Description
Time Zone
UTC + 14:00 to UTC Greenwich
to UTC – 12:00 (30-minute
increments)
Selects the difference in time from UTC
(Greenwich Mean Time) in increments of 30
minutes.
Date Mode
YYMMDD/MMDDYY/DDMMYY Selects the display format for dates.
YYMMDD: Year, month, day
MMDDYY: Month, day, year
DDMMYY: Day, month, year
Date Sets the current date (apply by pressing Set).
Time Sets the current time (apply by pressing Set).
Maintenance > Language
Selects the display language for menus and messages.
Menu item Settings Description
Select
English/
简
Selects the display language for the full menu and
messages.
Maintenance > Hours Meter
Displays the accumulated usage time.
Menu item Settings Description
Camera(System) Displays the accumulated time of use of the unit
(cannot be reset).
R7 Recorder
(System)
(Only when an AXS-R7
is attached)
Displays the accumulated time of use of the
AXS-R7 connected to the unit (cannot be reset).
Camera(Resettable) Displays the accumulated time of use of the unit
(can be reset).
R7 Recorder
(Resettable)
(Only when an AXS-R7
is attached)
Displays the accumulated time of use of the
AXS-R7 connected to the unit (can be reset).
Reset-Cam
(Resettable)
Execute/Cancel Resets the Camera(Resettable) display to 0
(execute by selecting Execute).
Reset-R7
(Resettable)
(Only when an AXS-R7
is attached)
Execute/Cancel Resets the R7 Recorder(Resettable) display for the
AXS-R7 connected to the unit to 0 (execute by
selecting Execute).
3. Camera Operations: Full Menu List
00072
Maintenance > Reset to Default
Returns the unit to factory default state.
Menu item Settings Description
Reset Execute/Cancel Initializes all unit settings (execute by selecting
Execute).
Maintenance > License Options
Installs software options.
Menu item Settings Description
Install: <target_
license>
Execute/Cancel Installs software options (execute by selecting
Execute).
Anamorphic Permanent License Installed/XX
days Remaining (YY keys)/
Expired/Not Installed
Displays whether the Anamorphic option is
enabled.
Permanent License Installed: Permanent license is
installed
XX days Remaining (YY keys): Expiration of timed
license
Expired: Timed license has expired
Not Installed: Not installed
Full-Frame Permanent License Installed/XX
days Remaining (YY keys)/
Expired/Not Installed
Displays whether the Full Frame option is
enabled.
Permanent License Installed: Permanent license is
installed
XX days Remaining (YY keys): Expiration of timed
license
Expired: Timed license has expired
Not Installed: Not installed
High Frame Rate Permanent License Installed/XX
days Remaining (YY keys)/
Expired/Not Installed
Displays whether the High Frame Rate option is
enabled.
Permanent License Installed: Permanent license is
installed
XX days Remaining (YY keys): Expiration of timed
license
Expired: Timed license has expired
Not Installed: Not installed
Unique Device ID Displays the ID used for issuing the software
option license key.
Maintenance > Firmware
Displays the version of the unit and AXS-R7, and updates the unit.
Menu item Settings Description
Camera Displays the firmware version of the unit (Vx.xx).
AXS
(Only when an AXS-R7
is attached)
Displays the firmware version of the AXS-R7
connected to the unit (Vx.xx).
Maintenance > Firmware
Displays the version of the unit and AXS-R7, and updates the unit.
Menu item Settings Description
FW Update-camera Execute/Cancel Updates the unit (execute by selecting Execute).
FW Update-AXS-R7 Execute/Cancel Updates the firmware version of the AXS-R7
connected to the unit (execute by selecting
Execute).
3. Camera Operations
00073
Clip Operations on the Sub Display
Clip operations are performed using the clip list screen and the playback screen. You can play a clip by
selecting the clip to play from the clip list screen displayed on the sub display.
When AXS Rec Format is not set to Rec Off in the Project category in the menu, AXS media becomes
playable. Similarly, when SxS Rec Format is not set to Rec Off, SxS media becomes playable.
Clip List Screen
Press the CLIPS button (page 10) on the Assistant side to display the clip list screen for playable media
on the sub display.
5
4
13
12
11
10
9
8
7
6
1. Media select button
Displays “SxS/AXS” if both SxS and AXS media
are playable. Press ITEM key 1 to switch the
playback media.
2. Cursor up button
Press ITEM key 2 to select the clip to play from
the clip list.
3. Playback start button
Press ITEM key 3 to display the playback screen
(page 15) and start playback.
4. Clip list
Displays a list of clips on the active playback
media. It also displays the clips status using
icons.
Icon Meaning
Clip with a created sub clip
Locked (write protection) clip
5. Cursor down button
Press ITEM key 5 to select the clip to play from
the clip list.
6. Clip position in playback media
Displays the number of the clip indicated by
the cursor and total number of clips.
7. Creation date and time
Displays the creation date and time of the clip
indicated by the cursor.
8. Format (codec)
Displays the recording format (codec) of the
clip indicated by the cursor.
9. Picture size indicator
Displays the effective picture size when the
clip indicated by the cursor was recorded.
[Note]
Not displayed when the playback media is an SxS
memory card.
10. Project frame rate/special recording mode
indicator
Displays the project frame rate and special
recording mode of the clip indicated by the
cursor.
11. Duration (Dur)
Displays the duration of the clip indicated by
the cursor.
12. Timecode (TCR)
Displays the timecode of the first frame of the
clip indicated by the cursor.
13. Active playback media
Displays the active playback media of the
displayed list.
3. Camera Operations: Clip Operations on the Sub Display
00074
Playback Screen
The playback screen is displayed when you select a clip to play on the clip list screen and press the MENU
dial or Play button (ITEM key 3).
Function display area
1 2 3
4 5 6
1. F Rev button
Play back at high speed in the reverse
direction.
2. Play/Pause button
Play a clip or pause playback.
3. F Fwd button
Play back at high speed in the forward
direction.
4. Prev button
Skip to the start of the previous clip.
5. Stop/Clips button
Stop playback and return to the clip list screen.
6. Next button
Skip to the start of the next clip.
Status display area
1 2 3 4
8 7
5
10
6
9
1. Time data display
Displays the timecode of the playback
position.
2. Clip number
Displays the Current playback clip number/
Total number of playable clips.
3. Frame rate/imager mode indicator
Displays the project frame rate and picture
size.
[Note]
The picture size is not displayed when the playback
media is an SxS memory card.
4. Special recording mode indicator
Displays the special recording mode
information of the playback clip.
5. Audio level meters
Displays the playback audio level.
6. Playback clip format (codec) indicator
Displays the format (codec) of the playback
clip.
7. Icon display
Displays the clip status using icons.
Icon Meaning
Clip with a created sub clip
Locked (write protection) clip
8. Clip name indicator
Displays the name of the clip.
9. Media indicator
Displays the media being played.
10. Playback status indicator
Displays the playback status.
3. Camera Operations
00075
Playback
You can play recorded clips while the unit is in
standby mode.
[Note]
The playback controls appear on ITEM keys 1 to 6
(page 9). Press an ITEM key to select the corresponding
item.
1 Insert the SxS memory card to play.
2 Press the CLIPS button (page 10) on the
Assistant side.
The clip list on the active playback media
appears on the sub display.
3 Use the button (ITEM key 2), button
(ITEM key 5), or MENU dial to select a clip to
play.
4 Press the MENU dial or the Play button (ITEM
key 3).
The playback image appears on the
viewfinder/monitor screen.
Playback operations
Playback operation is performed using the buttons
on the sub display (page 74).
Play/Pause button: Pause playback. To resume
playback, press this button again.
F Fwd button/F Rev button: Fast forward/reverse.
To return to normal playback, press the Play/
Pause button.
Stop/Clips button: Stop playback and return to the
clip list screen.
Monitoring audio
In normal playback mode, you can monitor the
recorded audio through the built-in speaker
(page 8) or connected headphones.
When headphones are connected to the
headphones connector (page 8), the built-in
speaker is turned off.
You can select the channel to monitor and adjust
the volume using Audio category > Monitor CH
and Monitor Level (page 46) in the menu.
Cueing up
To play from the start of a clip, press the Prev
button on the sub display (page 74).
You can skip clips and cue-up another clip
by pressing the Prev button or Next button
repeatedly.
Switching the SxS memory cards
When two SxS memory cards are loaded, press
the SLOT SELECT button (page 9) to switch
memory cards.
[Note]
You cannot switch SxS memory cards during playback.
Continuous playback of cards in slots A and B is not possible.
Switching to an AXS memory card
You can quickly play video recorded on an AXS
memory card in the AXS-R7.
To switch to an AXS memory card, press ITEM key
1 (page 73) on the sub display.
Cases where playback on the unit is not supported
Clips recorded on AXS media under the following
conditions cannot be played back on the unit.
Play the clips using a PC application, such as RAW
Viewer.
When Imager Mode is set to 6K 3:2 and Project
Frame Rate is set to 59.94P or 50P
When Imager Mode is set to 4K 4:3 and Project
Frame Rate is set to 59.94P or 50P
3. Camera Operations
00076
Operations on the Home Screen of the Mini Display
You can check the status of the unit and set basic
settings for the unit on the Home screen of the
mini display.
1
2
3
4
5
1. FPS
Sets the shooting frame rate.
2. Shutter
Displays and sets the shutter speed/shutter
angle of the electronic shutter.
3. ND Filter
Displays and sets the density of the ND filter.
4. Exposure Index/Gain
Displays and sets the exposure index (EI), or
displays the gain value (dB units) set by an
RM-B170 or other remote control unit.
[Note]
The gain value is displayed only when Technical
> System Configuration > RM/RCP Paint Control
(page 68) is set to On in the full menu.
5. WB (White Balance)
Displays and sets the white balance.
Display and operation when RM/RCP Paint
Control is enabled
The gain value is displayed instead of the
Exposure Index when Technical > System
Configuration > RM/RCP Paint Control
(page 68) is set to On in the full menu. In this
mode, the EI value cannot be changed.
The following items cannot be operated
when an RM-B170 or other remote control
unit is connected and Technical > System
Configuration > RM/RCP Paint Control
(page 68) is set to On in the full menu. Set
these using the remote control unit (page 87).
Shutter
WB (White Balance)
Controls
HOME button (page 8)
Press to return to the Home screen. Unconfirmed
changes are canceled.
ITEM key 1 ( ) (page 8)
Press to select items on the Home screen.
ITEM key 2 ( ) (page 8)
Press to apply the selected item.
ITEM key 3 ( ) (page 8)
Press to select items on the Home screen.
Basic Operation
1 Press ITEM key 1, 2, or 3.
The cursor appears.
2 Select the item to set using the button
(ITEM key 1) or
button (ITEM key 3).
3 Press the button (ITEM key 2).
The setting value selection screen appears for
the selected item.
[Note]
The mark indicates the current setting.
4 Move the cursor to the item or setting value
using the
button (ITEM key 1) or button
(ITEM key 3).
5 Press the button (ITEM key 2) to apply the
setting.
6 Press the HOME button to hide the cursor.
3. Camera Operations: Operations on the Home Screen of the Mini Display
00077
Home Screen Items on the Mini Display
The names of items and corresponding setting values are given below.
Default values are shown underlined and in bold text.
Item Description
FPS Sets the shooting frame rate.
Variable/Fixed: Switch between variable speed and constant speed shooting on
the Home screen (page 37) of the sub display.
When “Fixed” is selected, the setting is determined by the Project category >
Project Frame Rate (page 44) setting in the menu.
Project Frame Rate Display
23.98
Fixed 24
24
Fixed 24
25
Fixed 25
29.97
Fixed 30
47.95
Fixed 48
50
Fixed 50
59.94
Fixed 60
When “Variable” is selected, the setting changes as follows depending on the
Project category > Imager Mode (page 58) setting in the menu.
Imager Mode Setting
3.8K 16:9
4K 17:9
1 to 60 FPS
4K 17:9
1)
1 to 60, 66, 72, 75, 88, 90, 96,
100, 110FPS
3.8K 16:9 Surround View
4K 17:9 Surround View
4K 4:3
1 to 48 FPS
4K 4:3
1)
1 to 60, 66, 72, 75FPS
4K 2.39:1
1)
120 FPS
Item Description
Imager Mode Setting
4K 4:3 Surround View
4K 6:5
5.7K 16:9
6K 2.39:1
6K 17:9
6K 1.85:1
1 to 30 FPS
6K 3:2
1 to 25 FPS
6K 3:2
1)
1 to 60 FPS
Exposure Index
Sets the EI value. The setting changes as follows depending on the Project > Basic
Setting > Base ISO (page 58) setting in the full menu.
ISO 500:
125EI/160EI/200EI/250EI/320EI/400EI/500EI/640EI/800EI/1000EI/
1250EI/1600EI/2000EI
ISO 2500:
640EI/800EI/1000EI/1250EI/1600EI/2000EI/2500EI/3200EI/4000EI/
5000EI/6400EI/8000EI/10000EI
Shutter
Sets the electronic shutter angle/shutter speed.
Select from preset values registered as shutter steps.
[Note]
Not available when the electronic shutter operation is set to Continuous.
Displays the following selection options depending on the Technical > System
Configuration > Shutter Mode (page 68) setting in the full menu.
Angle (Δ): Shutter angle indicator
360.0/180.0/172.8/144.0/90.0/45.0/22.5/11.2/5.6
2)
Speed (SS): Shutter speed indicator
1/24, 1/25, 1/30, 1/48, 1/50, 1/60, 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000
2)
ND Filter Sets the density of the ND filter. The following settings are available.
Clear/0.3/0.6/0.9/1.2/1.5/1.8/2.1/2.4
WB (White Balance)
Sets the color temperature of the white balance.
Select from preset values registered as WB steps.
3200K+00/4300K+00/5500K+00
2)
1)
Only when a High Frame Rate License is activated.
2)
The selection options can be changed using Step Edit on the Home screen of the sub display.
3. Camera Operations
00078
Clip Operations on the Mini Display
You can play a clip by selecting the clip to play
from the clip screen displayed on the mini display.
When AXS Rec Format is not set to Rec Off in the
Project category in the menu, AXS media becomes
playable. Similarly, when SxS Rec Format is not set
to Rec Off, SxS media becomes playable.
When both AXS and SxS media playback is
enabled, you can select the active media on the
clip list screen (page 73) of the sub display.
Clip Screen
Press the CLIPS button (page 8) on the
Operator side to display the clip screen for
playable media on the mini display.
7
6
5
1
2
3
4
1. Playback status indicator
Displays the clip playback status.
2. Active playback media
Displays the active playback media of the
selected clip.
3. Clip name
Displays the clip name of the selected clip.
4. Clip position in playback media
Displays the clip number/total number of the
selected clip.
5. F Fwd/Next button
Jumps to the next clip when ITEM key 3 (
) is
pressed while playback is paused.
Fast forwards the clip when ITEM key 3 (
) is
pressed during playback.
6. Play/Pause button
Plays/pauses clip playback when ITEM key 2
(
) is pressed.
7. F Rev/Prev button
Jumps to the previous clip when ITEM key 1
(
) is pressed while playback is paused.
Fast reverses the clip when ITEM key 1 (
) is
pressed during playback.
Playing
You can play recorded clips while the unit is in
standby mode.
1 Insert the SxS memory card to play.
2 Press the CLIPS button (page 8) on the
Operator side.
The active playback clip appears on the mini
display.
3 Use the Prev button (ITEM key 1) or Next
button (ITEM key 3) to select a clip to play.
4 Press the Play/Pause button (ITEM key 2).
The playback image appears on the
viewfinder/monitor screen.
Playback operations
Playback operation is performed using the buttons
on the mini display (page 78).
Play/Pause button: Pause playback. To resume
playback, press this button again.
F Fwd button/F Rev button: Fast forward/reverse.
To return to normal playback, press the Play/Pause
button.
Monitoring audio
In normal playback mode, you can monitor the
recorded audio through the built-in speaker
(page 8) or connected headphones.
When headphones are connected to the
headphones connector (page 8), the built-in
speaker is turned off.
You can select the channel to monitor and adjust
the volume using Audio category > Monitor CH
and Monitor Level (page 46) in the menu.
Switching the SxS memory cards
When two SxS memory cards are loaded, press
the SLOT SELECT button (page 9) to switch
memory cards.
[Note]
You cannot switch SxS memory cards during playback.
Continuous playback of cards in slots A and B is not possible.
00079
4. Network
Network Setup and Operations
Connecting the unit to a network allows you
to control various settings of the unit from a
computer, smartphone, tablet, or other device and
to display information about the unit.
Overview of Network Function
When the unit and a device are connected
via wired LAN or wireless LAN, the unit can be
accessed from a browser on the device, displaying
the web remote control and enabling the
following operations.
Control recording on the unit (page 82)
Control playback on the unit (page 82)
Configure shooting settings on the unit
(page 82)
Control the lens attached to the unit
(page 82)
Configure and operate assignable buttons on
the unit (page 82)
Using the web remote control allows you to start/
stop recording or configure settings remotely,
and is useful in applications where the unit is fixed
in a remote location or mounted on a crane, for
example.
Compatible Devices
You can use a computer, smartphone, or tablet
to configure and operate the unit. The supported
devices, OS, and browsers are shown in the
following table.
Device OS Browser
Computer Microsoft Windows 8.1/
Microsoft Windows 10
Chrome
macOS 10.13/10.14 Safari
Device OS Browser
Smartphone Android 8.x/9.0 Chrome
iOS 11.x/12.x Safari
Tablet Android 6.x/7.x Chrome
iOS 11.x/12.x Safari
[Note]
The controls may not be displayed normally, depending on
the version of the browser you are using. Operation in the
following versions of the browsers has been verified.
Safari: 11, 12
Chrome: V69
Connecting the Unit and Device via
Wired LAN
You can connect the unit to a device via a wired
LAN connection or via a router using the network
connector of the unit.
1 Connect the network connector (page 8)
of the unit and computer using a LAN cable.
Or connect the network connector of the unit
and router using a LAN cable.
2 Set Technical > Network > Setting (page 69)
in the full menu to LAN.
3 Configure the unit.
To obtain the IP address of the unit
automatically:
Set Technical > Network > LAN > DHCP
(page 69) in the full menu to On, then select
Set to apply the setting.
To enter the IP address of the unit manually:
Set Technical > Network > LAN > DHCP in the
full menu to Off, enter the specified address
using LAN > IP Address, and select Set to apply
the setting.
[Note]
Select Set on the Technical > Network > LAN setup
screen in the full menu. If Set is not selected, the
configured settings are not applied.
When the wired LAN connection is enabled,
the LAN icon of the network connection status
indicator (page 14) is displayed on the
viewfinder/monitor screen.
Connecting the Unit and Device via
Wireless LAN
The unit can connect to devices using wireless
LAN connection by attaching the CBK-WA02
Wireless LAN Adaptor (option) to the unit.
Attaching the CBK-WA02
[Note]
Always turn the unit off before connecting the CBK-WA02.
1 Attach the USB extension adaptor to the point
shown in the following diagram, and turn the
retaining screw clockwise to secure it in
position.
Retaining screw
USB extension adaptor
You can adjust the position of the USB
extension adaptor over the range shown in the
following diagram.
2 Attach the protective cap (supplied) to the
USB connector of the USB extension adaptor.
3 Open the cover of the external device
connector block, and insert the USB connector
of the USB extension adaptor into the external
device connector.
4. Network: Network Setup and Operations
00080
4 Insert the CBK-WA02 into the USB connector of
the USB extension adaptor.
Connecting in access point mode
The unit can connect to devices that are set up as
an access point.
Smartphone/
Tablet
Computer
Connecting using WPS-equipped devices
Devices that support WPS can be connected using
WPS.
1 Set Technical > Network > Setting (page 69)
in the full menu to Wireless.
2 Set Technical > Network > Wireless > Network
Mode (page 69) in the full menu to Access
Point.
3 Select Technical > Network > Wireless > WPS
(page 69) in the full menu.
4 Select Execute by turning the MENU dial, then
press the MENU dial.
5 Open the device Network Settings or Wi-Fi
Settings, and turn Wi-Fi on.
6 Press the WPS push button in the device
Network Settings or Wi-Fi Settings preferences.
[Note]
The steps will vary depending on the device used.
Connecting using SSID and password on the device
Connect by entering the SSID and password on
the device.
1 Set Technical > Network > Setting (page 69)
in the full menu to Wireless.
2 Set Technical > Network > Wireless > Network
Mode (page 69) in the full menu to Access
Point.
3 Open the device Network Settings or Wi-Fi
Settings, and turn Wi-Fi on.
4 Select the unit’s SSID from the Wi-Fi network
SSID list, then enter a password to connect.
For the unit’s SSID and password, see Technical
> Network > Wireless > SSID and Password
(page 69) in the full menu.
[Note]
The steps will vary depending on the device used.
Connecting in station mode
The unit can connect to existing wireless LAN
access points as a client.
The device connects via the access point.
Smartphone/
Tablet
Computer
Access
point
Connecting to an access point using WPS
If an access point supports the WPS function, you
can connect using a basic setting.
1 Turn the access point on.
2 Turn the unit on.
3 Set Technical > Network > Setting (page 69)
in the full menu to Wireless.
4 Set Technical > Network > Wireless > Network
Mode (page 69) in the full menu to Station.
5 Select Technical > Network > Wireless > WPS
(page 69) in the full menu.
6 Select Execute by turning the MENU dial, then
press the MENU dial.
7 Press the access point WPS button.
For details about WPS button operation, refer
to the instruction manual for the access point.
[Note]
If the connection fails, perform the procedure again from
step 1.
Connecting by entering a SSID and password
Connect by entering the SSID and password on
the unit.
1 Set Technical > Network > Setting (page 69)
in the full menu to Wireless.
2 Set Technical > Network > Wireless > Network
Mode (page 69) in the full menu to Station.
3 Set the following items in Technical > Network
> Wireless (page 69) in the full menu.
SSID
Password
DHCP
IP Address
Subnet Mask
4 Select Set to confirm.
[Note]
Always use Set to confirm the settings. If the settings are not
confirmed using Set, the configured settings are not applied.
4. Network: Network Setup and Operations
00081
Connecting using access point auto detection
The unit can connect by detecting connection
access points automatically, without having to
enter the SSID manually.
1 Set Technical > Network > Setting (page 69)
in the full menu to Wireless.
2 Set Technical > Network > Wireless > Network
Mode (page 69) in the full menu to Station.
3 Select Technical > Network > Wireless > Scan
Networks (page 69) in the full menu.
4 Select Execute by turning the MENU dial, then
press the MENU dial.
The unit starts auto detection of connection
access points. When auto detection finishes,
networks available for connection are
displayed in a list.
5 Select the network to be connected by turning
the MENU dial, then press the MENU dial.
6 Select Set to confirm.
A password input screen appears.
7 Enter the password, then select Done.
The Wireless preferences screen appears.
8 Set the following items in Technical > Network
> Wireless in the full menu, then select Set to
confirm.
DHCP
IP Address
Subnet Mask
[Note]
Always use Set to confirm the settings. If the settings are not
confirmed using Set, the configured settings are not applied.
Displaying the Web Remote Control
The web remote control is displayed when the
unit is accessed from the browser of a device. The
web remote control screen is automatically resized
to match the screen size of the connected device.
1 Connect the unit and device as described in
“Connecting the Unit and Device via Wired
LAN” or “Connecting the Unit and Device via
Wireless LAN”.
2 Launch a browser on the device and enter
“http://IP address of unit/rm.html” in the URL
bar.
You can check the IP address of the unit using
Info category > System > IP Address
(page 46) in the menu.
For example, if the IP address is 192.168.1.1,
enter “http://192.168.1.1/rm.html” in the URL
bar.
3 Enter the user name and password (Technical
> Authentication (page 69) in the full menu)
on the browser screen.
When connection is successful, the web
remote control screen appears on the device.
[Note]
The page may not be displayed correctly on a smartphone
or other device if the viewing mode is set to mobile pages.
Change the viewing mode to desktop pages.
Web Remote Control Screen
Global Menu
Select at the top left of the web remote control
screen to display the Global Menu. Select the item
you want to configure.
Camera Control screen
The Camera Control screen contains the Camera
screen and Lens screen. Select the Camera tab to
display the Camera screen, and select the Lens tab
to display the Lens screen.
Various display items and operation buttons are
displayed on the Camera Control screen (common
to Camera screen, Lens screen, and playback
screen).
Network connection status (Connected/
Disconnected)
Camera ID*
Rec button
Assignable buttons (1 to 4, A to C)
* The Camera ID text color is the same color set using
Frame Line A/B Setup > Color.
Camera screen
You can configure the same items that are
displayed on the Home screen of the sub display
on the Camera screen.
[Note]
Similarly as for the sub display screen, the EI display area
switches to become the Gain display area and restrictions
apply to the items (page 33) that can be operated when
Technical > System Configuration > RM/RCP Paint Control
(page 68) is set to On in the full menu.
Shooting settings (page 31)
FPS, EI, Shutter, ND, LUT, WB
Camera status display (page 31)
Operating status, time data, audio level meter,
clip name, recording format, media status/
free space, battery voltage/remaining battery
capacity
Lens screen
Lens controls for zoom, focus, and iris are
displayed on the Lens screen.
Full Menu screen
Select Full Menu in the Global Menu to display
the full menu screen in order to configure items
(page 55).
[Note]
Some items may not be configurable from the web remote
control.
4. Network: Network Setup and Operations
00082
OSS (Open Source Software) Information screen
Select OSS Information in the Global Menu to
display the open source software information.
Playback screen
You can play clips on the playback screen.
Information about the playback clip is also
displayed in the status display area on the screen.
Function display (page 74)
F Rev, Play/Pause, F Fwd, Prev, Stop/Clips, Next
Playback status display (page 74)
Time data, clip number, frame rate/playback clip
picture size (AXS only), special recording mode,
audio level meter, playback clip format (codec),
icon (protection, sub clip), clip name, playback
media, and playback status.
HOME button
Press the HOME button to return to the Camera
screen.
When the camera is in playback mode, pressing
the HOME button returns to the camera shooting
status even when the playback screen is displayed
on the web remote control screen.
CLIPS button
Press the CLIPS button to return to the playback
screen. (The unit switches to the clip list screen
(page 73).)
Recording
Press the Rec button on the Camera Control
screen to start recording and to display the REC
lamp in red. Click again to stop recording.
The Rec button is enabled when the REC ACTIVE
lamp below and to the right of the Rec button is
green.
To lock the Rec button
Slide the Lock slider below the Rec button to the
right to disable the Rec button operation.
Playing
Press the CLIPS button on the Camera screen to
return to the playback screen in playback state.
(The sub display on the unit displays the clip list
screen (page 73).)
Select the clip you want to play on the playback
screen, and use the playback controls to play the
clip.
To switch between playback media
The media select button is displayed when the
unit is in playback state. If both SxS and AXS media
are playable, the media select button is enabled.
Press the button to switch the playback media.
Configuring Shooting Settings
You can configure and operate the same items
that are displayed on the Home screen of the sub
display of the unit on the Camera screen.
[Note]
Step Edit operation for Shutter is not supported.
The operation is the same as on the Home screen
of the sub display.
“Operations on the Home Screen of the Sub Display” (page 33)
Controlling the Lens
You can check the status of E mount lens settings
(zoom, focus, iris) on the Lens screen, and also
control the zoom, focus, and iris using sliders if the
attached lens is controllable.
PL mount Cooke lens communication control is
supported on the Lens screen.
Also, 12-pin lens communication control is
supported on the Lens screen.
[Note]
The sliders are grayed out and cannot be operated when
an RM-B170 or other remote control unit is connected and
Technical > System Configuration > RM/RCP Paint Control
(page 68) is set to On in the full menu. The focus and
zoom sliders are grayed out when remote control of focus
and zoom, respectively, are enabled.
Configuring/Operating Assignable
Buttons
Assignable buttons 1 to 4 and viewfinder
assignable buttons A to C are displayed on the
Camera Control screen.
Press assignable buttons 1 to 4 and DVF-EL200
assignable buttons A to C to toggle the assigned
functions between on/off (enable/disable) or to
activate the assigned functions in the same way as
assignable buttons on the unit.
Select the function name of an assignable button
to display selection options in a pull-down. Select
an option to change the function assigned to the
assignable button.
“Functions that can be Assigned to Assignable Buttons 1 to 4”
(page 40)
“Functions that can be Assigned to Viewfinder (DVF-EL200)
Assignable Buttons A to C” (page 42)
[Note]
Functions assigned to assignable switches that are enabled
only while a button is pressed or are enabled by a long press
cannot be operated from the assignable buttons of the web
remote control. These comprise the following functions.
– Press & Hold for SDI Log
– Press & Hold for Monitor Log
– Press & Hold for VF Log
– Iris Open (1/16 stop)
– Iris Close (1/16 stop)
Locking the Web Remote Control
Screen
You can disable web remote control screen
operation by sliding the Lock slider to the right on
the top right of the web remote control screen.
00083
5. Shooting
Basic Operations
Basic recording can be performed with the
following procedures.
1 Make sure that the necessary devices are
attached to the unit and power is supplied to
them.
2 Set the power switch (page 8) to the ON
position.
The recording screen is displayed on the
viewfinder screen.
3 Load the memory card(s).
If you load two AXS memory card or SxS
memory cards, recording is continued by
automatically switching to the second card
when the first card becomes full.
[Note]
The cards do not switch automatically during
simultaneous recording.
4 Press the REC button (pages 8,
10
).
The REC lamp lights and recording begins.
[Note]
If the unit cannot start recording immediately after the
pressing the REC button, the REC lamp flashes. The REC
lamp lights when recording starts.
5 To stop recording, press the REC button again.
Recording stops and the unit enters STBY
(recording standby) mode.
When you stop recording, the video, audio,
and subsidiary data from the start to the end
of the recording are recorded as a single clip.
Clip names
Clip names are recorded using the “Cam ID +
Reel#” format. The clip name is created according
to the following rules.
When there is already a clip that is stored using
the “Cam ID + Reel#” name format on the
inserted SxS memory card or AXS memory card,
the new file inherits from the last file.
Example: If “B002C003_XXXXXXXX” exists on the
AXS memory card, the next created clip will be
named “B002C004_XXXXXXXX.”
If the inserted AXS memory card has no files, “1”
is added to the Reel Number of the clip that was
recorded last.
Example: If you record on empty card 2 after
recording up to “D001CXXX_XXXXXXXX” on
card 1, the next created clip will be named
“D002C001_XXXXXXXX.” The clip name is
displayed underlined until recording starts.
If you set Camera ID and Reel Number using TC/
Media category > Clip Naming in the menu, that
information is applied.
Example: If you change Camera ID to “F” and
Reel Number to “001” in the menu for the
AXS memory card that has recorded up to
“E003CXXX_XXXXXXXX,” the next clip will
be named “F001CXXX_XXXXXXXX.” When
you change Camera ID only, Reel Number is
changed to “001.”
Maximum duration of a clip
The maximum single clip length that you can
record to an SxS memory card is 6 hours. The
maximum recording time is 24 hours.
Recording will span clips if the recording time
exceeds the maximum clip duration.
Recording stops when the recording time reaches
24 hours.
5. Shooting
00084
Useful Functions
Simultaneous Recording
You can simultaneously record two sizes of
pictures on an SxS memory card in one slot. You
can also simultaneously record an HD signal on an
SxS memory card in the unit while recording video
and audio in RAW format on the AXS-R7.
You can perform simultaneous recording using
Project category > AXS Rec Format and SxS Rec
Format or SxS Rec Format and Sub Rec Format
in the menu as described in “Recording Format
Settings” (page 48).
In 1-slot simultaneous recording, the XAVC 4K
Class480/XAVC 4K Class300/XAVC QFHD Class480/
XAVC QFHD Class300 clip is recorded in the
XDROOT/Clip directory on the SxS memory card,
but the MPEG2 1920×1080 clip is recorded in the
XDROOT/Sub directory on the SxS memory card.
The suffix “S02” is appended to the end of the clip
name.
Picture Cache Recording
The unit always maintains a cache of video and
audio data for a set interval (maximum of 30
seconds) in memory when shooting, allowing you
to record several seconds of footage before the
start of recording.
When you start recording with Project > Special
Recording > Cache Rec Select (page 59) set
to On in the full menu, video of duration set by
Project > Special Recording > Max Cache Rec
Duration (page 59) is recorded retroactively.
You can also turn picture cache recording on/
off using an assignable button assigned with the
Picture Cache Rec function.
[Notes]
Restrictions to the Max Cache Rec Duration setting may
apply, depending on the system frequency, recording
format, and recording media. For details, see page 59.
Changing system settings, such as the recording format,
clears all images stored in memory. Consequently, images
shot just before changing settings cannot be recorded, if
recording is started immediately after changing settings.
Picture cache mode is automatically released.
Picture cache mode recording is not available during
1-slot simultaneous recording or AXS/SxS simultaneous
recording.
The picture cache settings cannot be changed during
recording.
When recording in MPEG 422 at low shooting frame rates,
it may take some time to stop recording or to switch
between memory cards.
Recording Review (Rec Review)
You can review the last recorded clip on the
screen by assigning the Rec Review function to
one of assignable buttons 1 to 4 (page 39).
When you stop recording and press the button
assigned with Rec Review, the clip is played at
normal speed starting from the first frame.
The clip is played to the end, then Rec Review
ends and the unit returns to STBY (recording
standby) mode.
If the HOME button is pressed on the Operator
side or Assistant side during playback, playback
stops and the unit switches to shooting mode.
High-Definition Focus Magnifier
Function
By pressing the FOCUS MAG button of the
viewfinder (DVF-EL200, DVF-L700) attached to
the unit, you can expand the center part of the
viewfinder, making it is easier to adjust the focus.
The magnified display does not affect the recorded
image or output signal.
Normal focus magnification reduces the resolution
because it simply magnifies a part of the displayed
image. However, the two-times (×2) focusing
by the unit provides focus magnification while
maintaining the display resolution by cutting out
the portion to magnify from the 4K signal instead
of the recorded image or other output signal.
Four-times (×4) focus magnification selection
is also supported using the 4K image cutout
function.
The FOCUS MAG button magnification sequence
can be changed using Monitoring > VF Display >
VF Magnifier Ratio (page 66) in the full menu.
When VF Magnifier Ratio is set to ×2.0/×4.0, the
magnification sequence each time you press
assignable buttons 1 to 4 assigned with VF Focus
Magnifier is ×2.0 ×4.0 ×1.0 ×2.0.
[Note]
In High Frame Rate mode (shooting frame rate of 61 fps or
higher), the ×2 focus display image resolution decreases
because cutout display from a 4K image is not supported.
5. Shooting: Useful Functions
00085
Highlight Clip Indicator
You can display clipped highlight areas in red in
the Monitor output image and viewfinder output
image.
Press the assignable buttons (pages 39, 40)
assigned with Monitor Highlight Clip Ind and VF
Highlight Clip Ind to switch the highlight clip
indicators on/off.
[Note]
Highlight clip indicators do not function when Technical >
System Configuration > RM/RCP Paint Control (page 68) is
set to On in the full menu.
High Key / Low Key
You can check for blown-out highlights and
blocked-out shadows in the Monitor output image
and viewfinder output image.
Turn High Key on to differentiate areas of high
luminance, making them easier to see, to check for
blown-out highlights.
Turn Low Key on to differentiate areas of low
luminance, making them easier to see, to check for
blocked-out shadows.
Press assignable buttons 1 to 4 (page 40)
assigned with Monitor High/Low Key and VF
High/Low Key to switch the high key and low key
settings.
[Note]
High/Low key does not function when Technical > System
Configuration > RM/RCP Paint Control (page 68) is set to
On in the full menu.
False Color Display
You can display false color in the viewfinder by
pressing the B/False Color button (DVF-EL200)
or SPARE button (DVF-L700) on the viewfinder
attached to the unit.
You can also display false color on the monitor
output.
Display
color
Signal level
S-Log3 (default)
S-Log2 (PMW-F55
reference)
Red 93.4% to 96.1% 105.5% to 109.5%
Yellow 91.3% to 93.4% 102.5% to 105.5%
Orange 87.7% to 90.6%
97.4% to 101.5%
Pink 54.3% to 58.0% 50.2% to 55.2%
Light pink
47.8% to 50.8%
(18% gray + 1 stop)
41.5% to 45.4%
(18% gray + 1 stop)
Cyan 43.8% to 46.5% 36.3% to 39.6%
Green
38.9% to 42.2%
(18% gray)
30.4% to 34.4%
(18% gray)
Light blue 24.6% to 34.4% 15.5% to 25.2%
Blue 3.5% to 5.6% 3.0% to 4.0%
Purple –7.3% to 3.5% –7.3% to 3.0%
You can set whether to use the preset on/
off setting and threshold of each false color in
the viewfinder and monitor output, or to set
colors manually using Monitoring > False Color
(page 65).
You can turn the false color function display in
a viewfinder on/off by pressing an assignable
button assigned with VF False Color.
You can turn the false color function display
on a monitor on/off by pressing an assignable
button assigned with Monitor False Color.
[Notes]
On the DVF-L700, display is supported only when
Gamma is set to S-Log2 for the video signal output in the
viewfinder.
The false color function does not operate when Technical
> System Configuration > RM/RCP Paint Control
(page 68) is set to On in the full menu.
Viewfinder Double Speed Scan
Function
If the project frame rate is 23.98P, 24P, 25P, or
29.97P, the image may become blurred and hard
to see due to low frame frequency when you
shoot while swaying the unit to the right and the
left.
In this case, you can decrease image blur and
make it easier to see by activating the viewfinder
double speed scan function.
To activate the function, set Monitoring > VF
Function > Double Speed Scan (page 66) in the
full menu to On.
[Notes]
When this function is activated, the shutter angle of the
electronic shutter function is limited to 180 degrees or
lower.
This function is set to Off during variable speed shooting.
This function is enabled for the following combinations of
image size and project frame rate.
3.8K 16:9 (23.98p, 24p, 25p, 29.97p)
4K 17:9 (23.98p, 24p, 25p, 29.97p)
3.8K 16:9 Surround (23.98p, 24p)
4K 17:9 Surround (23.98p, 24p)
4K 4:3 (23.98p, 24p)
User 3D LUT
You can load a CUBE file (*.cube) for a 17-point
or 33-point 3D LUT created using RAW Viewer or
DaVinci Resolve (by Blackmagic Design Pty. Ltd.)
(page 35).
Set Input Color Space to match the input color
space of when the CUBE file was created.
If the file was created using S-Gamut3.Cine/S-Log3,
set Project category > Basic Setting > Input Color
Space (page 58) in the menu to S-Gamut3.
Cine/S-Log3.
Save the User 3D LUT file in the following directory
on the SD card.
PRIVATE\SONY\PRO\LUT\
ASC CDL
You can import ASC CDL (The American Society of
Cinematographers Color Decision List) files (*.cdl)
created by external tools into the unit.
This allows you shoot with ASC CDL parameters
applied to the Look.
Save the ASC CDL file in the following directory on
the SD card.
PRIVATE\SONY\PRO\CDL\
00086
6. Connecting External Devices
Connecting a Remote Control Unit
When an RM-B170 Remote Control Unit, RCP-
1001/1501 Remote Control Panel, or other
control unit is connected, some functions can be
controlled from that unit.
Connecting a Remote Control Unit
Connect the camera connector of the control unit
to the REMOTE connector (8-pin) of the unit using
a remote control cable.
When you turn on the unit after making the
connection, the unit enters remote control
mode, enabling menu operations and shooting
operations.
[Notes]
Do not connect or disconnect the remote control unit
when the unit is on.
A remote control cable is not supplied with the RCP-
1001/1501 Remote Control Panel.
Releasing Remote Control Mode
Turn off the unit, and disconnect the remote
control unit.
Setting the Paint Function
Technical > System Configuration > RM/RCP Paint
Control (page 68) must be set to On in the full
menu to enable the paint function.
6. Connecting External Devices: Connecting a Remote Control Unit
00087
Main Functions Controllable using the RCP-1001/1501 or RM-B170/B750
Table legend
The following indicate remote control support on the display.
Yes: Control supported
–: Control not supported
Item Sub-item Sub-item Selection option RCP-1001 RCP-1501 RM-B170 RM-B750
Shooting FPS Fixed/Variable Select On/Off – Yes Yes
1)
Yes
FPS Select 1FPS to 110FPS – Yes Yes
1)
Yes
Shutter Select
2)
Shutter ON/OFF On/Off – Yes Yes Yes
ECS ON/OFF On/Off – Yes Yes Yes
Shutter Speed Values registered for Step.
The following values can be displayed.
1/32
1/33
1/48
1/50
1/60
1/96
1/100
1/120
1/125
1/250
1/500
1/1000
1/2000
1/3000
1/4000
1/5000
– Yes Yes Yes
ECS Frequency – – Yes Yes Yes
ND ND Position 1: (CLEAR)
2: (0.3 density)
3: (0.6 density)
4: (0.9 density)
5: (1.2 density)
6: (1.5 density)
7: (1.8 density)
8: (2.1 density)
9: (2.4 density)
Yes Yes Yes Yes
6. Connecting External Devices: Connecting a Remote Control Unit
00088
Item Sub-item Sub-item Selection option RCP-1001 RCP-1501 RM-B170 RM-B750
White Balance
2)
Color Temp 2000K to 15000K
3)
– Yes – Yes
Color Temp Balance (Tint equivalent) –99 to ±0 to +99
4)
– Yes – Yes
R Gain –99 to ±0 to +99 Yes Yes Yes Yes
B Gain –99 to ±0 to +99 Yes Yes Yes Yes
Auto White Balance – Yes Yes Yes Yes
Paint
2)
Switch Status Gamma On/Off – Yes Yes
1)
Yes
Black Gamma
5)
On/Off – Yes Yes
1)
Yes
Flare On/Off – Yes Yes
1)
Yes
Black Master Black –99 to ±0 to +99 Yes Yes Yes Yes
R Black –99 to ±0 to +99 Yes Yes Yes Yes
B Black –99 to ±0 to +99 Yes Yes Yes Yes
Flare Setting On/Off – Yes Yes
1)
Yes
Master Flare –99 to ±0 to +99 – Yes Yes
1)
–
R Flare –99 to ±0 to +99 – Yes – Yes
G Flare –99 to ±0 to +99 – Yes – Yes
B Flare –99 to ±0 to +99 – Yes – Yes
Gamma Setting On/Off – Yes Yes
1)
Yes
Black Gamma Setting On/Off – Yes Yes
1)
Yes
Range Low/L.Mid/H.Mid – Yes – Yes
Master Black Gamma –99 to ±0 to +99 – Yes Yes
1)
Yes
Technical Test Signals Color Bars On/Off On/Off Yes Yes Yes Yes
Rec – – – – – Yes Yes
Play – – – – – Yes Yes
Stop – – – – – Yes Yes
F.Rev – – – – – Yes Yes
F.Fwd – – – – – Yes Yes
Rec Review – – – – – Yes Yes
Next – – – – – Yes –
Prev. – – – – – Yes –
Gain
2)
Gain(Step) – –6dB/–3dB/0dB/3dB/6dB/9dB/12dB/15dB/18dB Yes Yes Yes Yes
White Mode
2)
Preset ON/OFF – On/Off – – Yes Yes
Iris Iris Level – (Control range of target lens) Yes Yes Yes Yes
Close – On/Off Yes Yes – Yes
Zoom
6)
Remote – On/Off – Yes
1)
Yes
1)
–
Speed – – – – – –
Tele to Wide – – – Yes
1)
Yes
1)
–
Zoom Value[%] – – – Yes
1)
Yes
1)
–
Focal Length[mm] – – – Yes
1)
Yes
1)
–
6. Connecting External Devices: Connecting a Remote Control Unit
00089
Item Sub-item Sub-item Selection option RCP-1001 RCP-1501 RM-B170 RM-B750
Focus
6)
Remote – On/Off – Yes
1)
Yes
1)
–
Focus Position – – – Yes
1)
Yes
1)
–
Focus Value[%] – – – Yes
1)
Yes
1)
–
Focus Length[m] – – – Yes
1)
Yes
1)
–
1)
Controllable when assigned to operation block of controller.
2)
Controllable only when Technical > System Configuration > RM/RCP Paint Control (page 68) is set to On in the full menu.
3)
Since Color Temp is clipped at 2000K and 15000K during R/B Gain operation, it may not be possible to display the correct Color Temp value for the R/B Gain value.
4)
Since Color Temp Balance is clipped at ±99, it may not be possible to display the correct Color Temp Balance value for the R/B Gain value.
5)
Configurable only when Project > Basic Setting > Input Color Space (page 58) is set to Rec.2020/HLG_Rec.2100 in the menu.
6)
The zoom and focus drive instructions from a remote control unit are disabled when an E mount lens is attached.
6. Connecting External Devices
00090
Connecting External Monitors and Recording Devices
To display the recording/playback image on an
external monitor, select the output signal and
use an appropriate cable for the monitor to be
connected.
The output signal from the unit can be recorded
by connecting a recording device, such as a VTR.
The same status information and menus can be
displayed on the external monitor as those on
the viewfinder screen. Set the content to display,
according to the output signal for the monitor,
using the Monitoring menu (page 63).
[Note]
When FPS is set to Variable, horizontal image shift may occur
with 4K output only. This phenomenon may be noticeable
for faster frame rates (FPS). However, this does not affect the
recorded image, and the playback image is displayed correctly.
SDI OUT Connector (BNC Type)
Set the output format using the Monitoring menu
(page 63)
.
Use a commercially available 75-ohm coaxial cable
for connection.
[Note]
Check that the ground connection between the unit and
external device is securely grounded before turning the
power on. (We recommend turning on the unit and external
device after connecting a 75-ohm coaxial cable.)
When connecting an external device to the unit while the
unit is turned on, connect to the unit after connecting a 75-
ohm coaxial cable to the external device.
To start synchronized recording on an external
device
With SDI signal output selected, synchronized
recording is possible by feeding a REC
trigger signal to an external recording device
connected to the SDI OUT connector. Enable
synchronized recording by setting Technical >
System Configuration > SDI Rec Remote Trigger
(page 68) in the menu to HD SDI Remote I/F or
Parallel Rec.
[Note]
When a connected external device does not support a REC
trigger signal, the device cannot be operated.
MONITOR OUT Connector (BNC Type)
Outputs an HD SDI signal.
Set the output format using the Monitoring menu
(page 63).
Use a commercially available 75-ohm coaxial cable
for connection.
[Note]
Audio and timecode are not superimposed on this output.
HDMI OUT Connector (Type A
Connector)
Set the output format using the Monitoring menu
(page 63).
Use a commercially available HDMI cable for
connection.
If the output format has the same resolution as the
MONITOR OUT connector signal, the same video
signal is output.
12V OUT Connector (DC OUT 12V,
Hirose 4-pin)
Supplies 12 V DC power to an accessory when the
power switch is set to ON. You can output a REC
Tally signal and input a REC Trigger signal through
the 12V OUT connector.
No. Signal I/O Specification
1 UNREG GND – GND for UNREG
2 REC TALLY OUT Open-collector
output
(Max. 50mA)
Low: REC
3 REC TRIGGER IN Open or +5V DC:
Normal
GND: Active (REC)
4 UNREG +12 V
OUT
OUT +11V to 17V DC
output
11 V to 17 V input
Output voltage:
Same as the input
voltage
Maximum output
current: 1.0A
22 V to 32 V input
Output voltage : 15 V
Maximum output
current: 0.8A
24V OUT Connector (DC OUT 24 V,
Fischer 3-pin)
Supplies 24 V DC power to an accessory when the
power switch is set to ON. You can output a REC
Tally signal and input a REC Trigger signal through
the 24V OUT connector.
No. Signal Specification
1 GND
2 24V-AUX 11 V to 17 V input
Output voltage : 24 V
Maximum output current:
1.0 A
22 V to 32 V input
Output voltage: Same as
the input voltage
Maximum output current:
2.0 A
3 R/S
6. Connecting External Devices: Connecting External Monitors and Recording Devices
00091
AUX Connector (LEMO 5-pin)
Outputs the timecode signal.
No. Signal
1 Factory Use
2 NC
3 –
4 TC OUT
5 GND
6. Connecting External Devices
00092
When shooting with multiple units, synchronized
recording can be performed using a specific
reference signal to synchronize the timecode
among all the units.
Synchronizing the Phase of the Video
Signal (Genlock)
Genlock operation is enabled by supplying one of
the following reference signals to the GENLOCK IN
connector (page 11) of the unit.
HDSDI 1.5G digital (Interlaced or PsF)
HD Y analog
SD VBS analog
Set the genlock input signal using Technical >
Genlock > Input Source (page 70) in the full
menu.
Valid input reference signals vary depending on
the project frame rate setting.
Project frame rate Valid reference signal
23.98P 1920×1080 47.95i (23.98PsF)
24P 1920×1080 48i (24PsF)
25P 1920×1080 50i
720×576 50i
29.97P 1920×1080 59.94i
720×486 59.94i
47.952 1920×1080 47.95i (23.98PsF)
50i 1920×1080 50i
720×576 50i
50P 1920×1080 50i
720×576 50i
59.94i 1920×1080 59.94i
720×486 59.94i
59.94P 1920×1080 59.94i
720×486 59.94i
You can check the genlock status using Technical
> Genlock > Reference Lock Type (page 71) in
the menu.
[Notes]
If the reference signal is unstable, genlock is not possible.
The subcarrier is not synchronized.
Synchronizing the Timecode with
Another Device
Set the unit that supplies the timecode to a mode
in which the timecode output keeps advancing
(Free Run mode).
1 Set TC/Media > Timecode > Mode (page 61)
in the menu to Preset F-Run (Ext-Lk).
2 Supply an HD or SD reference video signal to
the GENLOCK IN connector (page 11) and a
reference timecode synchronized with that
signal to the TC IN (page 11) connector.
The built-in timecode generator of your unit locks
to the reference timecode, and the message “Ext-
Lk” is displayed on the screen.
Once about ten seconds have elapsed after
the timecode locks, the external lock state is
maintained even if the external timecode source is
disconnected.
[Notes]
Check that the reference timecode and the reference
video signal are in a phase relationship that complies with
the SMPTE timecode standards.
When you finish the above procedure, the timecode is
immediately synchronized with the external timecode,
and the time data indication will show the value of the
external timecode. However, wait for a few seconds until
the timecode generator stabilizes before recording.
If the frequency of the reference video signal and the
frame frequency are not the same, lock cannot be
acquired, and the unit will not operate properly. If this
occurs, the timecode will not acquire successful lock with
the external timecode.
When the connection is removed, the timecode advance
may shift one frame per hour with respect to the
reference timecode.
To release external lock
Change the TC/Media > Timecode > Mode
(page 61) setting in the menu.
External Synchronization
00093
7. Appendix
Usage Precautions
Read this section in conjunction with the
information provided in the supplied “Before Using
This Unit” document.
Use and Storage
Do not subject the unit to severe shock
The internal mechanism may be damaged or the
body warped.
Do not cover the unit while operating
Putting a cloth, for example, over the unit can
cause excessive internal heat build-up.
After use
Always set the power switch to OFF.
Before storing the unit for a long period
Remove the battery pack.
Do not leave the unit with the lens facing the sun
Direct sunlight can enter through the lens, be
focused in the unit, and cause fire.
Shipping
Remove the memory cards before transporting
the unit.
If sending the unit by truck, ship, air or other
transportation service, pack it in the shipping
carton of the unit.
Care of the Unit
If the body of the unit is dirty, clean it with a soft,
dry cloth. In extreme cases, use a cloth moistened
in a little neutral detergent, then wipe dry.
Do not use organic solvents, such as alcohol or
thinners, as these may cause discoloration or other
damage to the finish of the unit.
Refrain from cleaning with high air pressure
equipment, such as an air duster, as these may
damage optical components.
In the event of operating problems
If you should experience problems with the unit,
contact your Sony dealer.
Periodic Replacement of Fan and
Battery
The fan and battery are consumable parts that will
need periodic replacement.
When operating at room temperature, a
normal replacement cycle will be about 5 years.
However, this replacement cycle represents only
a general guideline and does not imply that the
life expectancy of these parts is guaranteed. For
details on parts replacement, contact your dealer.
Life Expectancy of the Electrolytic
Capacitor
The life expectancy of the electrolytic capacitor
is about 5 years under normal operating
temperatures and normal usage (8 hours per day;
25 days per month).
If usage exceeds the above normal usage
frequency, the life expectancy may be reduced
correspondingly.
Note about the Battery Terminal
The battery terminal of this unit (the connector for
battery packs and AC adaptors) is a consumable
part.
Power may not be supplied to the unit properly
if the pins of the battery terminal are bent or
deformed by shock or vibrations, or if they become
corroded due to prolonged outdoor use.
Periodic inspections are recommended to keep
the unit working properly and to prolong its
usable lifetime. Contact a Sony service or sales
representative for more information about
inspections.
Use and Storage Locations
Store in a level, ventilated place.
Avoid using or storing the unit in the following
places.
In excessive heat or cold (operating temperature
range: 0 °C to 40 °C (32 °F to 104 °F))
Remember that in summer in warm climates
the temperature inside a car with the windows
closed can easily exceed 50 °C (122 °F).
In damp or dusty locations
Locations where the unit may be exposed to
rain
Locations subject to violent vibration
Near strong magnetic fields
Close to radio or TV transmitters producing
strong electromagnetic fields.
In direct sunlight or close to heaters for
extended periods
To prevent electromagnetic interference from
portable communications devices
The use of portable telephones and other
communications devices near this unit can result
in malfunctions and interference with audio and
video signals.
It is recommended that the portable
communications devices near this unit be
powered off.
Note on laser beams
Laser beams may damage the CMOS image
sensor. If you shoot a scene that includes a laser
beam, be careful not to let the laser beam be
directed into the lens of the unit. Specifically, high-
power laser beams from medical devices or other
devices may cause damage due to reflected light
and scattered light.
About the Screens
Do not leave the screens facing direct sunlight,
as this may damage the screens.
Do not press/swipe the screens forcefully, or
leave objects on the screens, as it may cause a
malfunction, such as picture irregularity, etc.
The screens may become warm in use. This is
not a malfunction.
LCD Panels
The LCD panel fitted to this unit is manufactured
with high precision technology, giving a
functioning pixel ratio of at least 99.99%. Thus a
very small proportion of pixels may be “stuck”,
either always off (black), always on (red, green, or
blue), or flashing. In addition, over a long period
7. Appendix: Usage Precautions
00094
of use, because of the physical characteristics of
the liquid crystal display, such “stuck” pixels may
appear spontaneously.
These problems are not a malfunction.
Note that any such problems have no effect on
recorded data.
OLED Panels
The OLED panel fitted to this unit is manufactured
with high precision technology, giving a
functioning pixel ratio of at least 99.99%. Thus a
very small proportion of pixels may be “stuck”,
either always off (black), always on, or flashing.
In addition, over a long period of use, because
of the physical characteristics of the organic
light-emitting diode, such “stuck” pixels may
appear spontaneously. These problems are not a
malfunction. Note that any such problems have no
effect on recorded data.
Due to the characteristics of the material used in
the OLED panel, permanent burn-in or reduction
in brightness may occur.
These problems are not a malfunction.
On Condensation
If the unit is suddenly taken from a cold to a warm
location, or if ambient temperature suddenly
rises, moisture may form on the outer surface of
the unit and/or inside of the unit. This is known
as condensation. If condensation occurs, turn off
the unit and wait until the condensation clears
before operating the unit. Operating the unit while
condensation is present may damage the unit.
Phenomena Specific to CMOS Image
Sensors
The following phenomena that may appear in
images are specific to CMOS (Complementary
Metal Oxide Semiconductor) image sensors. They
do not indicate malfunctions.
White flecks
Although the CMOS image sensors are produced
with high-precision technologies, fine white
flecks may be generated on the screen in rare
cases, caused by cosmic rays, etc. This is related
to the principle of image sensors and is not a
malfunction.
The white flecks especially tend to be seen in the
following cases.
When operating at high environmental
temperatures
Aliasing
When fine patterns, stripes, or lines are shot, they
may appear jagged or flicker.
Focal plane
Owing to the characteristics of the pickup
elements (CMOS sensors) for reading video signals,
subjects that quickly move across the screen may
appear slightly skewed.
Flashbanding
The luminance at the top and bottom of the
screen may change when shooting a flashlight
beam or a light source that quickly flashes.
Flicker
If recording is made under lighting produced
by discharge tubes, such as fluorescent, sodium,
or mercury-vapor lamps, the screen may flicker,
colors may vary, or horizontal stripes may appear
distorted.
Notes on the Display
Pictures on the viewfinder screen may be
distorted by the following operations.
– Changing the video format
When you change the line of sight in the
viewfinder, you may see primary colors red,
green, and blue, but this is not a defect of the
unit. These primary colors are not recorded on
any recording media.
Fragmentation
If pictures cannot be recorded/reproduced
properly, try formatting the recording medium.
While repeating picture recording/playback with
a certain recording media for an extended period,
files in the media may be fragmented, disabling
proper recording/storage. In such a case, make
a backup of clips in the media then perform
formatting of the media using TC/Media > Format
Media (page 62) in the menu.
Output Voltages of the Unit
The total output power that can be supplied to
peripheral devices from the unit varies depending
on the input voltage to the unit and the state of
the connected accessories. The maximum output
capacity ratings of the following connectors
that can supply power may not be achieved
depending on the conditions.
LENS connector: 1 A max.
12V OUT connector (4-pin):
0.8 A max. (Input voltage: 22 V to 32 V)
1 A max. (Input voltage: 11 V to 17 V)
24V OUT connector (3-pin):
2 A max. (Input voltage: 22 V to 32 V)
1 A max. (Input voltage: 11 V to 17 V)
The power delivery rating available for accessories
(AXS-R7, DVF-EL200, and CBK-3610XS) and
peripheral devices is limited depending on the
input voltage to the unit.
Voltage of power supply to the unit: X [V]
Total power rating of peripheral devices: Y [W]
Power consumption of the unit: Approx. 60 W
Power consumption of the AXS-R7: Approx.
24 W
Power consumption of the DVF-EL200:
Approx. 2.5 W
Power consumption of the CBK-3610XS:
Approx. 3.9 W
Y [W] = X [V] × 9.0 [A]
1)
– (60 + + + )
2)
[W]
When supplying power to the above attached
accessories and peripheral devices, make sure that
the value Y given by the equation above does not
become negative.
7. Appendix: Usage Precautions
00095
(Note that the equation does not apply if the
calculated result Y exceeds the sum of the
maximum allowable output power of each power
output connector.)
1)
6.0 [A] when using the AC-DN10A.
2)
When using an AC-DN10A, do not use units and at
the same time. Depending on the usage environment, the
power supply rating may be exceeded.
Notes on Security
SONY WILL NOT BE LIABLE FOR DAMAGES OF
ANY KIND RESULTING FROM A FAILURE TO
IMPLEMENT PROPER SECURITY MEASURES
ON TRANSMISSION DEVICES, UNAVOIDABLE
DATA LEAKS RESULTING FROM TRANSMISSION
SPECIFICATIONS, OR SECURITY PROBLEMS OF
ANY KIND.
Depending on the operating environment,
unauthorized third parties on the network may
be able to access the unit. When connecting the
unit to the network, be sure to confirm that the
network is protected securely.
From a safety standpoint, when using the unit
connected with the network, it is strongly
recommended to access the Control window
via a Web browser and change the access
limitation settings from the factory preset values
(page 69).
Changing the password regularly is also
recommended.
Do not browse any other website in the Web
browser while making settings or after making
settings. Since the login status remains in the
Web browser, close the Web browser when you
complete the settings to prevent unauthorized
third parties from using the unit or harmful
programs from running.
7. Appendix
00096
SDI OUT Connector Output Formats
The serial digital signal from an SDI OUT connector is output according to the Project category and Monitoring category settings in the menu.
For details about Project category settings combinations, see “Recording Format Settings” (page 48).
Default values are shown underlined and in bold text.
Project Monitoring > Output Format Output format
Project Frame Rate Imager Mode SxS Rec Format SDI 1/2 SDI 3/4 SDI 1 SDI 2 SDI 3 SDI 4
59.94/50 6K 3:2/
4K 2.39:1
1)
/
4K 4:3/
4K 17:9
XAVC-I 4K Class300/
Rec Off
4096×2160P 12G – 4096×2160P YPbPr 12G 4096×2160P YPbPr 12G No output No output
4096×2160P Square
Level B
4096×2160P Square
Level B
4096×2160P YPbPr 3G Level B-DL
4096×2160P 2SI Level
B
4096×2160P 2SI Level
B
4096×2160P YPbPr 3G Level B-DL
2048×1080P
1920×1080P Level B
2048×1080P
YPbPr 3G Level B-DL
2048×1080P
YPbPr 3G Level B-DL
1920×1080P
YPbPr 3G Level B
1920×1080P
YPbPr 3G Level B
1920×1080i 1920×1080i YPbPr 1.5G 1920×1080i YPbPr 1.5G
1920×1080P Level B
1920×1080P Level B
1920×1080P
YPbPr 3G Level B-DL
1920×1080P
YPbPr 3G Level B-DL
1920×1080P
YPbPr 3G Level B
1920×1080P
YPbPr 3G Level B
1920×1080i 1920×1080i YPbPr 1.5G 1920×1080i YPbPr 1.5G
1920×1080i 1920×1080i
1920×1080i YPbPr 1.5G
1920×1080i YPbPr 1.5G
1920×1080i YPbPr 1.5G 1920×1080i YPbPr 1.5G
3.8K 16:9
XAVC-I QFHD Class300/
Rec Off
3840×2160P 12G – 3840×2160P YPbPr 12G 3840×2160P YPbPr 12G No output No output
3840×2160P Square
Level B
3840×2160P Square
Level B
3840×2160P YPbPr 3G Level B-DL
3840×2160P 2SI Level
B
3840×2160P 2SI Level
B
3840×2160P YPbPr 3G Level B-DL
1920×1080P Level B
1920×1080P Level B
1920×1080P
YPbPr 3G Level B-DL
1920×1080P
YPbPr 3G Level B-DL
1920×1080P
YPbPr 3G Level B
1920×1080P
YPbPr 3G Level B
1920×1080i 1920×1080i YPbPr 1.5G 1920×1080i YPbPr 1.5G
1920×1080i 1920×1080i
1920×1080i YPbPr 1.5G
1920×1080i YPbPr 1.5G
1920×1080i YPbPr 1.5G 1920×1080i YPbPr 1.5G
6K 3:2/
4K 4:3/
4K 17:9/
3.8K 16:9
ProRes 422 HQ HD P/
ProRes 422 HD P/
ProRes 422 Proxy HD P
1920×1080P Level B
1920×1080P Level B
1920×1080P
YPbPr 3G Level B-DL
1920×1080P
YPbPr 3G Level B-DL
1920×1080P
YPbPr 3G Level B
1920×1080P
YPbPr 3G Level B
1920×1080i 1920×1080i YPbPr 1.5G 1920×1080i YPbPr 1.5G
MPEG 1920×1080i/ProRes
422 HQ HD i/
ProRes 422 HD i/
ProRes 422 Proxy HD i
1920×1080i 1920×1080i
1920×1080i YPbPr 1.5G
1920×1080i YPbPr 1.5G
1920×1080i YPbPr 1.5G 1920×1080i YPbPr 1.5G
Recording Formats and Output Signals
7. Appendix: Recording Formats and Output Signals
00097
Project Monitoring > Output Format Output format
Project Frame Rate Imager Mode AXS Rec Format SDI 1/2 SDI 3/4 SDI 1 SDI 2 SDI 3 SDI 4
47.95 4K 4:3/4K 17:9 RAW SQ/
X-OCN XT/
X-OCN ST/
X-OCN LT/
Rec Off
4096×2160P Square
Level B
4096×2160P Square
Level B
4096×2160P YPbPr 3G Level B
4096×2160P 2SI Level
B
4096×2160P 2SI Level
B
4096×2160P YPbPr 3G Level B
2048×1080P Level B
1920×1080P 2048×1080P YPbPr 3G Level B 1920×1080P YPbPr 1.5G
1920×1080P 1920×1080P 1920×1080P YPbPr 1.5G 1920×1080P YPbPr 1.5G
Project Monitoring > Output Format Output format
Project Frame Rate Imager Mode SxS Rec Format SDI 1/2 SDI 3/4 SDI 1 SDI 2 SDI 3 SDI 4
29.97/25 6K 1.85:1/
6K 2.39:1/
6K 3:2/
6K 17:9/
5.7K 16:9/
4K 2.39:1
1)
/
4K 4:3/
4K 6:5/
4K 17:9
XAVC-I 4K Class480/
XAVC-I 4K Class300/
Rec Off
4096×2160P 6G – 4096×2160P YPbPr 6G 4096×2160P YPbPr 6G No output No output
4096×2160P 2SI – 4096×2160P YPbPr 3G Level B-DS No output No output
4096×2160P Square 4096×2160P Square 4096×2160P YPbPr 1.5G
2048×1080PsF
1920×1080P
2048×1080PsF
YPbPr 1.5G
2048×1080PsF
YPbPr 1.5G
1920×1080P
YPbPr 1.5G
1920×1080P
YPbPr 1.5G
1920×1080PsF
1920×1080PsF
YPbPr 1.5G
1920×1080PsF
YPbPr 1.5G
1920×1080P 1920×1080P
1920×1080P
YPbPr 1.5G
1920×1080P
YPbPr 1.5G
1920×1080P
YPbPr 1.5G
1920×1080P
YPbPr 1.5G
1920×1080PsF 1920×1080PsF
1920×1080PsF
YPbPr 1.5G
1920×1080PsF
YPbPr 1.5G
1920×1080PsF
YPbPr 1.5G
1920×1080PsF
YPbPr 1.5G
3.8K 16:9
XAVC-I QFHD Class480/
XAVC-I QFHD Class300/
RecOff
3840×2160P 6G – 3840×2160P YPbPr 6G 3840×2160P YPbPr 6G No output No output
3840×2160P 2SI – 3840×2160P YPbPr 3G Level B-DS No output No output
3840×2160P Square 3840×2160P Square 3840×2160P YPbPr 1.5G
1920×1080P 1920×1080P
1920×1080P
YPbPr 1.5G
1920×1080P
YPbPr 1.5G
1920×1080P
YPbPr 1.5G
1920×1080P
YPbPr 1.5G
1920×1080PsF 1920×1080PsF
1920×1080PsF
YPbPr 1.5G
1920×1080PsF
YPbPr 1.5G
1920×1080PsF
YPbPr 1.5G
1920×1080PsF
YPbPr 1.5G
6K 1.85:1/
6K 2.39:1/
6K 3:2/
6K 17:9/
5.7K 16:9/
4K 4:3/
4K 6:5/
4K 17:9/
3.8K 16:9
MPEG 1920×1080P/
ProRes 422 HQ HD P/
ProRes 422 HD P/
ProRes 422 Proxy HD P
1920×1080P 1920×1080P
1920×1080P
YPbPr 1.5G
1920×1080P
YPbPr 1.5G
1920×1080P
YPbPr 1.5G
1920×1080P
YPbPr 1.5G
1920×1080PsF 1920×1080PsF
1920×1080PsF
YPbPr 1.5G
1920×1080PsF
YPbPr 1.5G
1920×1080PsF
YPbPr 1.5G
1920×1080PsF
YPbPr 1.5G
7. Appendix: Recording Formats and Output Signals
00098
Project Monitoring > Output Format Output format
Project Frame Rate Imager Mode SxS Rec Format SDI 1/2 SDI 3/4 SDI 1 SDI 2 SDI 3 SDI 4
24 6K 1.85:1/
6K 2.39:1/
6K 3:2/
6K 17:9/
4K 2.39:1
1)
/
4K 4:3/
4K 6:5/
4K 17:9
XAVC-I 4K Class480/
XAVC-I 4K Class300/
Rec Off
4096×2160P 6G – 4096×2160P YPbPr 6G 4096×2160P YPbPr 6G No output No output
4096×2160P 2SI – 4096×2160P YPbPr 3G Level B-DS No output No output
4096×2160P Square 4096×2160P Square 4096×2160P YPbPr 1.5G
2048×1080P
1920×1080P
2048×1080PsF
YPbPr 1.5G
2048×1080PsF
YPbPr 1.5G
1920×1080P
YPbPr 1.5G
1920×1080P
YPbPr 1.5G
1920×1080P
1920×1080P
1920×1080P
YPbPr 1.5G
1920×1080P
YPbPr 1.5G
1920×1080P
YPbPr 1.5G
1920×1080P
YPbPr 1.5G
1920×1080PsF
1920×1080PsF
YPbPr 1.5G
1920×1080PsF
YPbPr 1.5G
ProRes 422 HQ HD P/
ProRes 422 HD P/
ProRes 422 Proxy HD P
1920×1080P
1920×1080P
1920×1080P
YPbPr 1.5G
1920×1080P
YPbPr 1.5G
1920×1080P
YPbPr 1.5G
1920×1080P
YPbPr 1.5G
1920×1080PsF
1920×1080PsF
YPbPr 1.5G
1920×1080PsF
YPbPr 1.5G
3.8K 16:9
Rec Off 3840×2160P 6G – 3840×2160P YPbPr 6G 3840×2160P YPbPr 6G No output No output
3840×2160P Square 3840×2160P Square 3840×2160P YPbPr 1.5G
3840×2160P 2SI –
3840×2160P
YPbPr 3G Level-B
3840×2160P
YPbPr 3G Level-B
No output No output
1920×1080P
1920×1080P
1920×1080P YPbPr 1.5G 1920×1080P YPbPr 1.5G
1920×1080P YPbPr 1.5G 1920×1080P YPbPr 1.5G
1920×1080PsF
1920×1080PsF
YPbPr 1.5G
1920×1080PsF
YPbPr 1.5G
7. Appendix: Recording Formats and Output Signals
00099
Project Monitoring > Output Format Output format
Project Frame Rate Imager Mode SxS Rec Format SDI 1/2 SDI 3/4 SDI 1 SDI 2 SDI 3 SDI 4
23.98 6K 1.85:1/
6K 2.39:1/
6K 3:2/
6K 17:9/
5.7K 16:9/
4K 2.39:1
1)
/
4K 4:3/
4K 6:5/
4K 17:9
XAVC-I 4K Class480/
XAVC-I 4K Class300/
Rec Off
4096×2160P 6G – 4096×2160P YPbPr 6G 4096×2160P YPbPr 6G No output No output
4096×2160P 2SI – 4096×2160P YPbPr 3G Level B-DS No output No output
4096×2160P Square 4096×2160P Square 4096×2160P YPbPr 1.5G
2048×1080P –
2048×1080PsF
YPbPr 1.5G
2048×1080PsF
YPbPr 1.5G
1920×1080P
YPbPr 1.5G
1920×1080P
YPbPr 1.5G
1920×1080P
1920×1080P
1920×1080P
YPbPr 1.5G
1920×1080P
YPbPr 1.5G
1920×1080P
YPbPr 1.5G
1920×1080P
YPbPr 1.5G
1920×1080PsF
1920×1080PsF
YPbPr 1.5G
1920×1080PsF
YPbPr 1.5G
3.8K 16:9
XAVC-I QFHD Class480/
XAVC-I QFHD Class300/
Rec Off
3840×2160P 6G – 3840×2160P YPbPr 6G 3840×2160P YPbPr 6G No output No output
3840×2160P 2SI – 3840×2160P YPbPr 3G Level B-DS No output No output
3840×2160P Square 3840×2160P Square 3840×2160P YPbPr 1.5G
1920×1080P
1920×1080P
1920×1080P
YPbPr 1.5G
1920×1080P
YPbPr 1.5G
1920×1080P
YPbPr 1.5G
1920×1080P
YPbPr 1.5G
1920×1080PsF
1920×1080PsF
YPbPr 1.5G
1920×1080PsF
YPbPr 1.5G
6K 1.85:1/
6K 2.39:1/
6K 3:2/
6K 17:9/
5.7K 16:9/
4K 4:3/
4K 6:5/
4K 17:9/
3.8K 16:9
MPEG 1920×1080P/
ProRes 422 HQ HD P/
ProRes 422 HD P/
ProRes 422 Proxy HD P
1920×1080P
1920×1080P
1920×1080P
YPbPr 1.5G
1920×1080P
YPbPr 1.5G
1920×1080P
YPbPr 1.5G
1920×1080P
YPbPr 1.5G
1920×1080PsF
1920×1080PsF
YPbPr 1.5G
1920×1080PsF
YPbPr 1.5G
1)
SxS Rec Format is set to Rec Off when Imager Mode is set to 4K 2.39:1.
7. Appendix: Recording Formats and Output Signals
000100
MONITOR OUT Connector/HDMI OUT Connector Output Formats
The digital signal from the MONITOR OUT and HDMI OUT connectors is output according to the Project category and Monitoring category settings in the menu.
For details about Project category settings combinations, see “Recording Format Settings” (page 48).
Default values are shown underlined and in bold text.
Project Monitoring > Output Format Output format
Project Frame Rate Imager Mode SxS Rec Format SDI 1/2 SDI 3/4 Monitor HDMI Monitor Out HDMI
59.94/50 6K 3:2/
4K 2.39:1/
4K 4:3/
4K 17:9
XAVC-I 4K Class300/
Rec Off
4096×2160P 12G –
1920×1080P Level A
4096×2160P
1920×1080P YPbPr 3G Level A
4096×2160P
1920×1080P 1920×1080P
1920×1080i
4096×2160P
1920×1080i YPbPr 1.5G
4096×2160P
1920×1080i 1920×1080i
4096×2160P 2SI 4096×2160P 2SI
1920×1080P Level A
4096×2160P
1920×1080P YPbPr 3G Level A
4096×2160P
1920×1080P 1920×1080P
1920×1080i
4096×2160P
1920×1080i YPbPr 1.5G
4096×2160P
1920×1080i 1920×1080i
4096×2160P Square 4096×2160P Square
1920×1080P Level A 1920×1080P 1920×1080P YPbPr 3G Level A 1920×1080P
1920×1080i 1920×1080i 1920×1080i YPbPr 1.5G 1920×1080i
2048×1080P
1920×1080P Level B 1920×1080P Level A 1920×1080P 1920×1080P YPbPr 3G Level A 1920×1080P
1920×1080i 1920×1080i 1920×1080i 1920×1080i YPbPr 1.5G 1920×1080i
1920×1080P
1920×1080P Level B 1920×1080P Level A 1920×1080P 1920×1080P YPbPr 3G Level A 1920×1080P
1920×1080i 1920×1080i 1920×1080i 1920×1080i YPbPr 1.5G 1920×1080i
1920×1080i 1920×1080i 1920×1080i 1920×1080i 1920×1080i YPbPr 1.5G 1920×1080i
7. Appendix: Recording Formats and Output Signals
000101
Project Monitoring > Output Format Output format
Project Frame Rate Imager Mode SxS Rec Format SDI 1/2 SDI 3/4 Monitor HDMI Monitor Out HDMI
3.8K 16:9
XAVC-I QFHD Class300/
Rec Off
3840×2160P 12G –
1920×1080P Level A
3840×2160P
1920×1080P YPbPr 3G Level A
3840×2160P
1920×1080P 1920×1080P
1920×1080i
3840×2160P
1920×1080i YPbPr 1.5G
3840×2160P
1920×1080i 1920×1080i
3840×2160P 2SI 3840×2160P 2SI
1920×1080P Level A
3840×2160P
1920×1080P YPbPr 3G Level A
3840×2160P
1920×1080P 1920×1080P
1920×1080i
3840×2160P
1920×1080i YPbPr 1.5G
3840×2160P
1920×1080i 1920×1080i
3840×2160P Square 3840×2160P Square
1920×1080P Level A 1920×1080P 1920×1080P YPbPr 3G Level A 1920×1080P
1920×1080i 1920×1080i 1920×1080i YPbPr 1.5G 1920×1080i
1920×1080P
1920×1080P Level B 1920×1080P Level A 1920×1080P 1920×1080P YPbPr 3G Level A 1920×1080P
1920×1080i 1920×1080i 1920×1080i 1920×1080i YPbPr 1.5G 1920×1080i
1920×1080i 1920×1080i 1920×1080i 1920×1080i 1920×1080i YPbPr 1.5G 1920×1080i
6K 3:2/
4K 2.39:1/
4K 4:3/
4K 17:9/
3.8K 16:9
ProRes 422 HQ HD P/
ProRes 422 HD P/
ProRes 422 Proxy HD P
1920×1080P
1920×1080P Level B 1920×1080P Level A 1920×1080P 1920×1080P YPbPr 3G Level A 1920×1080P
1920×1080i 1920×1080i 1920×1080i 1920×1080i YPbPr 1.5G 1920×1080i
ProRes 422 HQ HD i/
ProRes 422 HD i/
ProRes 422 Proxy HD i
1920×1080i 1920×1080i 1920×1080i 1920×1080i 1920×1080i YPbPr 1.5G 1920×1080i
MPEG 1920×1080i
1920×1080i 1920×1080i
1920×1080i 1920×1080i 1920×1080i YPbPr 1.5G 1920×1080i
–
720×480P
1) 2)
No output 720×480P
720×576P
1) 3)
No output 720×576P
Project Monitoring > Output Format Output format
Project Frame Rate Imager Mode AXS Rec Format SDI 1/2 SDI 3/4 Monitor HDMI Monitor Out HDMI
47.95 4K 4:3/4K 17:9 RAW SQ/
X-OCN XT/
X-OCN ST/
X-OCN LT/
Rec Off
4096×2160P Square Level B 4096×2160P Square Level B
1920×1080P 1920×1080P 1920×1080P YPbPr 1.5G 1920×1080P
4096×2160P 2SI Level B 4096×2160P 2SI Level B
2048×1080P
1920×1080P
1920×1080P 1920×1080P
7. Appendix: Recording Formats and Output Signals
000102
Project Monitoring > Output Format Output format
Project Frame Rate Imager Mode SxS Rec Format SDI 1/2 SDI 3/4 Monitor HDMI Monitor Out HDMI
29.97/25 6K 1.85:1/
6K 2.39:1/
6K 3:2/
6K 17:9/
5.7K 16:9/
4K 2.39:1/
4K 4:3/
4K 6:5/
4K 17:9
XAVC-I 4K Class480/
XAVC-I 4K Class300/
Rec Off
4096×2160P 6G –
1920×1080P
4096×2160P
1920×1080P YPbPr 1.5G
4096×2160P
1920×1080P 1920×1080P
1920×1080PsF
4096×2160P
1920×1080PsF YPbPr 1.5G
4096×2160P
1920×1080PsF 1920×1080PsF
4096×2160P 2SI –
1920×1080P
4096×2160P
1920×1080P YPbPr 1.5G
4096×2160P
1920×1080P 1920×1080P
1920×1080PsF
4096×2160P
1920×1080PsF YPbPr 1.5G
4096×2160P
1920×1080PsF 1920×1080PsF
4096×2160P Square 4096×2160P Square
1920×1080P 1920×1080P 1920×1080P YPbPr 1.5G 1920×1080P
1920×1080PsF 1920×1080PsF 1920×1080PsF YPbPr 1.5G 1920×1080PsF
2048×1080PsF
1920×1080P 1920×1080P 1920×1080P 1920×1080P YPbPr 1.5G 1920×1080P
1920×1080PsF 1920×1080PsF 1920×1080PsF 1920×1080PsF YPbPr 1.5G 1920×1080PsF
1920×1080P 1920×1080P 1920×1080P 1920×1080P 1920×1080P YPbPr 1.5G 1920×1080P
1920×1080PsF 1920×1080PsF 1920×1080PsF 1920×1080PsF 1920×1080PsF YPbPr 1.5G 1920×1080PsF
3.8K 16:9
XAVC-I QFHD Class480/
XAVC-I QFHD Class300/
RecOff
3840×2160P 6G –
1920×1080P
3840×2160P
1920×1080P YPbPr 1.5G
3840×2160P
1920×1080P 1920×1080P
1920×1080PsF
3840×2160P
1920×1080PsF YPbPr 1.5G
3840×2160P
1920×1080PsF 1920×1080PsF
3840×2160P 2SI –
1920×1080P
3840×2160P
1920×1080P YPbPr 1.5G
3840×2160P
1920×1080P 1920×1080P
1920×1080PsF
3840×2160P
1920×1080PsF YPbPr 1.5G
3840×2160P
1920×1080PsF 1920×1080PsF
3840×2160P Square 3840×2160P Square
1920×1080P 1920×1080P 1920×1080P YPbPr 1.5G 1920×1080P
1920×1080PsF 1920×1080PsF 1920×1080PsF YPbPr 1.5G 1920×1080PsF
1920×1080P 1920×1080P 1920×1080P 1920×1080P 1920×1080P YPbPr 1.5G 1920×1080P
1920×1080PsF 1920×1080PsF 1920×1080PsF 1920×1080PsF 1920×1080PsF YPbPr 1.5G 1920×1080PsF
6K 1.85:1/
6K 2.39:1/
6K 3:2/
6K 17:9/
5.7K 16:9/
4K 2.39:1/
4K 4:3/
4K 6:5/
4K 17:9/
3.8K 16:9
MPEG 1920×1080P/
ProRes 422 HQ HD P/
ProRes 422 HD P/
ProRes 422 Proxy HD P
1920×1080P 1920×1080P 1920×1080P 1920×1080P 1920×1080P YPbPr 1.5G 1920×1080P
1920×1080PsF 1920×1080PsF 1920×1080PsF 1920×1080PsF 1920×1080PsF YPbPr 1.5G 1920×1080PsF
7. Appendix: Recording Formats and Output Signals
000103
Project Monitoring > Output Format Output format
Project Frame Rate Imager Mode SxS Rec Format SDI 1/2 SDI 3/4 Monitor HDMI Monitor Out HDMI
24 6K 1.85:1/
6K 2.39:1/
6K 3:2/
6K 17:9/
4K 2.39:1/
4K 4:3/
4K 6:5/
4K 17:9
XAVC-I 4K Class480/
XAVC-I 4K Class300/
Rec Off
4096×2160P 6G –
1920×1080P
4096×2160P
1920×1080P YPbPr 1.5G
4096×2160P
1920×1080 1920×1080P
4096×2160P 2SI –
1920×1080P
4096×2160P
1920×1080P YPbPr 1.5G
4096×2160P
1920×1080P 1920×1080P
4096×2160P Square 4096×2160P Square
1920×1080P 1920×1080P 1920×1080P YPbPr 1.5G 1920×1080P
2048×1080P
1920×1080P 1920×1080P 1920×1080P 1920×1080P YPbPr 1.5G 1920×1080P
1920×1080P
1920×1080P 1920×1080P 1920×1080P 1920×1080P YPbPr 1.5G 1920×1080P
1920×1080PsF
ProRes 422 HQ HD P/
ProRes 422 HD P/
ProRes 422 Proxy HD P
1920×1080P
1920×1080P 1920×1080P 1920×1080P 1920×1080P YPbPr 1.5G 1920×1080P
1920×1080PsF
3.8K 16:9
Rec Off
3840×2160P 6G –
1920×1080P
3840×2160P
1920×1080PsF YPbPr 1.5G
3840×2160P
1920×1080P 1920×1080PsF
3840×2160P Square 3840×2160P Square
1920×1080P 1920×1080P 1920×1080P YPbPr 1.5G 1920×1080P
3840×2160P 2SI –
1920×1080P
3840×2160P
1920×1080P YPbPr 1.5G
3840×2160P
1920×1080P 1920×1080P
1920×1080P
1920×1080P 1920×1080PsF 1920×1080P 1920×1080P YPbPr 1.5G 1920×1080P
1920×1080PsF
7. Appendix: Recording Formats and Output Signals
000104
Project Monitoring > Output Format Output format
Project Frame Rate Imager Mode SxS Rec Format SDI 1/2 SDI 3/4 Monitor HDMI Monitor Out HDMI
23.98 6K 1.85:1/
6K 2.39:1/
6K 3:2/
6K 17:9/
5.7K 16:9/
4K 2.39:1/
4K 4:3/
4K 6:5/
4K 17:9
XAVC-I 4K Class480/
XAVC-I 4K Class300/
Rec Off
4096×2160P 6G –
1920×1080P
4096×2160P
1920×1080P YPbPr 1.5G
4096×2160P
1920×1080P 1920×1080P
4096×2160P 2SI –
1920×1080P
4096×2160P
1920×1080P YPbPr 1.5G
4096×2160P
1920×1080P 1920×1080P
4096×2160P Square 4096×2160P Square
1920×1080P 1920×1080P 1920×1080P YPbPr 1.5G 1920×1080P
2048×1080P
1920×1080P 1920×1080P 1920×1080P 1920×1080P YPbPr 1.5G 1920×1080P
1920×1080P
1920×1080P 1920×1080P 1920×1080P 1920×1080P YPbPr 1.5G 1920×1080P
1920×1080PsF
3.8K 16:9
XAVC-I QFHD Class480/
XAVC-I QFHD Class300/
RecOff
3840×2160P 6G –
1920×1080P
3840×2160P
1920×1080 YPbPr 1.5G
3840×2160P
1920×1080P 1920×1080P
3840×2160P 2SI –
1920×1080P
3840×2160P
1920×1080P YPbPr 1.5G
3840×2160P
1920×1080P 1920×1080P
3840×2160P Square 3840×2160P Square
1920×1080P 1920×1080P 1920×1080P YPbPr 1.5G 1920×1080P
1920×1080P
1920×1080P 1920×1080P 1920×1080P 1920×1080P YPbPr 1.5G 1920×1080P
1920×1080PsF
6K 1.85:1/
6K 2.39:1/
6K 3:2/
6K 17:9/
5.7K 16:9/
4K 2.39:1/
4K 4:3/
4K 6:5/
4K 17:9/
3.8K 16:9
MPEG 1920×1080P/
ProRes 422 HQ HD P/
ProRes 422 HD P/
ProRes 422 Proxy HD P
1920×1080P
1920×1080P 1920×1080P 1920×1080P 1920×1080P YPbPr 1.5G 1920×1080P
1920×1080PsF
1)
When AXS Rec Format is set to Rec Off, this output is selected when Technical > System Configuration > SD HDMI is set to On in the menu.
2)
When Project Frame Rate is 59.94.
3)
When Project Frame Rate is 50.0.
7. Appendix
000105
Error/Warning Indications
If a warning, caution, or operating condition that requires confirmation occurs on the unit, a message is
displayed on the sub display, the REC lamp starts flashing, and a warning sound is emitted.
The buzzer is output to the built-in speaker or to the headphones connected via the headphone
connector.
When the unit is turned on, a message appears on the sub display screen prompting you to execute APR
if the auto adjustment for the image sensor (APR) has not been performed for a certain period of time. In
this case, follow the on-screen instructions to execute APR (page 70).
Error Display
The unit will stop operation when the following kind of display occurs.
Error display
indication
Buzzer REC lamp Cause and Solution
E + Error code Intermittent High-speed
flashing
The unit may be defective. Recording stops even if
REC is displayed on the viewfinder/monitor screen.
Turn off the power and check the connected
equipment, cables, and media. If the error persists
when the unit is turned on again, contact your Sony
service representative. (If power cannot be turned off
by setting the power switch to OFF, remove the
battery pack or the DC IN source.)
Warning Display
When one of the following messages occurs, use the following table to resolve the problem.
Warning display
indication
Buzzer REC lamp Cause and Solution
Media Full
1)
Continuous High-speed
flashing
Clips could not be recorded, copied, or split because
there is no remaining capacity on the SxS memory
card.
Replace immediately.
Battery End
1)
Continuous High-speed
flashing
The battery pack is dead. Recording is disabled.
Stop operation and recharge the battery pack.
Temperature High
1)
Intermittent Flashing The internal temperature is high.
Turn off the unit and allow it to cool down before
operating it again.
Warning display
indication
Buzzer REC lamp Cause and Solution
Insufficient Voltage
1)
Continuous High-speed
flashing
The DC IN voltage is too low. Recording is disabled.
Connect another power source.
EXT. I/F Signal Error Intermittent High-speed
flashing
An error was detected with the signal on the
mounting terminal for an expansion unit.
Check the connection to the AXS-R7 or other device.
AXS Firmware
Mismatch
Continuous High-speed
flashing
The AXS-R7 cannot be operated correctly.
Update the firmware version of the AXS-R7.
AXS Recorder Temp.
High
1)
Intermittent High-speed
flashing
The internal temperature of the AXS-R7 is high.
Turn off the unit and allow it to cool down before
operating it again.
Lens Signal Error – – An error was detected with the signal on the
mounting terminal for an expansion unit.
Check the connection to the lens or other device.
1)
Message is not displayed on the monitor screen.
About temperature warnings
The Temperature High and AXS Recorder Temp High warnings may be displayed when operating
within the guaranteed operating temperature of the unit, depending on the operating mode and
usage environment. Recording does not immediately stop when these messages are displayed, but the
suggestions given in the Cause and Solution column of the table should be implemented promptly.
Caution and Operation Confirmation Display
The following caution and operation confirmation messages may appear on the monitor screen or sub
display, and warning icons may be displayed and messages displayed in the Info category > Camera
Condition in the menu. Follow the instructions provided to resolve the issue.
Display indication Cause and Solution
Battery Error
Please Change Battery
An error was detected in the battery pack.
Replace with a normal battery pack.
Backup Battery End
Please Change
The remaining capacity of the backup battery is
insufficient.
Replace the backup battery.
Cannot Use SxS(A)*
Please Change
A memory card that has been partitioned or a
memory card containing more clips that can be
handled by the unit was inserted.
The card cannot be used in the unit, and must be
replaced.
7. Appendix: Error/Warning Indications
000106
Display indication Cause and Solution
Cannot Use SxS(A)*
Unsupported File System
A card using a different file system or an unformatted
card was inserted.
The card cannot be used in the unit, and must be
replaced or formatted using the unit.
Media Error
SxS(A)* Needs to be Restored
An error occurred with the memory card. The card
requires restoration.
Restore the card.
SxS(A)* Error
Recording Stopped
Playback Stopped
Recording or playback stopped because an error
occurred on the memory card.
If the problem persists, replace the memory card.
Input AES/EBU is Invalid Emphasis Emphasis signal that is not compatible with the AES/
EBU input was input.
The unit is compatible with 50u-15u Emphasis only.
Input AES/EBU is not Pro Use A signal other than Professional Use was input to the
AES/EBU input.
The unit is compatible with Professional Use only.
Fan Stopped The fan in the unit has stopped.
Avoid use under high temperature conditions. Turn
the unit off and contact a Sony service representative.
AXS Recorder Fan Stopped The fan in the AXS-R7 that is connected to the unit
has stopped.
Avoid use under high temperature conditions.
Remove the AXS-R7 from the unit and contact a Sony
service representative.
Unsupported FPS
Change AXS(A) to AXS S48 Memory
Unsupported AXS memory was detected.
Recording cannot be performed. Change the
recording format for the AXS memory card, or change
the card to an AXS-A512S48 or AXS-A1TS48.
Abnormal Lens Communication
Please Check “Lens IF” Setting
The type of the connected lens does not match the
unit’s setting.
Check the Technical > Lens Configuration > PL-Mt
Interface Position setting in the full menu.
Please Execute APR The auto adjusting of the image sensor (APR) has not
been executed for a certain period.
Execute APR by pressing the MENU dial.
XXXX License Y days Remaining
(XXXX: Type of license, Y: Number of days remaining)
There are 2 days remaining before the license for the
software option will expire.
Lens I/F Error A fault was detected in the lens I/F communication
when an E-mount lens is attached.
Check the connection to the E-mount lens.
* “SxS(B)” is displayed for the SxS memory card in slot B, “AXS(A)” is displayed for the AXS memory card in slot A of the AXS-R7,
and “AXS(B)” is displayed for the AXS memory card in slot B of the AXS-R7.
7. Appendix
000107
Items Saved in Files
Table legend
Yes: Saved
No: Not saved
–: Not saved (temporary setting)
Shooting Menu
Item Sub-item File type
All
FPS Fixed/Variable Select Yes
FPS Select Yes
Shutter
1)
Shutter Select Yes
Step/Cont. Select Yes
Add/Change Step Yes
Delete Step Yes
ND ND Position Yes
Exposure Index EI Select Yes
White Balance
1)
Color Temp. Select Yes
Add/Change Step Yes
Delete Step Yes
Auto White Balance –
LUT Select SDI 1/2 Yes
SDI 3/4 Yes
Monitor Yes
HDMI Yes
VF LUT Yes
SxS Rec Yes
Sub Rec Yes
Look Category Yes
Preset Look Select Yes
User 3D LUT Select Yes
ASC CDL Process Yes
ASC CDL Select Yes
ASC CDL Information –
Item Sub-item File type
All
Look File Load User 3D LUT –
Reset User 3D LUT –
Reset All User 3D LUTs –
Load ASC CDL –
Reset ASC CDL –
Reset All ASC CDLs –
1)
Selection options added or edited by a user are also saved.
7. Appendix: Items Saved in Files
000108
Project Menu
Item Sub-item File type
All
Basic Setting Imager Mode Yes
Project Frame Rate Yes
Input Color Space Yes
AXS Rec Format Yes
SxS Rec Format Yes
Sub Rec Format Yes
Base ISO Yes
SxS/Output De-Squeeze No
Special Recording Cache Rec Select Yes
Max Cache Rec Duration Yes
Assignable Button <1> Yes
<2> Yes
<3> Yes
<4> Yes
<VF A> Yes
<VF B> Yes
<VF C> Yes
<User 1> Yes
<User 2> Yes
<User 3> Yes
<User 4> Yes
<User 5> Yes
All File Load SD Card –
Save SD Card –
File ID Yes
Format SD Card –
TC/Media Menu
Item Sub-item File type
All
Timecode Mode Yes
Manual Setting –
Reset –
TC Format Yes
TC Source –
Time Data Display Yes
Clip Name Format Camera ID Yes
Reel Number Yes
Camera Position Yes
SxS Root Folder Name Yes
Format Media AXS Slot A –
AXS Slot B –
SxS Slot A –
SxS Slot B –
SD Card –
Update Media AXS Slot A –
AXS Slot B –
SxS Slot A –
SxS Slot B –
7. Appendix: Items Saved in Files
000109
Monitoring Menu
Item Sub-item File type
All
Output Format SDI 1/2 Yes
SDI 3/4 Yes
Monitor Yes
HDMI Yes
OSD Appearance VF Yes
SDI
SDI 1/2
SDI 3/4
Yes
Monitor Yes
HDMI –
Status Info A/B Setup Yes
Frame Line A/B Setup Yes
Monitor Display Focus Distance Format Yes
Frame Line Center Marker Yes
Aspect Ratio Yes
Aspect Safety Zone Yes
Safety Zone Yes
Color Yes
Surround View Type Yes
Aspect Ratio Type Yes
Mask Level Yes
Frame Line on Playback Yes
User Frame Line Width Yes
Height Yes
H Position Yes
V Position Yes
Item Sub-item File type
All
False Color Level Yes
Red Yes
Red Upper Limit Yes
Red Lower Limit Yes
Yellow Yes
Yellow Upper Limit Yes
Yellow Lower Limit Yes
Orange Yes
Orange Upper Limit Yes
Orange Lower Limit Yes
Pink Yes
Pink Upper Limit Yes
Pink Lower Limit Yes
Light Pink Yes
Light Pink Upper Limit Yes
Light Pink Lower Limit Yes
Cyan Yes
Cyan Upper Limit Yes
Cyan Lower Limit Yes
Green Yes
Green Upper Limit Yes
Green Lower Limit Yes
Light Blue Yes
Light Blue Upper Limit Yes
Light Blue Lower Limit Yes
Blue Yes
Blue Upper Limit Yes
Blue Lower Limit Yes
Purple Yes
Purple Upper Limit Yes
Purple Lower Limit Yes
Reset –
VF Display VF LUT Yes
Status Info Yes
Frame Line Yes
VF Magnifier Ratio Yes
Color Yes
7. Appendix: Items Saved in Files
000110
Item Sub-item File type
All
VF Function Double Speed Scan Yes
Peaking Frequency Yes
Zebra Yes
Zebra Select Yes
Zebra1 Level Yes
Zebra1 Aperture Level Yes
Zebra2 Level Yes
Assign<VF A> Yes
Assign<VF B> Yes
Assign<VF C> Yes
Audio Menu
Item Sub-item File type
All
Audio Input CH-1 Audio Select Yes
CH-2 Audio Select Yes
CH-1 Audio Level Yes
CH-2 Audio Level Yes
MIC Reference Yes
Audio Monitor Monitor CH Yes
Monitor Level Yes
Audio Configuration Alarm Level Yes
Input Limiter Mode Yes
AGC Level Yes
AGC Mono/Stereo Yes
MIC Input Mono/Stereo Yes
Phantom Power +48V Yes
Monitor Output CH Pair Yes
Headphone Mono/ST Yes
7. Appendix: Items Saved in Files
000111
Technical Menu
Item Sub-item File type
All
Test Signals Color Bars Yes
Color Bars Type Yes
1kHz Tone on Color Bars Yes
Test Saw Yes
Switch & Rec Light Lock Operator Side Yes
Lock Assistant Side Yes
Rec Light Yes
Rec Start/Stop Beep Yes
System Configuration Fan Control Yes
RM/RCP Paint Control Yes
SDI Rec Remote Trigger Yes
SD HDMI Yes
Shutter Mode Yes
Special Configuration Flip Image Yes
NR(4K 17:9/16:9 AXS) Yes
Lens Configuration PL-Mt Interface Position Yes
Lens 12pin Yes
E-Mount Shading Comp. Yes
E-Mt Chro. Aber. Comp. Yes
Authentication User Name No
Password No
Network Setting Yes
LAN Yes
Wireless Yes
1)
APR APR –
Reset –
Battery Near End:Info Battery Yes
End:Info Battery Yes
Near End:Sony Battery Yes
End:Sony Battery Yes
Near End:Other Battery Yes
End:Other Battery Yes
Detected Battery –
Item Sub-item File type
All
DC Voltage Alarm DC Low Voltage1 Yes
DC Low Voltage2 Yes
DC(24V) Low Voltage1 Yes
DC(24V) Low Voltage2 Yes
Control Display Brightness level Yes
Genlock Input Source Yes
Reference Lock Type –
1)
The following items are not saved.
Scan Networks
SSID
Password
WPS
MAC Address
Regenerate Password
7. Appendix: Items Saved in Files
000112
Maintenance Menu
Item Sub-item File type
All
Clock Set Time Zone Yes
Date Mode Yes
Date –
Time –
Language Select Yes
Hours Meter Camera(System) –
R7 Recorder(System) –
Camera(Resettable) –
R7 Recorder(Resettable) –
Reset-Cam(Resettable) –
Reset-R7(Resettable) –
Reset to Default Reset –
License Options Install: xxx –
Anamorphic –
Full-Frame –
High Frame Rate –
Unique Device ID –
Firmware Camera –
AXS –
FW Update-camera –
FW Update-AXS-R7 –
[Note]
When Technical > System Configuration > RM/RCP Paint Control (page 68) is set to On in the full menu, the following
remote control unit items (page 87) are also saved in an All-settings file.
Black
Flare
Gamma
1)
Black Gamma
1)
Gain
1)
Except when set to S-Log3.
7. Appendix
000113
Licenses
MPEG-4 Visual Patent Portfolio
License
THIS PRODUCT IS LICENSED UNDER THE MPEG-4
VISUAL PATENT PORTFOLIO LICENSE FOR THE
PERSONAL AND NON-COMMERCIAL USE OF A
CONSUMER FOR
(i) ENCODING VIDEO IN COMPLIANCE WITH THE
MPEG-4 VISUAL STANDARD (“MPEG-4 VIDEO”)
AND/OR
(ii) DECODING MPEG-4 VIDEO THAT WAS
ENCODED BY A CONSUMER ENGAGED IN A
PERSONAL AND NON-COMMERCIAL ACTIVITY
AND/OR WAS OBTAINED FROM A VIDEO PROVIDER
LICENSED BY MPEG LA TO PROVIDE MPEG-4 VIDEO.
NO LICENSE IS GRANTED OR SHALL BE IMPLIED
FOR ANY OTHER USE. ADDITIONAL INFORMATION
INCLUDING THAT RELATING TO PROMOTIONAL,
INTERNAL AND COMMERCIAL USES AND
LICENSING MAY BE OBTAINED FROM MPEG LA,
LLC. SEE HTTP://WWW.MPEGLA.COM
MPEG LA is offering licenses for (i) manufacturing/
sales of any storage media storing MPEG-4 Visual
video information (ii) distribution/broadcasting of
MPEG-4 Visual video information in any manner
(such as online video distribution service, internet
broadcasting, TV broadcasting).
Other usage of this product may be required to
obtain license from MPEGLA. Please contact MPEG
LA for any further information. MPEG LA. L.L.C., 250
STEELE STREET, SUITE 300, DENVER, COLORADO
80206
http://www.mpegla.com
MPEG-4 AVC Patent Portfolio License
THIS PRODUCT IS LICENSED UNDER THE AVC
PATENT PORTFOLIO LICENSE FOR THE PERSONAL
USE OF A CONSUMER OR OTHER USES IN WHICH IT
DOES NOT RECEIVE REMUNERATION TO
(i) ENCODE VIDEO IN COMPLIANCE WITH THE AVC
STANDARD (“AVC VIDEO”) AND/OR
(ii) DECODE AVC VIDEO THAT WAS ENCODED BY
A CONSUMER ENGAGED IN A PERSONAL ACTIVITY
AND/OR WAS OBTAINED FROM A VIDEO PROVIDER
LICENSED TO PROVIDE AVC VIDEO.
NO LICENSE IS GRANTED OR SHALL BE IMPLIED
FOR ANY OTHER USE. ADDITIONAL INFORMATION
MAY BE OBTAINED FROM MPEG LA, L.L.C. SEE
HTTP://WWW.MPEGLA.COM
On Accessing Software to which the
GPL/LGPL Applies
This product uses software to which the GPL/LGPL
applies. This informs you that you have a right to
have access to, modify, and redistribute source
code for these software programs under the
conditions of the GPL/LGPL.
The source code is provided on the internet.
Use the following URL and follow the download
instructions.
http://www.sony.net/Products/Linux/common/
search.html
We would prefer that you do not contact us about
the contents of the source code.
For the content of these licenses, connect the unit
to a network and view the OSS Information screen
(page 82) on the web remote control screen.
Open Software Licenses
On the basis of license contracts between Sony
and the software copyright holders, this product
uses open software.
To meet the requirements of the software
copyright holders, Sony is obligated to inform you
of the content of these licenses.
For the content of these licenses, connect the unit
to a network and view the OSS Information screen
(page 82) on the web remote control screen.
7. Appendix
000114
Specifications
General Specifications
Mass Approx. 3.9 kg (8 lb 9.6 oz) (excluding
handle, VF attachment, bottom
cover)
Dimensions
See page 116.
Power requirements
12 V DC (11 V to 17 V)
24 V DC (22 V to 32 V)
Power consumption
Approx. 60 W (when recording XAVC)
Operating temperature
0 °C to 40 °C (32 °F to 104 °F)
Storage temperature
–20 °C to +60 °C (–4 °F to +140 °F)
Continuous operating time
Approx. 60 minutes (using BP-FLX75)
Recording format (video)
X-OCN XT (when the AXS-R7 is attached)
RAW SQ (4K 17:9, 3.8K 16:9) (when the AXS-R7
is attached)
X-OCN ST (when the AXS-R7 is attached)
X-OCN LT (when the AXS-R7 is attached)
XAVC-I Class480 (4K, QFHD)
XAVC-I Class300 (4K, QFHD)
MPEG HD422 (HD)
Apple ProRes 422 HQ (HD)
Apple ProRes 422 (HD)
Apple ProRes 422 Proxy (HD)
Recording format (audio)
LPCM 8CH (2CH recording/playback), 24-bit,
48kHz
Recording project frame rate
RAW SQ (when the AXS-R7 is attached):
4K 17:9/3.8K 16:9
59.94P/50P/29.97P/25P/24P/
23.98P
X-OCN (when the AXS-R7 is attached):
6K 3:2
25P/24P/23.98P
6K 17:9/6K 1.85:1/6K 2.39:1/5.7K
16:9/4K 6:5/4K 17:9 Surround
View/4K 4:3/4K 4:3 Surround
View/3.8K 16:9 Surround View
29.97P/25P/24P/23.98P
4K 17:9/4K 2.39:1/3.8K 16:9
59.94P/50P/29.97P/25P/24P/
23.98P
4K 4:3/4K 17:9
47.95P
XAVC-I Class480:
4K: 4096×2160
29.97P/25P/24P/23.98P
QFHD: 3840×2160
29.97P/25P/ 23.98P
XAVC-I Class300:
4K: 4096×2160
59.94P/50P/29.97P/25P/24P/
23.98P
QFHD: 3840×2160
59.94P/50P/29.97P/25P/23.98P
MPEG HD422(50Mbps):
HD: 1920×1080
29.97P/25P/23.98P/59.94i/50i
Apple ProRes 422 HQ:
HD: 1920×1080
23.98P/24P/25P/29.97P/50i/59.94i/
50P/59.94P
Apple ProRes 422:
HD: 1920×1080
23.98P/24P/25P/29.97P/50i/59.94i/
50P/59.94P
Apple ProRes 422 Proxy (HD)
HD: 1920×1080
23.98P/24P/25P/29.97P/50i/59.94i/
50P/59.94P
Recording/playback time
XAVC-I Class480 23.98P
Approx. 34 minutes when using
SBP-128B/C/D
XAVC-I Class300 23.98P
Approx. 54 minutes when using
SBP-128B/C/D
MPEG2 HD422
Approx. 108 minutes when using
SBS-64G1A/B
Apple ProRes 422 HQ (HD) 23.98P
Approx. 33 minutes when using
SBP-64A/B/C/D/E
Apple ProRes 422 (HD) 23.98P
Approx. 49 minutes when using
SBP-64A/B/C/D/E
Apple ProRes 422 Proxy (HD) 23.98P
Approx. 145 minutes when using
SBS-64G1A/B/C
[Notes]
The recording and playback times are for a continuous
recording as a single clip. The actual times may be
shorter, depending on the number of clips recorded.
The recording/playback time may vary due to usage
conditions and memory characteristics.
6K 3:2 50P/59.94P and 4K 4:3 50P/59.94P X-OCN recording
is supported, but playback is not supported on the unit.
Camera
Imaging device
35 mm full size, single-chip CMOS
image sensor
Number of pixels
24.8 M (total)
Built-in filters
ND filter A
Clear 0.3
(1/2)
0.6
(1/4)
ND filter B Clear Clear 0.3
(1/2)
0.6
(1/4)
0.9
(1/8)
0.9
(1/8)
1.2
(1/16)
1.5
(1/32)
1.8
(1/64)
1.8
(1/64)
2.1
(1/128)
2.4
(1/256)
ISO sensitivity
ISO 500 (D55 light source)
ISO 2500 (D55 light source)
Lens mount
PL mount (with lens mount adaptor)
E mount (without lens mount adaptor)
Flange focal length
PL mount: 52 mm
E mount: 18 mm
Latitude 15+ stops
Input/Output
Audio input
CH-1/CH-2: XLR-type 5-pin (female) (1),
LINE / AES/EBU / MIC / MIC+48V
selectable
DC input
XLR-type 4-pin (male), 11 V to 17 V or
22 V to 32 V DC
DC output (12V)
Hirose 4-pin (1),
11V to 17V DC (Output voltage:
Same as input voltage, Maximum
output current: 1.0 A), 22V to
32V DC (Output voltage: 15V,
Maximum output current: 0.8A),
Using battery adaptor
[Notes]
You can output a REC Tally signal and input a REC Trigger
signal through the 12V OUT connector.
Connect to the 12V OUT connector only devices with
current consumption of 1.0A or lower when the input
voltage is 11V to 17V, or 0.8A or lower when the input
voltage is 22V to 32V.
DC output (24V)
Fischer 3-pin (2),
11V to 17V DC (Output voltage:
24V, Maximum output current:
1.0A), 22V to 32V DC (Output
voltage: Same as input voltage,
Maximum output current: 2.0A)
7. Appendix: Specifications
000115
[Note]
Connect to the 24V OUT connector only devices with current
consumption of 1.0A or lower when the input voltage is
11V to 17V, or 2.0A or lower when the input voltage is 22V
to 32V.
SDI output BNC type (4)
3G-SDI: SMPTE ST424/425 Level B-DL/
DS
HD SDI: SMPTE ST292 compliant
AUX
LEMO 5-pin (1)
Viewfinder output
LEMO 26-pin (1)
Network
RJ45 type (1)
Remote control
8-pin (1)
MONITOR output
BNC type (1)
HD SDI: SMPTE ST292 compliant
Timecode input
TC IN: BNC type (1)
GENLOCK input
BNC type (1)
HDMI output
Type A (1)
External device connector
USB host: Type A (1)
Headphones output
Stereo mini jack (1)
Speaker output
Monaural
Media Slots
Type ExpressCard/34 slot (2)
SD card slot (1)
Supplied Accessories
VF attachment (1)
Handle (1)
VF cable (A-2203-745-A) (1)
Shim (circular) (4-730-328-11) (1)
Shim (1/3 arc) (4-730-328-21) (15)
E mount lens cover (1)
Before Using This Unit (1)
Operating Instructions (CD-ROM) (1)
Optional Accessories
0.7-inch type viewfinder
DVF-EL200
7-inch type viewfinder
DVF-L700
VF cable for attaching DVF-L700
A-2201-632-A or A-2201-633-A
Camera Extension System
CBK-3610XS
Wireless LAN Adaptor
CBK-WA02
Remote Control Unit
RM-B170/B750
RCP-1000/1500/1530
RCP-1001/1501
Portable Memory Recorder
AXS-R7
SxS memory cards (SxS Pro+/SxS-1)
SBP-64/128/256E,
SBS-32/64/128G1C
Card Reader
SBAC-US30, SBAC-UT100, AXS-AR1
Shoulder Adaptor (attaches to VCT-14 using V
shoe)
VCT-FSA5
PL mount lens
SCL-PK6/F (Feet), SCL-PK6/M (Meters)
(6-lens kit: 20, 25, 35, 50, 85,
135mm),
SCL-P11X15 (11mm to 16mm
zoom)
E mount lens
SELP28135G, SEL1635GM, SEL2470GM,
SEL70200GM, SEL100400GM,
SEL1224G, SEL35F14Z, SEL50F14Z,
SEL85F14GM, SEL90M28G,
SEL100F28GM
Battery Pack
BP-FL75, BP-FLX75
AC Adaptor
AC-DN2B, AC-DN10A
Microphone ECM-680S, ECM-678*, ECM-674*
(*: EC-0.5X3F5M 3-pin XLR to 5-pin
XLR adaptor cable required)
Dual Battery Adaptor
BKW-L200 (connection via battery
connection adaptor)
SDI/HDMI Monitor
BVM series, PVM series, LMD series
XQD memory cards (QDA-EX1 XQD to SxS
ExpressCard Adaptor required)
QD-S64E, QD-S32E, QD-N64, QD-
M128A, QD-M64A, QD-M32A, QD-
G128A/E, QD-G64A/E, QD-G32A/E
Design and specifications are subject to change
without notice.
Notes
Always make a test recording, and verify
that it was recorded successfully. SONY
WILL NOT BE LIABLE FOR DAMAGES OF ANY
KIND INCLUDING, BUT NOT LIMITED TO,
COMPENSATION OR REIMBURSEMENT ON
ACCOUNT OF FAILURE OF THIS UNIT OR ITS
RECORDING MEDIA, EXTERNAL STORAGE
SYSTEMS OR ANY OTHER MEDIA OR STORAGE
SYSTEMS TO RECORD CONTENT OF ANY TYPE.
Always verify that the unit is operating
properly before use. SONY WILL NOT BE LIABLE
FOR DAMAGES OF ANY KIND INCLUDING,
BUT NOT LIMITED TO, COMPENSATION OR
REIMBURSEMENT ON ACCOUNT OF THE LOSS
OF PRESENT OR PROSPECTIVE PROFITS DUE
TO FAILURE OF THIS UNIT, EITHER DURING THE
WARRANTY PERIOD OR AFTER EXPIRATION OF
THE WARRANTY, OR FOR ANY OTHER REASON
WHATSOEVER.
SONY WILL NOT BE LIABLE FOR CLAIMS OF
ANY KIND MADE BY USERS OF THIS UNIT OR
MADE BY THIRD PARTIES.
SONY WILL NOT BE LIABLE FOR THE LOSS,
REPAIR, OR REPRODUCTION OF ANY DATA
RECORDED ON THE INTERNAL STORAGE
SYSTEM, RECORDING MEDIA, EXTERNAL
STORAGE SYSTEMS OR ANY OTHER MEDIA OR
STORAGE SYSTEMS.
SONY WILL NOT BE LIABLE FOR THE
TERMINATION OR DISCONTINUATION OF ANY
SERVICES RELATED TO THIS UNIT THAT MAY
RESULT DUE TO CIRCUMSTANCES OF ANY
KIND.
7. Appendix: Specifications
000116
Dimensions
147 (5
7
/
8
)
25 (1)
25 (1)
25 (1)
25 (1)
15.2 (
5
/
8
)
27.7 (1
1
/
8
)
25 (1)
4.45 (
3
/
16
)
14 (
9
/
16
)
25 (1)
25 (1)
25 (1)
25 (1)
13 (
17
/
32
)
Ø5.2, Depth: 5
UNC 1/4-20, Depth: 10.5
2-UNC 3/8-16,
Depth: 13.5
UNC 1/4-20, Depth: 11
2-UNC 3/8-16, Depth: 10.5
0.5 (
1
/
32
)
25 (1)
25 (1)
25 (1)
17 (
11
/
16
)
10-UNC 3/8-16, Depth: 10.7
10-UNC 1/4-20,
Depth: 10.7
158
(6
1
/
4
)
170 (6
3
/
4
)
40
(1
5
/
8
)
60
(2
3
/
8
)
84 (3
3
/
8
)
2-M3,
Depth: 5
2-M3,
Depth: 5
Unit: mm (inches)
235 (9
3
/
8
)
202 (8)
236
(9
3
/
8
)
294 (11
5
/
8
)
UNC 1/4-20,
Depth: 9
UNC 3/8-16,
Depth: 7
9.25 (
3
/
8
)
2-UNC 1/4-20
3-UNC 3/8-16
10-UNC 1/4-20, Depth: 11
8-M3, Depth: 5
25 (1)25 (1)61.5
(2
1
/
2
)
25 (1)25 (1)25 (1)
16.5
(
21
/
32
)
120 (4
3
/
4
)
165 (6
1
/
2
)
25 (1)25 (1)
50 (2)
24 (
31
/
32
)
25 (1)61.5
(2
1
/
2
)
73 (2
7
/
8
)
57.1 (2
1
/
4
)
57.1 (2
1
/
4
)
76 (3)
80
(3
1
/
4
)
85.5
(3
3
/
8
)
Trademarks
XAVC and
are registered trademarks of
Sony Corporation.
The terms HDMI and HDMI High-Definition
Multimedia Interface, and the HDMI Logo are
trademarks or registered trademarks of HDMI
Licensing Administrator, Inc. in the United States
and other countries.
All system names and product names are
registered trademarks or trademarks of their
respective owners. Trademarked items are not
indicated by ® or ™ symbols in this document.
